Let Me Take You Down

Penny Lane and Strawberry Fields Forever

2024

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Author:

Jonathan Cott

The conception, creation, recording, and significance of the Beatles’ “Penny Lane” and “Strawberry Fields Forever”

In Let Me Take You Down: Penny Lane and Strawberry Fields Forever, Jonathan Cott recounts the conception and creation of these two songs and describes the tumultuous events that led the Beatles to call it quits as a touring band and redefine themselves solely as recording artists. Cott also engages in conversations with Laurie Anderson, Bill Frisell, Richard Gere, Margaret Klenck, and Jonathan F. P. Rose, shining new light on two of the most acclaimed songs in rock and roll history.

Tags

Film and Media, Cultural Criticism, Literature, Creative Nonfiction, Music

John Lennon wrote “Strawberry Fields Forever” in Almería, Spain, in fall 1966, and in November, in response to that song, Paul McCartney wrote “Penny Lane” at his home in London. A culmination of what was one of the most life-altering and chaotic years in the Beatles’ career, these two songs composed the 1967 double A-side 45 rpm record that has often been called the greatest single in the history of popular music and was, according to Beatles producer George Martin, “the best record we ever made.”

In Let Me Take You Down: Penny Lane and Strawberry Fields Forever, Jonathan Cott recounts the conception and creation of these songs; describes the tumultuous events and experiences that led the Beatles to call it quits as a touring band and redefine themselves solely as recording artists; and details the complex, seventy-hour recording process that produced seven minutes of indelible music. In writing about these songs, he also focuses on them as inspired artistic expressions of two unique ways of experiencing and being in the world, as Lennon takes us down to Strawberry Fields and McCartney takes us back to Penny Lane.

In order to gain new vistas and multiple perspectives on these multifaceted songs, Cott also engages in conversations with five remarkable people: media artist Laurie Anderson; guitarist Bill Frisell; actor Richard Gere; Jungian analyst Margaret Klenck; and urban planner, writer, and musician Jonathan F. P. Rose. The result is a wide-ranging, illuminating exploration of the musical, literary, psychological, cultural, and spiritual aspects of two of the most acclaimed songs in rock and roll history.

Jonathan Cott is author and editor of more than forty books and has written for Rolling Stone, the New York Times, The New Yorker, and the Washington Post. He is author of Days That I’ll Remember: Spending Time with John Lennon and Yoko Ono and coauthor of the text for The Beatles Get Back, the book included in the original box set of the Let It Be album. Cott interviewed Paul McCartney for Rolling Stone on the occasion of the fiftieth anniversary of Buddy Holly’s death, and he conducted a nine-hour interview with John Lennon three days before he died, which was originally published in Rolling Stone and later in Listening: Interviews, 1970–1989 (Minnesota, 2020).