Arts and Humanities Sale: Film
BOOKS ON SALE
All books below are 40% off using code MNMLA23. Code expires April 1, 2023.
BROWSE BOOKS:
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ENVIRONMENT // LITERARY CRITICISM // GENDER AND SEXUALITY // RACE
NEW LITERATURE // NATIVE AMERICAN AND INDIGENOUS STUDIES // EDUCATION
ART AND ART HISTORY // ARCHITECTURE AND DESIGN // MEDIA STUDIES
DIGITAL CULTURE // FILM // DISABILITY STUDIES // ANIMAL STUDIES
PSYCHEDELIC STORIES // DRAMA AND PERFORMANCE
FORERUNNERS SERIES // IN SEARCH OF MEDIA SERIES // POSTHUMANITIES SERIES
DEBATES IN THE DIGITAL HUMANITIES SERIES // ELECTRONIC MEDIATIONS SERIES
UNIVOCAL SERIES // ART AFTER NATURE SERIES
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Chinese Film Realism and Convention from the Silent Era to the Digital Age Jason McGrath 2022 Fall
- A tour de force chronicling the development of realism in Chinese cinema
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The New Real Media and Mimesis in Japan from Stereographs to Emoji Jonathan E. Abel 2022 Fall
- Unlocking a vital understanding of how literary studies and media studies overlap and are bound together
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Italian Political Cinema Figures of the Long ’68 Mauro Resmini 2022 Fall
- An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition
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Endless Intervals Cinema, Psychology, and Semiotechnics around 1900 Jeffrey West Kirkwood 2022 Fall
- Revealing cinema’s place in the coevolution of media technology and the human
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Cruisy, Sleepy, Melancholy Sexual Disorientation in the Films of Tsai Ming-liang Nicholas de Villiers 2022 Fall
- A brilliant approach to the queerness of one of Taiwan’s greatest auteurs
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The Horror of Police Travis Linnemann 2022 Spring
- Unmasks the horrors of a social order reproduced and maintained by the violence of police
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Cinema Illuminating Reality Media Philosophy through Buddhism Victor Fan 2022 Spring
- A new critical approach to cinema and media based on Buddhism as a philosophical discourse
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The Rhythm of Images Cinema beyond Measure Domietta Torlasco 2021 Spring
- A rigorous and imaginative inquiry into rhythm’s vital importance for film and the moving image
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Ends of Cinema Richard Grusin and Jocelyn Szczepaniak-Gillece, Editors 2020 Fall
- Leading film and media scholars discuss multiple “ends” in the history of cinema
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Pulses of Abstraction Episodes from a History of Animation Andrew R. Johnston 2020 Fall
- Reshapes the history of abstract animation and its importance to computer imagery and cinema
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News Parade The American Newsreel and the World as Spectacle Joseph Clark 2020 Spring
- A fascinating look at the United States’ conflicted relationship with news and the media, through the lens of the newsreel
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Postcinematic Vision The Coevolution of Moving-Image Media and the Spectator Roger F. Cook 2020 Spring
- A study of how film has continually intervened in our sense of perception, with far-ranging insights into the current state of lived experience
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Furious Feminisms Alternate Routes on Mad Max: Fury Road Alexis L. Boylan, Anna Mae Duane, Michael Gill and Barbara Gurr 2020 Spring
- A provocative peek into this complicated film as a space for subversion, activism, and imaginative power
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Bad Film Histories Ethnography and the Early Archive Katherine Groo 2019 Spring
- A daring, deep investigation into ethnographic cinema that challenges standard ways of writing film history and breaks important new ground in understanding archives
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Zoological Surrealism The Nonhuman Cinema of Jean Painlevé James Leo Cahill 2019 Spring
- An archive-based, in-depth analysis of the surreal nature and science movies of the pioneering French filmmaker Jean Painlevé
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The Sound of Things to Come An Audible History of the Science Fiction Film Trace Reddell 2018 Fall
- A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema
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Critical Mass Social Documentary in France from the Silent Era to the New Wave Steven Ungar 2018 Fall
- Thirty-five years of nonfiction films offer a unique lens on twentieth-century French social issues
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Spectacle of Property The House in American Film John David Rhodes 2017 Fall
- A fascinating and unprecedented look at our relationship with the house in cinema
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Cinema without Reflection Jacques Derrida’s Echopoiesis and Narcissism Adrift Akira Mizuta Lippit 2016 Spring
- Excavates a theory of cinema in Derrida’s writing on love, narcissism, echopoiesis, and fluidity