The Believer: Micro-Interview with Ian Bogost
THE BELIEVER: What is a video-game poem, and how do you go about making one?
IAN BOGOST: The game poem is an attempt to continue the poetic tradition in video-game form, not necessarily using language, but still embracing constraint and condensed symbolism. With A Slow Year I took two fixed endpoints: the Atari 2600 platform on one side, and, on the other side, the poetic traditions of imagism and haiku, forms that precisely and concisely capture a particular idea or image in a small measure of language. I asked myself: If you take these two things and use them like the ends of a jump rope, what does it feel like to use that apparatus as a designer? What does it mean for a player? In my case, the Atari 2600 already had the prebuilt material constraints that haiku has, because the hardware is incredibly rudimentary.
Art and Posthumanism: Cary Wolfe in conversation with Art after Nature series editors Giovanni Aloi and Caroline Picard.
Life in Plastic: Petrochemical fantasies and synthetic sensibilities, with Caren Irr, Lisa Swanstrom, Jennifer Wagner-Lawlor, and Daniel Worden.
Live: A book launch for We Are Meant to Rise at Next Chapter Booksellers features Carolyn Holbrook, David Mura, Douglas Kearney, Melissa Olson, Said Shaiye, and Kao Kalia Yang.
