Mixed Metonymies: Mechanization and Culture

By Roy Christopher

Mechanization takes Command by Sigfried GiedionMeanings are malleable. Words bend and break under the stress of unintended use, abuse, or overuse. Like machine parts pushed past their limits, cogs stripped bare of their teeth, the language we use wears out, weakening the culture that carries it and our knowledge thereof.

Aldous Huxley (1970) writes, “In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery” (p. 11). We use metaphors and metonymies of the machine to explain everything from individual bodies  and brains to society and the cosmos (see Lakoff, 1993; Raunig, 2010; Wilden, 1972). Aristotle used many anthropomorphic ideas to describe natural occurrences, but the technology of the time, needing constant human intervention, offered little in the way of metaphors for the mind. Since then, we have compared the human mind to the clock, the steam engine, the radio, the radar, and the computer (Vroon, 1987). Machines, engines, motors—these are visible, tangible things. The mechanizations we need to watch are the ones we can’t see. As Bettina Knapp (1989) writes, “…machines increasingly cut people off from nature in general and from their own  nature, in particular” (p. 28).

In Mechanization Takes Command: A Contribution to Anonymous History(University of Minnesota Press, 2013), originally published in 1948, Sigfried Giedion attempts to elucidate the cause of this splitting from our nature, the break between thought and feeling in modern society.