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• Volume 4 - Issue 2 Contents Purchase This Issue

  Table of Contents, Volume 4 - Issue 2

  FEATURES

  Confronting the Past in the Archival Film and the Contemporary Documentary

  Confronting the Past in the Archival Film and the Contemporary Documentary. Janna Jones

  News That Moves: Accessioning Video for Newspaper Archives. Victoria McCargar

  Preservation of Electronic Media in Libraries, Museums, and Archives. Carey Stumm

  Louise Lovely, Bluebird Photoplays, and the Star System. Jeannette Delamoir

  FORUM

  A Critical View of Some Major Libraries: The Perspective of an Early Cinema Historian. Stephen Bottomore

  Moving History: Promoting Moving Image Archive Collections in an Emerging Digital Age. Frank Gray and Elaine Sheppard

  REVIEWS

  Raymundo, written and directed by Ernesto Ardito and Virna Molina (2002). Beatriz Flores Gutiérrez

  Dogtown and Z-Boys, directed by Stacy Peralta. Sony Pictures Classics, 2001. Stephen Slappe

  The Phantom of the Opera. Milestone Film & Video/Image Entertainment, 2003. Lee Tsiantis

  Hollywood Quarterly: Film Culture in Postwar America, 1945-1957, edited by Eric Smoodin and Ann Martin. University of California Press, 2002. Anna Siomopoulos

  Ciné-Ethnography, Jean Rouch, edited and translated by Steven Feld. University of Minnesota Press, 2003. Paula Amad

  River of Shadows: Eadweard Muybridge and the Technological Wild West, Rebecca Solnit. Viking, 2003. Sarah Ziebell Mann

  Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records, Sam Kula. Scarecrow Press, 2003. Robert Vianello

  Computers, Visualization, and History: How New Technology Will Transform Our Understanding of the Past, David J. Staley. M. E. Sharpe, 2003. Patricia R. Zimmermann

  Symposium: Tenth Anniversary Celebration of the Restoration Department at the Fachhochschule für Technik und Wirtschaft. Berlin, November 22, 2003. Anke Mebold

  Rewind/Fast Forward Festival. Miami, June 2003. Christina Lane

  Le Giornate del Cinema Muto 2003. Sacile, October 11-18, 2003. Jerry White

• Volume 4 - Issue 1 Contents Purchase This Issue

  Table of Contents, Volume 4 - Issue 1

  Editor’s Foreward. Jan-Christopher Horak

  Coeditor’s Foreward Laura U. Marks

  FEATURES

  Showing Different Films Differently: Cinema as a Result of Cinematic Thinking. Stefanie Schulte Strathaus

  Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition. Karyn Sandlos

  The Ethical Presenter, or How to Have Good Arguments over Dinner. Laura U. Marks

  Vision, Authority, Context: Cornerstones of Curation and Programming. Mark Haslam

  A Curator's Conundrum: Programming "Black Film" in 1980s-1990s Britain. June Givanni

  Film Festivals, Programming, and the Building of a National Cinema. Liz Czach

  Lumière's Arrival of the Train: Cinema's Founding Myth. Martin Loiperdinger

  FORUM

  Nitrate Machos vs. Nitrate Nellies: Buccaneer Days at the UCLA Film and Television Archive. Robert S. Birchard

  Some Bald Assertion by an Ignorant and Badly Educated Frenchman: Technology, Film Criticism, and the "Restoration" of Vertigo (1996). Leo Enticknap

  REVIEWS

  Cinemania. Wellspring Media, 2002. Jennifer Ormson

  Capturing the Friedmans. HBO, Magnolia Pictures, 2003. Snowden Becker

  Le Joueur d'Échecs/The Chess Player. Directed by Raymond Bernard, 1927. Maureen Furniss

  This Film Is Dangerous: A Celebration of Nitrate Film, editor, Roger Smither; associate editor, Catherine A. Surowiec. FIAF, 2002. Janice Simpson

  North of Everything: English-Canadian Cinema since 1980, edited by William Beard and Jerry White. University of Alberta Press, 2003. David Lemieux

  The New Media Book, edited by Dan Harries. BFI Publishing, 2002. Richard L. Edwards

  Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture, by Alison Griffiths. Columbia University Press, 2002. Sophia Siddique Harvey

  Celluloid Goes Digital. University of Trier, Germany, October 20-23, 2002. Kay Hoffmann

  The Lives of Lola Montès: A Report from the Max Ophüls Beyond Borders Conference. Williamsburg, Virginia, March 27-30, 2003. Gabriel M. Paletz

