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Cinematic Identity Anatomy of a Problem Film Cindy Patton 2007 Fall

Social identity at the intersection of Method acting and Hollywood’s “problem films”

Cinema Babel Translating Global Cinema Abé Mark Nornes 2007 Fall

Uncovering the vital role of interpreters, dubbers, and subtitlers in the global traffic of film

Cinema 2 The Time-Image Gilles Deleuze 1989 Fall

Brings to completion Deleuze’s work on the implications of the cinematographic image. In Cinema 2, Deleuze explains why, since World War II, time has come to dominate film. Among the filmmakers discussed are Rossellini, Fellini, Godard, Resnais, Pasolini, and many others.

Cinema 1 The Movement-Image Gilles Deleuze 1986 Fall

A revolutionary work in philosophy and a book about cinema that identifies three principal types of image-movement using examples from the work of a diverse group of filmmakers including Griffith, Eisenstein, Cassavetes, and Altman.

Ciné-Ethnography Jean Rouch Steven Feld, Editor 2003 Spring

Documenting the influential career of the legendary French documentary filmmaker

Christine de Pizan and the Categories of Difference Marilynn Desmond, Editor 1998 Spring

Establishes the place of this medieval writer within considerations of “difference.”

Choreographing the Folk The Dance Stagings of Zora Neale Hurston Anthea Kraut 2008 Fall

Recovers an important dimension of the work of the renowned African American artist

Choices An Introduction to Decision Theory Michael D. Resnik 1987 Spring

Provides a broad yet rigorous introduction to the fundamentals of decision theory (the collection of mathematical, logical, and philosophical theories of decision making by rational individuals) that pays particular attention to matters of philosophical and logical interest.

China's Urban Transition John Friedmann 2005 Spring

A timely and thorough analysis of China’s rapid urban growth

China’s Politics in Perspective Harold S. Quigley None

Childhood Jan Myrdal None

He became the child his parents and their generation didn’t want.

Child Care and Training Marion E. Faegre and John E. Anderson None

Chicanos and Film Representation and Resistance Chon A. Noriega 1992 Fall

For All Waters Finding Ourselves in Early Modern Wetscapes Lowell Duckert 2017 Spring

The Shakespearean era’s wet writers guide our eco-way today

Philosophy after Friendship Deleuze’s Conceptual Personae Gregg Lambert 2017 Spring

Redefining the goals of future political philosophy—and removing its justification for war

The Language of Plants Science, Philosophy, Literature Monica Gagliano, John C. Ryan and Patrícia Vieira, Editors 2017 Spring

Exploring the idea that plants can think, feel, and communicate as a way of reconfiguring our relationship with the natural world

Modernism and Hegemony A Materialist Critique of Aesthetic Agencies Neil Larsen 1990 Spring

A critique of high modernism from a newly formulated Marxist perspective, achieved through analyses of texts by Marx and Adorno, Manet’s paintings, and the works of several Latin American writers.

Modern Swedish Prose in Translation Karl Erik Lagerlof, Editor 1979 Spring

Modern Sampling Methods Theory, Experimentation, Application Palmer O. Johnson and Munamarty S. Rao None

Modern Nature Derek Jarman 2009 Fall

Iconoclastic and controversial filmmaker Derek Jarman’s candid journals

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