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Clint Eastwood A Cultural Production Paul Smith 1993 Spring

Clinical Decisions and Laboratory Use Donald P. Connelly, Ellis S. Benson, M. Desmond Burke and Douglas Fenderson, Editors None

Clinical and Social Psychology Research Instruments in Social Gerontology, Volume 1 David J. Mangen and Warren A. Peterson, Editors None

Clement Greenberg, Late Writings Clement Greenberg Robert C. Morgan, Editor 2007 Spring

A publishing event: culminating works by a major figure in art history, collected here for the first time!

Clement Greenberg A Life Florence Rubenfeld 2004 Spring

The only book-length biography of this controversial critic, now in paperback for the first time!

Classic Hollywood Classic Whiteness Daniel Bernardi, Editor 2001 Fall

A provocative study of Hollywood’s obsession with race and its impact on the classic films of the studio era.

Class Size in High School English, Methods and Results Dora V. Smith None

Class and Its Others J. K. Gibson-Graham, Stephen A. Resnick and Richard D. Wolff, Editors 2000 Fall

A surprising and innovative look at class that proposes new approaches to this important topic.

Civilization and Violence Regimes of Representation in Nineteenth-Century Colombia Maria Cristina Rojas 2001 Fall

Offers a new way of understanding the relationship between violence and the formation of foundational myths.

Civil Service Law None

City Requiem, Calcutta Gender and the Politics of Poverty Ananya Roy 2002 Fall

Uses Calcutta as a site for the exploration of persistent structures of deprivation and want.

City of Plagues Disease, Poverty, and Deviance in San Francisco Susan Craddock 2004 Spring

An eye-opening discussion of the ways disease shapes urban society

City and Spectacle in Medieval Europe Barbara A. Hanawalt and Kathryn L. Reyerson, Editors 1994 Spring

Drawing examples from Spain, England, France, Italy, and the Netherlands, most of them in the fifteenth century, the contributors explore the uses of ceremony as statements of political power, as pleas for divine intercession, and as expressions of popular culture. Their essays show us spectacles meant to confirm events such as victories, the signing of a city charter, or the coronation of a king. In other circumstances, the spectacle acts as a battleground where a struggle for the control of the metaphors of power is played out between factions within cities or between cities and kings. Still other ceremonies called upon divine spiritual powers in the hope that their intervention might save the urban inhabitants. Contributors; Lorraine Attreed, Brigitte Bedos-Rezak, Elizabeth A. R. Brown, Lawrence McBride Bryant, Maureen Flynn, Barbara A. Hanawalt, Bram Kempers, Sheila Lindenbaum, Ben R. McRee, James Murray, David Nicholas, Gerard Nijsten, Nancy Freeman Regalado, Kathryn L. Reyerson, and Teofilo R. Ruiz.

Citizen Spy Television, Espionage, and Cold War Culture Michael Kackman 2005 Fall

A revealing examination of American espionage television programs

Citadel in the Wilderness The Story of Fort Snelling and the Northwest Frontier Evan Jones 2001 Spring

The lively history of this frontier fort.

Circuits of Culture Media, Politics, and Indigenous Identity in the Andes Jeff D. Himpele 2007 Fall

A surprising study of how images of Andean Indianness have been popularized in Bolivian media

Cinematic Uses of the Past Marcia Landy 1996 Fall

Explores the connection between film and popular history.

Cinematic Identity Anatomy of a Problem Film Cindy Patton 2007 Fall

Social identity at the intersection of Method acting and Hollywood’s “problem films”

Cinema Babel Translating Global Cinema Abé Mark Nornes 2007 Fall

Uncovering the vital role of interpreters, dubbers, and subtitlers in the global traffic of film

Cinema 2 The Time-Image Gilles Deleuze 1989 Fall

Brings to completion Deleuze’s work on the implications of the cinematographic image. In Cinema 2, Deleuze explains why, since World War II, time has come to dominate film. Among the filmmakers discussed are Rossellini, Fellini, Godard, Resnais, Pasolini, and many others.

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