Migrations of Gesture
 


Migrations of Gesture

Carrie Noland and Sally Ann Ness, editors

Table of Contents

Title

$25.00 paper
ISBN: 978-0-8166-4865-8
ISBN-10: 0-8166-4865-4

$75.00 cloth
ISBN: 978-0-8166-4864-1
ISBN-10: 0-8166-4864-6

 

The cultural significance of gesture as a human expression.

Derived from the Latin verb “gerere”—to carry, act, or do—“gesture” has accrued critical currency but has remained undertheorized. Migrations of Gesture addresses this absence and provides a complex theory on the value of gesture for understanding human sign production.

Gestures migrate from body to body, from one medium to another, and between cultural contexts. Juxtaposing distinct approaches to gesture in order to explore the ways in which they at once shape and are influenced by culture, the contributors examine the works of writers Henri Michaux and Stéphane Mallarmé, photographers Henri Cartier-Bresson and Robert Frank, and filmmakers Hou Hsiao-Hsien and Martin Arnold, along with cultural practices such as gang walking, ballet, and classical Indian dance. The authors move deftly between an organic, phenomenal appreciation of human expression and a historicist, semiotic understanding of how the “human” is itself created through gestural routines.

Contributors: Mark Franko, U of California, Santa Cruz; Ketu H. Katrak, U of California, Irvine; Akira Mizuta Lippit, U of Southern California; Susan A. Phillips, Pitzer College; Deidre Sklar; Lesley Stern, U of California, San Diego; Blake Stimson, U of California, Davis.

Carrie Noland is author of Poetry at Stake: Lyric Aesthetics and the Challenge of Technology, as well as numerous essays on poetic experimentation with sound, graphics, and the Internet. She is coediting a collection of essays with Barrett Watten, Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement, and completing a manuscript that juxtaposes theories of gesture drawn from performance studies and new media theory. She teaches French literature and critical theory at the University of California, Irvine.

Sally Ann Ness is professor of anthropology at University of California, Riverside, and a Certified Movement Analyst from the Laban/Bartenieff Institute of Movement Studies. She is author of Body, Movement, and Culture: Kinesthetic and Visual Symbolism in a Philippine Community and Where Asia Smiles: An Ethnography of Philippine Tourism. Her current research, funded in part by a Guggenheim Fellowship, focuses on touristic practice in Yosemite Valley, illuminating connections between place, embodiment, and authenticity.

320 pages | 22 b&w photos | 6 x 9 | 2008

TABLE OF CONTENTS

Acknowledgments
Introduction by Carrie Noland

1 The Inscription of Gesture: Inward Migrations in Dance
Sally Ann Ness
2 Physical Graffiti West: African American Gang Walks and Semiotic Practice
Susan A. Phillips
3 Gesture and Abstraction
Blake Stimson
4 Remembering Kinesthesia: An Inquiry into Embodied Cultural Knowledge
Deidre Sklar
5 Digesture: Gesture and Inscription in Experimental Cinema
Akira Mizuta Lippit
6 Miming Signing: Henri Michaux and the Writing Body
Carrie Noland
7 Ghosting: The Performance and Migration of Cinematic Gesture, Focusing on Hou Hsiao-Hsien’s Good Men, Good Women
Lesley Stern
8 The Gestures of Bharata Natyam: Migrating into Diasporic Contemporary Indian Dance
Ketu H. Katrak
9 Mimique
Mark Franko

Conclusion by Sally Ann Ness
Contributors
Index