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Of Sheep, Oranges, and Yeast

A Multispecies Impression

2017
Author:

Julian Yates

Of Sheep, Oranges, and Yeast

Winner: Society for Literature, Science, and the Arts Michelle Kendrick Memorial Book Prize

 

Refocusing our lens on literature and history to lives beyond the human

Bringing together conversations in animal studies, plant studies, ecotheory, and biopolitics, Julian Yates crafts scripts for literary and historical study that embrace the fact that we come into being through our relations to other animal, plant, fungal, microbial, viral, mineral, and chemical actors. What emerges is a methodology that fundamentally alters what it means to read in the twenty-first century. 

"Of Sheep, Oranges, and Yeast promises—and delivers—everything. A microcosmos, it treats sheep, plants, microbes, and Benjamin Franklin’s bread rolls, ranging from pastoral poetry to Philip K. Dick. At every turn, Yates surprised and delighted me. This volume's multimodal capaciousness, equally adept in historiographical, philosophical, biographical, and even genetic frameworks, should entice anyone feeling the slightest temptation towards posthuman and ecological cultural studies." 
Karl Steel, Brooklyn College and Graduate Center, CUNY 

In what senses do animals, plants, and minerals “write”? How does their “writing” mark our lives—our past, present, and future? Addressing such questions with an exhilarating blend of creative flair and theoretical depth, Of Sheep, Oranges, and Yeast traces how the lives of, yes, sheep, oranges, gold, and yeast mark the stories of those animals we call “human.”

Bringing together often separate conversations in animal studies, plant studies, ecotheory, and biopolitics, Of Sheep, Oranges, and Yeast crafts scripts for literary and historical study that embrace the fact that we come into being through our relations to other animal, plant, fungal, microbial, viral, mineral, and chemical actors. The book opens and closes in the company of a Shakespearean character talking through his painful encounter with the skin of a lamb (in the form of parchment). This encounter stages a visceral awareness of what Julian Yates names a “multispecies impression,” the way all acts of writing are saturated with the “writing” of other beings. Yates then develops a multimodal reading strategy that traces a series of anthropo-zoo-genetic figures that derive from our comaking with sheep (keyed to the story of biopolitics), oranges (keyed to economy), and yeast (keyed to the notion of foundation or infrastructure).

Working with an array of materials (published and archival), across disciplines and historical periods (Classical to postmodern), the book allows sheep, oranges, and yeast to dictate their own chronologies and plot their own stories. What emerges is a methodology that fundamentally alters what it means to read in the twenty-first century.

Awards

Society for Literature, Science, and the Arts Michelle Kendrick Memorial Book Prize

Of Sheep, Oranges, and Yeast

Julian Yates is professor of English and material culture studies at the University of Delaware. He is the author of Error, Misuse, Failure: Object Lessons from the English Renaissance (Minnesota, 2003).

Of Sheep, Oranges, and Yeast

Of Sheep, Oranges, and Yeast promises—and delivers—everything. A microcosmos, it treats sheep, plants, microbes, and Benjamin Franklin’s bread rolls, ranging from pastoral poetry to Philip K. Dick. At every turn, Julian Yates surprised and delighted me. This volume's multimodal capaciousness, equally adept in historiographical, philosophical, biographical, and even genetic frameworks, should entice anyone feeling the slightest temptation towards posthuman and ecological cultural studies.

Karl Steel, Brooklyn College and Graduate Center, CUNY

Of Sheep, Oranges, and Yeast

Contents
Impression
Part I. Sheep
1. Counting Sheep in the Belly of the Wolf
2. What Was Pastoral (Again)? More Versions (Otium for Sheep)
Part II. Oranges
3. Invisible Inc. (Time for Oranges)
4. Gold You Can Eat (On Theft)
Part III. Yeast
5. Bread and Stones (On Bubbles)
Erasure
Acknowledgments
Notes
Index