Devin Orgeron North Carolina State University Editor

Liza Palmer Managing Editor

Brian Real University of Kentucky Reviews Editor

Editorial Board

Ilse Assmann Independent Consultant for Radio and Television Archives

Snowden Becker University of California, Los Angeles/Center for Home Movies

Tre Berney Cornell University

Ed Carter Academy Film Archive

Paolo Cherchi Usai Centro Sperimentale di Cinematografia

Grover Crisp Sony Pictures

Nico de Klerk Utrecht University/Ludwig Boltzmann Institute for Digital History

Guy Edmonds University of Plymouth

Meghan Fitzgerald National Aeronautics and Space Administration

Peter Flynn Emerson University

Giovanna Fossati Eye Filmmuseum/University of Amsterdam

Terri Francis Indiana University

Michael Gillespie The City University of New York

Anne Gourdet-Mares Fondation Jérôme Seydoux-Pathé

Karen Gracy Kent State University

Tom Gunning University of Chicago

Dorinda Hartmann Library of Congress

Heather Heckman University of South Carolina

Jan-Christopher Horak JCH Archival Consulting

Eric Hoyt University of Wisconsin, Madison

Luna Hupperetz University of Amsterdam/Vrije Universiteit

Jennifer Jenkins University of Arizona

Jimi Jones University of Illinois

Peter Kaufman Intelligent TV

Andrea Leigh Library of Congress

Bert Lyons AVP

Mike Mashon Library of Congress

Jan Muller National Film and Sound Archive of Australia

Charles Musser Yale University

Joshua Ng Archives New Zealand Te Rua Mahara o te Kāwanatanga

Kassandra O’Connell Irish Film Institute

Miriam Posner University of California, Los Angeles

Rick Prelinger University of California, Santa Cruz

Meredith Reese LA Phil

Lauren Sorensen Whirl-i-Gig

Katherine Spring Wilfrid Laurier University

Shelley Stamp University of California, Santa Cruz

Rachael Stoeltje Indiana University

Dan Streible New York University

Kara Van Malssen AVP

Erwin Verbruggen Netherlands Institute for Sound and Vision

Haidee Wasson Concordia University

Mark Williams Dartmouth University

Tami Williams University of Wisconsin, Milwaukee

Joshua Yumibe Michigan State University

Patricia Zimmermann Ithaca College    

Submission Guidelines
AMIA will accept for submission to The Moving Image any article concerned with moving image archives in the widest sense. The Journal will address issues involving all moving image materials, including historic and contemporary film, television, and video, new and emerging digital technologies, as well as paper and three-dimensional collections documenting the history of moving image media. 

The Moving Image also has unique relevance for scholars who rely upon archives, both physical and electronic, for their scholarship and teaching. It is a forum for those concerned with such diverse topics as the ethics of restoration, the study of home movies and other nontheatrical forms, intellectual property restrictions affecting preservation and access to archival moving images, genre definitions, and film/videography of under-represented visual cultures. We welcome submissions on these and other film and media history topics, especially those that that illuminate the value of archives or that utilize underappreciated archival sources.

Inquiries and submissions should be directed electronically to editor@themovingimage.org.

Review copies of DVDs or books should be sent to the AMIA Office at 1313 North Vine Street, Los Angeles, CA 90028.