Film and Media

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Let Me Take You Down: Penny Lane and Strawberry Fields Forever Let Me Take You Down Penny Lane and Strawberry Fields Forever Jonathan Cott 2024 Spring
The conception, creation, recording, and significance of the Beatles’ “Penny Lane” and “Strawberry Fields Forever”
Neural Networks Neural Networks Ranjodh Singh Dhaliwal, Théo Lepage-Richer and Lucy Suchman 2023 Fall
A critical examination of the figure of the neural network as it mediates neuroscientific and computational discourses and technical practices
Anime's Knowledge Cultures: Geek, Otaku, Zhai Anime's Knowledge Cultures Geek, Otaku, Zhai Jinying Li 2024 Spring
Unlocking the technosocial implications of global geek cultures
The Digital and Its Discontents The Digital and Its Discontents Aden Evens 2024 Spring
A groundbreaking critique of the digital world that analyzes its universal technological foundations
Livestreaming: An Aesthetics and Ethics of Technical Encounter Livestreaming An Aesthetics and Ethics of Technical Encounter EL Putnam 2024 Spring
An inquiry into how livestreaming can help us meaningfully connect
Racial Blackness and Indian Ocean Slavery: Iran’s Cinematic Archive Racial Blackness and Indian Ocean Slavery Iran’s Cinematic Archive Parisa Vaziri 2023 Fall
Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema
Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy Cinema Is the Strongest Weapon Race-Making and Resistance in Fascist Italy Lorenzo Fabbri 2023 Fall
A deep dive into Italian cinema under Mussolini’s regime and the filmmakers who used it as a means of antifascist resistance
What We Teach When We Teach DH: Digital Humanities in the Classroom What We Teach When We Teach DH Digital Humanities in the Classroom Brian Croxall and Diane K. Jakacki, Editors 2023 Fall
Exploring how DH shapes and is in turn shaped by the classroom
Boundary Images Boundary Images Giselle Beiguelman, Melody Devries, Winnie Soon and Magdalena Tyżlik-Carver 2023 Spring
How are images made, and how should we understand their limits, capacities, and forces in digital media?
Border Tunnels: A Media Theory of the U.S.–Mexico Underground Border Tunnels A Media Theory of the U.S.–Mexico Underground Juan Llamas-Rodriguez 2023 Fall
A comparative media analysis of the representation of the U.S.–Mexico border
The New American War Film The New American War Film Robert Burgoyne 2023 Fall
A look at how post-9/11 cinema captures the new face of war in the twenty-first century
Blood in the Tracks: The Minnesota Musicians behind Dylan's Masterpiece Blood in the Tracks The Minnesota Musicians behind Dylan's Masterpiece Paul Metsa and Rick Shefchik 2023 Spring
The story of the Minneapolis musicians unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album
The Affect Lab: The History and Limits of Measuring Emotion The Affect Lab The History and Limits of Measuring Emotion Grant Bollmer 2023 Fall
Examines how our understanding of emotion is shaped by the devices we use to measure it
Asians on Demand: Mediating Race in Video Art and Activism Asians on Demand Mediating Race in Video Art and Activism Feng-Mei Heberer 2023 Fall
Does media representation advance racial justice?
On the Digital Humanities: Essays and Provocations On the Digital Humanities Essays and Provocations Stephen Ramsay 2023 Fall
A witty and incisive exploration of the philosophical conundrums that animate the digital humanities