Film and Media

Got to Be Something Here: The Rise of the Minneapolis Sound Got to Be Something Here The Rise of the Minneapolis Sound Andrea Swensson 2021 Spring
The story, from start to superstardom, of the musicians who shaped the Minneapolis Sound
Really Fake Really Fake Alexandra Juhasz, Ganaele Langlois and Nishant Shah 2020 Fall
More important than flagging things “really fake” is to understand why they are dismissed as fake
Radical Secrecy: The Ends of Transparency in Datafied America Radical Secrecy The Ends of Transparency in Datafied America Clare Birchall 2021 Spring
Reimagining transparency and secrecy in the era of digital data
The Digital Black Atlantic The Digital Black Atlantic Roopika Risam and Kelly Baker Josephs, Editors 2021 Spring
Exploring the intersections of digital humanities and African diaspora studies
Cosmic Trip: Rock Concerts at the Minneapolis Labor Temple 1969-1970 Cosmic Trip Rock Concerts at the Minneapolis Labor Temple 1969-1970 Christian A. Peterson 2021 Fall
A trip through Minneapolis rock concert history framed through psychedelic poster art
Deep Mediations: Thinking Space in Cinema and Digital Cultures Deep Mediations Thinking Space in Cinema and Digital Cultures Karen Beckman and Jeff Scheible, Editors 2021 Spring
The preoccupation with “depth” and its relevance to cinema and media studies
The Other Side of the Digital: The Sacrificial Economy of New Media The Other Side of the Digital The Sacrificial Economy of New Media Andrea Righi 2021 Spring
A necessary, rich new examination of how the wired world affects our humanity
Undoing Networks Undoing Networks Tero Karppi, Urs Stäheli, Clara Wieghorst and Lea P. Zierott 2020 Fall
Exploring and conceptualizing practices, technologies, and politics of disconnecting
Molecular Capture: The Animation of Biology Molecular Capture The Animation of Biology Adam Nocek 2021 Spring
How computer animation technologies became vital visualization tools in the life sciences
Ends of Cinema Ends of Cinema Richard Grusin and Jocelyn Szczepaniak-Gillece, Editors 2020 Fall
Leading film and media scholars discuss multiple “ends” in the history of cinema
The Computer’s Voice: From Star Trek to Siri The Computer’s Voice From Star Trek to Siri Liz W. Faber 2020 Fall
A deconstruction of gender through the voices of Siri, HAL 9000, and other computers that talk
Pulses of Abstraction: Episodes from a History of Animation Pulses of Abstraction Episodes from a History of Animation Andrew R. Johnston 2020 Fall
Reshapes the history of abstract animation and its importance to computer imagery and cinema
Things Worth Keeping: The Value of Attachment in a Disposable World Things Worth Keeping The Value of Attachment in a Disposable World Christine Harold 2020 Spring
A timely examination of the attachments we form to objects and how they might be used to reduce waste
Action at a Distance Action at a Distance John Durham Peters, Florian Sprenger and Christina Vagt 2020 Fall
How are human actions shaped by the materiality of media?
Kill the Overseer!: The Gamification of Slave Resistance Kill the Overseer! The Gamification of Slave Resistance Sarah Juliet Lauro 2020 Fall
Explores the representation of slave revolt in video games—and the trouble with making history playable