• Volume 3 - Issue 2 Contents Purchase This Issue

  Table of Contents, Volume 3 - Issue 2

  REVIEWS

  Film Archives in the Digital Era: New Concepts and New Policies. Archimedia Seminar. Amsterdam, January 16-18, 2003. David Walsh and Paul Read

  War Photographer. Produced, directed, and edited by Christian Frei; produced by Christian Frei Filmproductions, Schweizer Fernsehen DRS, Suissimage; distributed by First Run/Icarus Films, 2001. Tammy Kinsey

  The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Mary Ann Doane. Harvard University Press, 2002. Sharon Lin Tay

  There’s No Place Like Home Video. James M. Moran. University of Minnesota Press, 2002. Liz Czach

  Film Copyright in the European Union. Pascal Kamina. Cambridge University Press, 2002. Steve Leggett

  Encoded Archival Description Tag Library, Version 2002. Ann E. Butler

  Weltwunder der Kinematographie: Film History auf DVD, Vol. 1. Polzer Media Group, 2002. Frances Guerin

  The Pordenone Silent Film Festival. Le Giornate del Cinema Muto, 2002. Hillel Tryster

  Orphans of the Storm III: Listening to Orphan Films. University of South Carolina, September 26-28, 2002. Liz Coffey

  Close Readings: Seeing Amateur Films in Important Ways. Northeast Historic Film Symposium, July 27-28, 2002. Janna Jones

  Editor’s Introduction. Jan-Christopher Horak

  FEATURES

  The Mitchell and Kenyon Collection: Rewriting Film History. Vanessa Toulman, Patrick Russell, and Tim Neal

  Sodom and Gomorrah: Notes on a Reconstruction, or Less Is More. Nikolaus Wostry

  Found Footage Film as Discursive Metahistory: Craig Baldwin’s Tribulation 99. Michael Zryd

  Rethinking Rothafel: Roxy’s Forgotten Legacy. Ross Melnick

  FORUM

  Looking at Preservation from the Digital Library Perspective. Carl Fleischauer

  InterPARES: The Search for Authenticity in Electronic Records. Yvette Hackett

• Volume 3 - Issue 1 Contents Purchase This Issue

  Table of Contents, Volume 3 - Issue 1

  REVIEWS

  Ken Burns's America, by Gary R. Edgerton. Palgrave Press, 2001. Richard J. Cox

  Cinema², Il Cinema Ritrovato: Bologna, Italy, July 2002. Elfi Reiter

  Magical History Film and Video Bus Tour, Florida Moving Image Archive, January 2002. Patricia R. Zimmermann

  The Cedar Bar. Alfred Leslie, 2002. Dan Streible

  Grin without a Cat. Chris Marker, France, 1993. Michael Walsh

  Pépé le Moko (1938). Janus Film/Rialto Pictures Release, 2002. Romi Stepovich

  Shackleton Films. Heddi Vaughan Siebel

  Exhibition: The Film Reader, edited by Ina Rae Hark. Routledge Press, 2002. Matthew Bernstein

  Moviegoing in America, edited by Greg Waller. Blackwell Press, 2002. Patricia R. Zimmermann

  Cinema 16: Documents toward a History of the Film Society, by Scott MacDonald. Temple University Press, 2002. Jan-Christopher Horak

  The Death of Cinema: History, Cultural Memory, and the Digital Dark Age, by Paolo Cherchi Usai. British Film Institute, 2001. Alison Trope

  Editor’s Foreword. Jan-Christopher Horak

  FEATURES

  Documenting the Process of Film Preservation. Karen F. Gracy

  Preserving African-American Cinema: The Case of The Emperor Jones (1933). Jennie Saxena with contributions from Ken Weissman and James Cozart

  Preserving Pickford: The Mary Pickford Collection and the Library of Congress. Christel Schmidt

  More than Morality: The Indian Cinematograph Committee Interviews (1927). Priya Jaikumar

  Fragmentation and Segmentation in the Lumiére "Animated Views". André Gaudreault with the assistance of Jean-Marc Lamotte

  FORUM

  Film Archiving as a Profession: An Interview with Eileen Bowser. Ronald S. Magliozzi

  Developing Preservation Appraisal Criteria for a Public Broadcasting Station. Mary Ide and Leah Weisse

