Kant’s Critical Philosophy
The Doctrine of the Faculties
1985
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Gilles Deleuze
Translated by Hugh Tomlinson and Barbara Habberjam
In an essay surveying the essential themes of all three Critiques, Deleuze restores the Critique of Judgement to its key position in Kant’s work.
“Deleuze demonstrates a remarkable sensitivity to the intentions and achievements of Kant's critical project. The result is . . . an intelligent and thoughtful reading of, and introduction to, the fundamental project of Kantian thought.” International Studies in Philosophy
“Deleuze demonstrates a remarkable sensitivity to the intentions and achievements of Kant's critical project. The result is . . . an intelligent and thoughtful reading of, and introduction to, the fundamental project of Kantian thought.” International Studies in Philosophy
Kant's Critical Philosophy
“Deleuze demonstrates a remarkable sensitivity to the intentions and achievements of Kant's critical project. The result is . . . an intelligent and thoughtful reading of, and introduction to, the fundamental project of Kantian thought.” International Studies in Philosophy
“This little book is a ‘jewel,’ a superb, and truly enlightening, presentation of the whole of Kant’s thought. . . . It is Deleuze’s intention to render transparent and readable what is most obscure, and rarely referred to in introductory works on Kant, or even in more learned works on this author-and he fully succeeds in achieving this goal.” Rodolphe Gasché, SUNY Buffalo
This concise, systematic key to Kant’s thought by noted philosopher Gilles Deleuze surveys the essential themes of all three Critiques (Critique of Pure Reason, Critique of Practical Reason, and Critique of Judgment), taking into account their interrelationships and revealing the structure of Kant’s entire critical philosophy.
Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris-VIII at Saint-Denis. Among his numerous books are Anti-Oedipus, A Thousand Plateaus, and Kafka: Toward a Minor Literature (all cowritten with Félix Guattari), as well as Foucault, The Fold: Leibniz and the Baroque, Cinema 1: The Movement-Image, and Cinema 2: The Time-Image. All of these works are available from the University of Minnesota Press.
$18.50 paper ISBN 978-0-8166-1436-3
104 pages, 5 1/2 x 8 1/2, 1985
Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris-VIII at Saint-Denis. Among his numerous books are Anti-Oedipus, A Thousand Plateaus, and Kafka: Toward a Minor Literature (all cowritten with Félix Guattari), as well as Foucault, The Fold: Leibniz and the Baroque, Cinema 1: The Movement-Image, and Cinema 2: The Time-Image. All of these works are available from the University of Minnesota Press.
“Deleuze demonstrates a remarkable sensitivity to the intentions and achievements of Kant's critical project. The result is . . . an intelligent and thoughtful reading of, and introduction to, the fundamental project of Kantian thought.” International Studies in Philosophy
This little book is a ‘jewel,’ a superb, and truly enlightening, presentation of the whole of Kant’s thought. . . . It is Deleuze’s intention to render transparent and readable what is most obscure, and rarely referred to in introductory works on Kant, or even in more learned works on this autho
and he fully succeeds in achieving this goal.” Rodolphe Gasché, SUNY Buffalo
Francis Bacon
The Logic of Sensation
A publishing event—the last major work of Gilles Deleuze to be translated into English
The Fold
Leibniz and the Baroque
In The Fold, Gilles Deleuze argues that Leibniz’s writings constitute the grounding elements of a Baroque philosophy and of theories for analyzing contemporary arts and science. A model for expression in contemporary aesthetics, the concept of the monad is viewed in terms of folds of space, movement, and time. Similarly, the world is interpreted as a body of infinite folds and surfaces that twist and weave through compressed time and space. According to Deleuze, Leibniz also anticipates contemporary views of event and history as multifaceted combinations of signs in motion and of the “modern” subject as nomadic, always in the process of becoming.
Foucault
The first analysis of Foucault’s work by a major philosopher working within the same poststructuralist tradition.
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