Film and Media

More filters Less filters
Terror and Joy: The Films of Dusan Makavejev Terror and Joy The Films of Dusan Makavejev Lorraine Mortimer 2008 Fall
The first book to examine the work of this radical, influential filmmaker
Edited Clean Version: Technology and the Culture of Control Edited Clean Version Technology and the Culture of Control Raiford Guins 2009 Spring
Where is censorship in the age of digital technology?
Digital Baroque: New Media Art and Cinematic Folds Digital Baroque New Media Art and Cinematic Folds Timothy Murray 2008 Fall
A surprising and original application of theories of new media art
Ex-foliations: Reading Machines and the Upgrade Path Ex-foliations Reading Machines and the Upgrade Path Terry Harpold 2008 Fall
A sophisticated consideration of technologies of reading in the digital age
The Immigrant Scene: Ethnic Amusements in New York, 1880–1920 The Immigrant Scene Ethnic Amusements in New York, 1880–1920 Sabine Haenni 2008 Fall
Explores the relationship between immigrant and national culture
Mechademia 3: Limits of the Human Mechademia 3 Limits of the Human Frenchy Lunning, Editor 2008 Fall
Exploring the possibilities and perils of a posthuman future through visionary works of Japanese anime and manga
Digitize This Book!: The Politics of New Media, or Why We Need Open Access Now Digitize This Book! The Politics of New Media, or Why We Need Open Access Now Gary Hall 2008 Fall
How open access can transform academia for the better
Global Bollywood: Travels of Hindi Song and Dance Global Bollywood Travels of Hindi Song and Dance Sangita Gopal and Sujata Moorti, Editors 2008 Spring
A lively look at Bollywood music’s global impact
Ulrike Ottinger: The Autobiography of Art Cinema Ulrike Ottinger The Autobiography of Art Cinema Laurence A. Rickels 2008 Spring
A brilliantly unconventional investigation into the career of a visionary German filmmaker and the untimely death of art cinema
First Person Jewish First Person Jewish Alisa S. Lebow 2008 Spring
An innovative examination of the interrelation between first person filmmaking and collective identity
Positively Main Street: Bob Dylan’s Minnesota Positively Main Street Bob Dylan’s Minnesota Toby Thompson 2008 Spring
In the late sixties, Toby Thompson enthusiastically took off for Hibbing, Minnesota, in search of Bob Dylan’s roots. With unprecedented access to Dylan’s English and music teachers, his high school girlfriend Echo Helstrom, and countless neighbors and relatives, Thompson discovers the real person behind the mythology Dylan created. This updated version includes an interview with the author, previously unpublished photographs, and a new preface by Thompson.
French Colonial Documentary: Mythologies of Humanitarianism French Colonial Documentary Mythologies of Humanitarianism Peter J. Bloom 2008 Spring
Examines cinematic colonial stereotyping as the basis for humanitarian action
Italian Locations: Reinhabiting the Past in Postwar Cinema Italian Locations Reinhabiting the Past in Postwar Cinema Noa Steimatsky 2008 Spring
How postwar filmmakers redefined the Italian landscape, culture, and cinematic aesthetic
Documentary Time: Film and Phenomenology Documentary Time Film and Phenomenology Malin Wahlberg 2008 Spring
An innovative theoretical reassessment of temporality in documentary films
Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany Theaters of Occupation Hollywood and the Reeducation of Postwar Germany Jennifer Fay 2008 Spring
A Hollywood vision of American democracy, projected onto post–World War II Germany