Assuming the Ecosexual Position
The Earth as Lover
The story of the artistic collaboration between the originators of the ecosex movement, their diverse communities, and the Earth
In 2008, Annie Sprinkle and Beth Stephens married the Earth, which set them on the path to explore the realms of ecosexuality. Assuming the Ecosexual Position describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory.
Tuned to the more than human, Annie Sprinkle and Beth Stephens have married widely and well, mating with the airs, waters, and places of Earth, inviting their companions into profligate kinning for earthly survival. They have taken me on their ecosexual journeys, rolling around with them on their theoretical and performative ground to get sufficiently soiled to be brave enough to join the old whore and the hillbilly in their radical practices of joy, love, and rage. Read this book, revel in its wacky seriousness, risk its call to transformative art and life.
Donna Haraway, author of Staying with the Trouble: Making Kin in the Chthulucene
What’s sexy about saving the planet? Funny you should ask. Because that is precisely—or, perhaps, broadly—what Annie Sprinkle and Beth Stephens have spent many years bringing to light in their live art, exhibitions, and films. In 2008, Sprinkle and Stephens married the Earth, which set them on the path to explore the realms of ecosexuality as they became lovers with the Earth and made their mutual pleasure an embodied expression of passion for the environment. Ever since, they have been not just pushing but obliterating the boundaries circumscribing biology and ecology, creating ecosexual art in their performance of an environmentalism that is feminist, queer, sensual, sexual, posthuman, materialist, exuberant, and steeped in humor.
Assuming the Ecosexual Position tells of childhood moments that pointed to a future of ecosexuality—for Annie, in her family swimming pool in Los Angeles; for Beth, savoring forbidden tomatoes from the vine on her grandparents’ Appalachian farm. The book describes how the two came together as lovers and collaborators, how they took a stand against homophobia and xenophobia, and how this union led to the miraculous conception of the Love Art Laboratory, which involved influential performance artists Linda M. Montano, Guillermo Gómez-Peña, and feminist pornographer Madison Young. Stephens and Sprinkle share the process of making interactive performance art, including the Chemo Fashion Show, Cuddle, Sidewalk Sex Clinics, and Ecosex Walking Tours. Over the years, they celebrated many more weddings to various nature entities, from the Appalachian Mountains to the Adriatic Sea. To create these weddings, they collaborated with hundreds of people and invited thousands of guests as they vowed to love, honor, and cherish the many elements of the Earth.
As entertaining as it is deeply serious, and arriving at a perilous time of sharp differences and constricting categories, the story of this artistic collaboration between Sprinkle, Stephens, their diverse communities, and the Earth opens gender and sexuality, art and environmentalism, to the infinite possibilities and promise of love.
Tuned to the more than human, Annie Sprinkle and Beth Stephens have married widely and well, mating with the airs, waters, and places of Earth, inviting their companions into profligate kinning for earthly survival. They have taken me on their ecosexual journeys, rolling around with them on their theoretical and performative ground to get sufficiently soiled to be brave enough to join the old whore and the hillbilly in their radical practices of joy, love, and rage. Read this book, revel in its wacky seriousness, risk its call to transformative art and life.
Donna Haraway, author of Staying with the Trouble: Making Kin in the Chthulucene
This book is a manifesto, a memoir, a call to action, a piece of art, and a love story. As we fight to save our planet, consider Annie Sprinkle and Beth Stephens’s approach, which is rooted in our bodies and our relationships to one another and nature. Their form of environmental activism smashes binaries, promotes radical inclusivity, and embraces the power of pleasure.
Tristan Taormino, author of Opening Up: A Guide to Creating and Sustaining Open Relationships
Annie Sprinkle and Beth Stephens give the ‘eco-curious’ a holistic and multifaceted insight into their practice and pedagogy. Through storytelling, poetic manifestos, and detailed descriptions of projects, the artists trace their relentless commitment to all forms of ecosex devotion and offer readers an open-ended guide on how to embody and enact a daily earth-loving practice.
Guillermo Gómez-Peña, performance artist, writer, and artistic director of La Pocha Nostra
Contents
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