Art and Performance

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Nacho López, Mexican Photographer Nacho López, Mexican Photographer John Mraz 2003 Spring
Reveals the career of an influential but under-appreciated photojournalist
Alternative Art New York Alternative Art New York Julie Ault, Editor 2002 Fall
A multifaceted history of New York’s influential alternative art scene during a time of rapid social change.
Culture Incorporated: Museums, Artists, and Corporate Sponsorships Culture Incorporated Museums, Artists, and Corporate Sponsorships Mark W. Rectanus 2002 Spring
An exposé of the hidden costs of corporate funding of the arts
Representing Place: Landscape Painting and Maps Representing Place Landscape Painting and Maps Edward S. Casey 2002 Spring
A richly illustrated look at landscapes, maps, and their relation to place
The Dubious Spectacle: Extremities of Theater, 1976-2000 The Dubious Spectacle Extremities of Theater, 1976-2000 Herbert Blau 2001 Fall
A retrospective collection by the reigning theorist of theater and performance in our time.
The Tilted Arc Controversy: Dangerous Precedent? The Tilted Arc Controversy Dangerous Precedent? Harriet F. Senie 2001 Fall
A comprehensive look at a controversy that continues to fuel debates about the role of public art in America.
Selected Works: The Minneapolis Institute of Art Selected Works The Minneapolis Institute of Art Sandra LaWall Lipshultz 2002 Fall
A richly illustrated guide to the highlights of this world-renowned collection.
Rome: A City out of Print Rome A City out of Print Rose Marie San Juan 2001 Fall
An intriguing look at what printed materials tell us about daily life and public space in seventeenth-century Rome.
Between Street and Mirror: The Drawings of James Ensor Between Street and Mirror The Drawings of James Ensor 2001 Fall
The first major book devoted solely to the drawings of this influential artist.
Networked Art Networked Art Craig J. Saper 2001 Fall
Outlines an exciting new approach to this confluence of art, media, and poetry.
The Third Hand: Collaboration in Art from Conceptualism to Postmodernism The Third Hand Collaboration in Art from Conceptualism to Postmodernism Charles Green 2001 Spring
A major reevaluation of collaboration’s role in art since 1968.
European Painting in the Tweed Museum of Art European Painting in the Tweed Museum of Art David Stark 2001 Spring
A fiftieth anniversary guide to the museum’s stunning European collection.
Master Drawings from the Collection of Alfred Moir Master Drawings from the Collection of Alfred Moir Richard J. Campbell and Jane Immler Satkowski, Editors 2000 Fall
Works from the extensive private collection of the renowned art historian.
Space, Site, Intervention: Situating Installation Art Space, Site, Intervention Situating Installation Art Erika Suderburg, Editor 2000 Spring
The definitive work on the role of installation art within contemporary culture and society.
World Views: Maps and Art World Views Maps and Art Robert Silberman 1900 Spring
An original look at the intersection of map making and artistic creation.