Contents

Acknowledgments
Introduction: Ands turn Comparative turn Trans-

Part I. Recovery/Interpretation
1. “Being” Indigenous “Now”: Resettling “The Indian Today” within and beyond the U.S. 1960s
2. Unsettling the Spirit of ’76: American Indians Anticipate the U.S. Bicentennial

Part II. Interpretation/Recovery
3. Pictographic, Woven, Carved: Engaging N. Scott Momaday’s “Carnegie, Oklahoma, 1919” through Multiple Indigenous Aesthetics
4. Indigenous Languaging: Empathy and Translation across Alphabetic, Aural, and Visual Texts
5. Siting Earthworks, Navigating Waka: Patterns of Indigenous Settlement in Allison Hedge Coke’s Blood Run and Robert Sullivan’s Star Waka

Notes
Bibliography
Index