• Volume 2 - Issue 2 Contents Purchase This Issue

  Table of Contents, Volume 2 - Issue 2

  REVIEWS

  Off the Record: The Technology and Culture of Sound Recording in America by David Morton. Rutgers University Press, 1999. Jay Beck

  Gao Rang. Directed by Claude Grunspan, produced by Paul Fonteyn (Brussels), Richard Copans (Paris), Saga Films, Les Films d’Ici, Planète, RTBF Charleroi (Télévision Belge), Wallonie Image Production, Triangle 7, 2001. Gina Marchetti

  Toyo Miyatake: Infinite Shades of Gray. Japanese American National Museum Media Arts Center; directed by Robert A. Nakamura, produced by Karen L. Ishizuka, 2001. Jasmine Alinder

  Captured on Film: The True Story of Marion Davies. Timeline Films, in association with UCLA Film and Television Archive, for Turner Classic Movies, 2001. Without Lying Down: Frances Marion and the Power of Women in Hollywood. Chaise Lounge Productions, in conjunction with UCLA Film and Television Archive, 2000. Tinky “Dakota” Weisblat

  Bamboozled. Directed by Spike Lee, produced by Forty Acres & a Mule Filmworks, 2001. Jacqueline Stewart

  Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949 by Anne Everett. Duke University Press, 2001. Peter Decherney

  American Audiences on Movies and Moviegoing by Tom Stempel. University of Kentucky Press, 2001. George Potamianos

  Hollywood Modernism: Film and Politics in the Age of the New Deal by Saverio Giovacchini. Temple University Press, 2001. Dana Polan

  Editor’s Introduction. Jan-Christopher Horak

  FEATURES

  Polavision Instant Movies: Edwin Land's Quest for a New Medium. Elizabeth Czach

  Identifying and Documenting the Small Gauge Image: Researching Rare Footage of a First Nations School in the Canadian West. Rosemary Bergeron

  An Academic Perspective: The Life and Films of John Barnes. Geoff Alexander

  Coming to Terms With New York City's Moving Picture Operators, 1906-1913. Roberta E. Pearson and William Uricchio

  Edison in Quebec (1894-1913): Shedding a Foreign Light on the Origins of Cinema in Canada. Pierre Véronneau

  FORUM

  The UCLA Film and Television Archive: A Retrospective Look. Robert Rosen

  The Edison Home Kinetoscope and its Films. Alan D. Kattelle

  Edison Home Kinetoscope (22mm): A List of Films and Sources. Small Gauge Working Group

  Restoring 22mm Edison Home Kinetoscope Films. Ken Weissman and William O’Farrell

  The Fragile Emulsion. Jon Gartenberg

  The Research Value of Amateur Films: Integrating the Use of Amateur and Found Footage into a Film Production Course. Laura Kissel

• Volume 2 - Issue 1 Contents Purchase This Issue

  Table of Contents, Volume 2 - Issue 1

  Editor’s Foreward. Jan-Christopher Horak

  FEATURES

  A Film Archive for Canada. David Lemieux

  Home Movies on Freud's Couch. Mark Neumann

  Of Pits and Vaults: The Historiographic Value of Educational Collections in Great Britain. Eef Masson

  Notes on the Proliferation of Metropolis (1927). Martin Koerber

  The Marian Anderson Lincoln Memorial Concert: An Event Re-creation. Andrea Leigh

  OAIS, METS, MPEG-21, and Archival Values. L. J. Smart

  The Robert Youngson Compilations: Identification of Film Sources. Brent Walker

  FORUM

  You Only Live Once: On Being a Troublemaking Professional. Ray Edmondson

  Response to T.A. Kinsey's article on Dreyer's The Passion of Joan of Arc. Tony Pipolo

  Response to Tony Pipolo. Tammy Kinsey

  REVIEWS

  Masterpieces of Japanese Silent Cinema. Urban Connections, 2000. Michael Baskett

  Double Fold: Libraries and the Assault on Paper by Nicholas Baker. Random House, 2001. Paul Narvaez

  Media Marathon: A Twentieth-Century Memoir by Erik Barnouw. Duke University Press, 1996. Media Lost and Found by Erik Barnouw. Fordham University Press, 2001. William T. Murphy

  Restoration of Motion Picture Film edited by Paul Read & Mark-Paul Meyer for the Gamma Group. Butterworth & Heinmann, 2000. Caitlin Hickie

  Sure Seaters: The Emergence of Art House Cinema by Barbara Wilinsky.University of Minnesota Press, 2001. Laura U. Marks

