Editorial Information
Devin Orgeron North Carolina State University Editor
Liza Palmer Managing Editor
Brian Real University of Kentucky Reviews Editor
Editorial Board
Ilse Assmann Independent Consultant for Radio and Television Archives
Snowden Becker University of California, Los Angeles/Center for Home Movies
Tre Berney Cornell University
Ed Carter Academy Film Archive
Paolo Cherchi Usai Centro Sperimentale di Cinematografia
Grover Crisp Sony Pictures
Nico de Klerk Utrecht University/Ludwig Boltzmann Institute for Digital History
Guy Edmonds University of Plymouth
Meghan Fitzgerald National Aeronautics and Space Administration
Peter Flynn Emerson University
Giovanna Fossati Eye Filmmuseum/University of Amsterdam
Terri Francis Indiana University
Michael Gillespie The City University of New York
Anne Gourdet-Mares Fondation Jérôme Seydoux-Pathé
Karen Gracy Kent State University
Tom Gunning University of Chicago
Dorinda Hartmann Library of Congress
Heather Heckman University of South Carolina
Jan-Christopher Horak JCH Archival Consulting
Eric Hoyt University of Wisconsin, Madison
Luna Hupperetz University of Amsterdam/Vrije Universiteit
Jennifer Jenkins University of Arizona
Jimi Jones University of Illinois
Peter Kaufman Intelligent TV
Andrea Leigh Library of Congress
Bert Lyons AVP
Mike Mashon Library of Congress
Jan Muller National Film and Sound Archive of Australia
Charles Musser Yale University
Joshua Ng Archives New Zealand Te Rua Mahara o te Kāwanatanga
Kassandra O’Connell Irish Film Institute
Miriam Posner University of California, Los Angeles
Rick Prelinger University of California, Santa Cruz
Meredith Reese LA Phil
Lauren Sorensen Whirl-i-Gig
Katherine Spring Wilfrid Laurier University
Shelley Stamp University of California, Santa Cruz
Rachael Stoeltje Indiana University
Dan Streible New York University
Kara Van Malssen AVP
Erwin Verbruggen Netherlands Institute for Sound and Vision
Haidee Wasson Concordia University
Mark Williams Dartmouth University
Tami Williams University of Wisconsin, Milwaukee
Joshua Yumibe Michigan State University
Patricia Zimmermann Ithaca College
Submission Guidelines
AMIA will accept for submission to The Moving Image any article concerned with moving image archives in the widest sense. The Journal will address issues involving all moving image materials, including historic and contemporary film, television, and video, new and emerging digital technologies, as well as paper and three-dimensional collections documenting the history of moving image media.
- Traditional scholarly papers and historical essays, addressing aspects of the moving image archives field or highlighting specific collections.
- In-depth examinations of specific preservation and restoration projects
- Detailed profiles of moving image collections or archives
- Interviews with leading figures in the moving image archives community
- Behind the scenes looks at the techniques used to preserve and restore our moving image heritage
- Theoretical and visionary articles on the future of the field
- Technical and practical articles on research and development in the field
- Reviews of books and films directly related to the archival field.
The Moving Image also has unique relevance for scholars who rely upon archives, both physical and electronic, for their scholarship and teaching. It is a forum for those concerned with such diverse topics as the ethics of restoration, the study of home movies and other nontheatrical forms, intellectual property restrictions affecting preservation and access to archival moving images, genre definitions, and film/videography of under-represented visual cultures. We welcome submissions on these and other film and media history topics, especially those that that illuminate the value of archives or that utilize underappreciated archival sources.
Inquiries and submissions should be directed electronically to editor@themovingimage.org.
Review copies of DVDs or books should be sent to the AMIA Office at 1313 North Vine Street, Los Angeles, CA 90028.