The Responsive Environment

Design, Aesthetics, and the Human in the 1970s

2019
Author:

Larry D. Busbea

How new conceptions of human–environment interaction became central to design theories and practices in the 1970s

In The Responsive Environment, Larry D. Busbea takes up the concept of environment as an object and method of design at the height of its aesthetic, technical, and discursive elaboration. Exploring emerging paradigms of environmental perception, patterning, and control, he shows how living space itself was reimagined as a domain capable of modification through input from its newly sensitized inhabitants.

"The Responsive Environment contributes vital research on the emergence of responsive environments within design experiments and projects undertaken in the 1970s. Abounding with remarkable archival materials, this detailed study of designers and practices offers a valuable historical account of the rise of the smart surrounds that now characterize contemporary computerized worlds."—Jennifer Gabrys, author of Program Earth: Environmental Sensing Technology and the Making of a Computational Planet

At the end of the 1960s, new models of responsiveness between humans and their environments had a profound impact on theories and practices in architecture, design, art, technology, media, and the sciences. The resulting initiatives—design philosophies, art installations, architectural projects, exhibitions, publications, and symposia—sought to bring together insights from biology, systems theory, psychology, and anthropology with modernist legacies of total design.

In The Responsive Environment, Larry D. Busbea takes up this concept of environment as an object and method of design at the height of its aesthetic, technical, and discursive elaboration. Exploring emerging paradigms of environmental perception, patterning, and control as developed by Gregory Bateson, Edward T. Hall, Wolf Hilbertz, György Kepes, Marshall McLuhan, Nicholas Negroponte, Paolo Soleri, and others, he shows how living space itself was reimagined as a domain capable of modification through input from its newly sensitized inhabitants.

The Responsive Environment intercuts the development of new ideas about environmental awareness with case studies of specific architecture and design projects for responsive environments. Throughout, Busbea connects these theories and practices to the contemporary obsession with “smart” things: responsive technologies, intelligent environments, biomimetic materials, and digital atmospherics.

Larry D. Busbea is associate professor of art history at the University of Arizona. He is author of Topologies: The Urban Utopia in France, 1960–1970.

The Responsive Environment contributes vital research on the emergence of responsive environments within design experiments and projects undertaken in the 1970s. Abounding with remarkable archival materials, this detailed study of designers and practices offers a valuable historical account of the rise of the smart surrounds that now characterize contemporary computerized worlds.

Jennifer Gabrys, author of Program Earth: Environmental Sensing Technology and the Making of a Computational Planet

The Responsive Environment is a necessary book, one that helps us understand how concepts of environment, subjectivity, and aesthetics underpin historical and conceptual developments in art and architecture. It is a carefully crafted journey through essential thinkers in this field, and it opens new pathways for exploring how we relate to objects, environments, and ourselves.

Daniel A. Barber, author of A House in the Sun: Modern Architecture and Solar Energy in the Cold War

But so long as we’re able to read and write books like this—to see the environment, its patterns, levers, affects—there maybe remains hope for design and critical subjectivity.

Journal of Architectural Education

Busbea has written an interesting and well-researched book providing new perspectives on well-known material while also highlighting other ways of thinking, people, and events that have hardly been discussed before.

Environmental History

The Responsive Environment: Design, Aesthetics, and the Human Life in the 1970s and Architecture of Good Behavior: Psychology & Modern Institutional Design in Postwar America exemplify what to expect of environmental history when under-


taken with rigor and talent. Both deal with a theme explored in the 1960s and


1970s , ‘environmental design,’ and do so from an ‘Americentric’ angle, but they pursue different, ultimately complementary approaches.

Arquitectura Viva

Elegant, meticulous, and timely

Journal of Design History

Contents


Preface and Acknowledgments


Introduction


1. Invisible Environments


2. Pattern Watchers


3. Responsive Environments


4. Soft Control Material


5. Cybertecture


6. Arcoconsciousness


Conclusion


Notes


Index