  Orphans of the Storm II: University of South Carolina, March 2001. Melinda Stone and Dwight Swanson

• Volume 1 - Issue 2 Contents Purchase This Issue

  Table of Contents, Volume 1 - Issue 2

  REVIEWS

  Archival Moving Image Materials: A Cataloging Manual, second edition. AMIM Revision Committee, Motion Picture, Broadcasting, and Recorded Sound Division, 2000. Ellie Waackerman

  Into the Arms of Strangers: Stories of the Kindertransport. Warner Brothers, 2000. Jan-Christopher Horak

  King of the Jews (2000) and Human Remains (1998). Jay Rosenblatt. Michael Zryd

  Walt Disney's Fantasia: Special 60th Anniversary Edition. Walt Disney Home Video, 2000. Maureen Furniss

  Ventriloquism and Ideology in Ken Burns's Jazz. PBS, 2001. Stephen J. Casmier

  Jazz: A Film by Ken Burns. PBS, 2001. David Klowden

  Treasures from American Film Archives: Fifty Preserved Films. Image Entertainment, 2000. Scott MacQueen

  Exotic Europe: Journeys into Early Cinema. Nederlands Filmmuseum, 2000. Bjørn Sørenssen

  Data Storage Technology Assessment 2000. National Media Laboratory / National Imagery and Mapping Agency, 2000. James M. Turner

  Editor’s Introduction. Jan-Christopher Horak

  FEATURES

  The Evolution of American Moving Image Preservation: Defining the Preservation Landscape (1967-1977). Sarah Ziebell Mann

  A History of Early Nitrate Testing and Storage, 1910-1945. Charles “Buckey” Grimm

  Digital Preservation of Moving Image Material? Howard Besser

  Film, History, Film Genre, and Their Discontents: The Case of the Omnibus Film. Mark Betz

  Family in a Can: The Presentation and Preservation of Home Movies in Museums. Snowden Becker

  Home Movies, Found Images, and "Amateur Film" as a Witness to History: Péter Forgács's Private Hungary. Catherine Portuges

  The Essence of Motion: Figure, Frame, and the Racial Body in Early Silent Cinema. Alice Maurice

  FORUM

  Storage and Space: Notes on Collecting, Archiving, and Presenting Digital Moving Image Works. Rudolf Frieling

  Regionally Specific, Globally Significant: Who's Responsible for the Regional Record? Heather Norris Nicholson

• Volume 1 - Issue 1 Contents Purchase This Issue

  Table of Contents, Volume 1 - Issue 1

  Editor’s Introduction. Jan-Christopher Horak

  FEATURES

  The Cinematic Subtext of the Modern Museum: Alfred H. Barr, Film, and the Museum of Modern Art. Haidee Wasson

  Le Cinema pour le cinema: Making a Museum of the Moving Image. Alison Trope

  Archives and Archivists Remade: The Paper Print Collection and The Film of Her. Gabriel M. Paletz

  The Mysterious History and Restoration of Dreyer's The Passion of Joan of Arc. T. A. Kinsey

  Morphing History into Histories: From Amateur Film to the Archive of the Future. Patricia R. Zimmermann

  Toward a Comprehensive Genre Taxonomy. Brian Taves

  Black and Queer Visual Culture: An Annotated Filmography and Reference Guide. Bill Stanford Pincheon

  FORUM

  Mea Culpa: How I Abused the Nitrate in My Life. Sam Kula

  The Dreamer: Remembering James Card. Jan-Christopher Horak

  Visual Style in the Shanghai Films Made by the Lianhua Film Company (United Photoplay Service): 1931-1937. Peter Harry Rist

  REVIEWS

  Dawn of the Eye. Produced by Canadian Broadcasting Corporation (CBC) and the British Broadcasting Corporation (BBC), 1997. Ernest J. Dick

  "Disorderly Order”: Colours in Silent Film: The 1995 Amsterdam Workshop, edited by Daan Hertogs and Nico de Klerk. Nederlands Filmmuseum, 1997. James Hahn

  Mental Hygiene: Classroom Films 1945-1970 by Ken Smith. Blast Books, 1999. Gregory Lukow

  Home Movies: A History of the American Industry, 1897-1979 by Alan Kattelle. Transition Publishing, 2000. Jan-Chrstopher Horak

  Big as Life: An American History of 8mm Films, Museum of Modern Art and San Francisco Cinematheque, Foundation for Art in Cinema, 1998. Gregory Lukow

  The Last Nitrate Picture Show: FIAF 2000. Dan Streible