The Arrow: Alexis Shotwell

 
Why contamination and compromise might be a starting point for doing something, instead of a reason to give up

Rereading Emily St. John Mandel’s speculative fiction novel Station Eleven at the start of the pandemic was strangely reassuring. The book toggles between the onset of a future global flu pandemic and the lives of people living twenty years later. I often find post-apocalyptic fiction helpful for affirming the possibility of going on past disaster. Station Eleven is explicitly organized around the proposition that “survival is insufficient.” This phrase—tattooed on a character’s arm and written on the side of the traveling theatre and musical troupe’s vehicle in the twenty-years-from-pandemic plotline—comes from a Star Trek episode. In the book, the phrase, “survival is insufficient,” asserts that people deserve art, and music, and other seemingly useless things that are apparently secondary to basic biological survival. To reprise the 1912 labor slogan, we need not only bread but also roses: Beauty is integral to surviving and thriving.

 

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