Similar titles: The Moving Image
- Cloning Nuclear Transplantation in Amphibia Robert Gilmore McKinnell None None
- Noise The Political Economy of Music Jacques Attali 1984 Fall
- Argues that music does not reflect society; it foreshadows new social formations.
- Mentality and Machines Keith Gunderson 1985 Spring
- The Limits of Scientific Reasoning David Faust 1984 Fall
- Draws upon the findings of cognitive psychology to show that human judgment is far more limited than we have tended to believe, and that all individuals, scientists included, have a surprisingly restricted capacity to interpret complex information.
- The Postmodern Condition A Report on Knowledge Jean-François Lyotard 1984 Spring
- This founding essay of the postmodern movement argues that knowledge-science, technology, and the arts-has undergone a change of status since the 19th century and especially since the late 1950s.
- Testing Scientific Theories John Earman, Editor 1984 Spring
- Springs of Scientific Creativity Essays on Founders of Modern Science claire Aris, H. Ted Davis and Roger H. Stuewer, Editors None None
- The Cineaste Interviews On the Art and Politics of the Cinema Dan Georgakas and Lenny Rubenstein, Editors None None
- Clinical Decisions and Laboratory Use Donald P. Connelly, Ellis S. Benson, M. Desmond Burke and Douglas Fenderson, Editors None None
- The Well-Tun’d Word Musical Interpretations of English Poetry, 1597-1651 Elise Bickford Jorgens None None
- In The Well-Tun’d Word Elisa Bickford Jorgens studies changing msucial conventions in English song in relation to new patterns in poetic taste from the late Elizabethan era through the Jacobean and Caroline years, basing her work on the premise that any musical setting of a poem is an interpretation of the poem itself. Jorgen’s opening chapters describe and illustrate elements of the craft of poetry and the musical conventions that can represent them. Her presentation is both clear and thorough, and will be especially helpful for students and scholars of English literature who are not necessarily musicians. She then discusses four major categories of song: Measured Music, Dance Songs and Tuneful Airs, English Monody, and Pathetic Airs, and shows how each group changed during the first half of the seventeenth century.
- Proximity and Preference Problems in the Multidimensional Analysis of Large Data Sets Reginald G. Golledge and John N. Rayner, Editors None None
- Certainty A Refutation of Scepticism Peter D. Klein 1981 Fall
- The Art of Eastern India, 300-800 Frederick M. Asher None None
- Mathematical Models in the Health Sciences A Computer-Aided Approach Eugene Ackerman and Laël Cranmer Gatewood None None
- Foundations of Space-Time Theories John Earman, Clark N. Glymour and John J. Stachel, Editors None None