Film and Media Studies / Film and History

Settler Attachments and Asian Diasporic Film

Beenash Jafri

Dark Carnival

The Secret World of Tod Browning, Hollywood’s Master of the Macabre

David J. Skal and Elias Savada

Assembly by Design

The United Nations and Its Global Interior

Olga Touloumi

Movies under the Influence

Jocelyn Szczepaniak-Gillece

Chris Marker

Early Film Writings

Chris Marker

Translated by Sally Shafto

Edited by Steven Ungar

Interactive Cinema

The Ambiguous Ethics of Media Participation

Marina Hassapopoulou

Stardust

Cinematic Archives at the End of the World

Hannah Goodwin

The Flesh of Animation

Bodily Sensations in Film and Digital Media

Sandra Annett

Producing Sovereignty

The Rise of Indigenous Media in Canada

Karrmen Crey

Racial Blackness and Indian Ocean Slavery

Iran's Cinematic Archive

Parisa Vaziri

Cinema is the Strongest Weapon

Race-Making and Resistance in Fascist Italy

Lorenzo Fabbri

The Needle and the Lens

Pop Goes to the Movies from Rock 'n' Roll to Synthwave

Nate Patrin

The New American War Film

Robert Burgoyne

Asians on Demand

Mediating Race in Video Art and Activism

Feng-Mei Heberer

Chinese Film

Realism and Convention from the Silent Era to the Digital Age

Jason McGrath