Art and Performance
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Screens Viewing Media Installation Art Kate Mondloch 2010 Spring
- Investigates how viewers experience screen-based art in museums
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Drawing on Art Duchamp and Company Dalia Judovitz 2010 Spring
- How Duchamp and his collaborators creatively challenged the meaning of art and authorship
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Modernism after Wagner Juliet Koss 2009 Fall
- The first critical history of Wagner’s concept of the Gesamtkunstwerk and its impact on European modernism
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Antidiets of the Avant-Garde From Futurist Cooking to Eat Art Cecilia Novero 2009 Fall
- Reveals the multiple intersections of the European avant-garde with food
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String, Felt, Thread The Hierarchy of Art and Craft in American Art Elissa Auther 2009 Fall
- A beautifully illustrated history of the use of fiber in the American art world in the postwar era
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Capturing the Criminal Image From Mug Shot to Surveillance Society Jonathan Finn 2009 Fall
- What do contemporary police procedures tell us about criminality?
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Malaquias Montoya Terezita Romo 2011 Spring
- The first major book on the influential Chicano painter and printmaker
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Further on, Nothing Tadeusz Kantor’s Theatre Michal Kobialka 2009 Spring
- A new encounter with the work of a master of avant-garde theatre
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The Dada Cyborg Visions of the New Human in Weimar Berlin Matthew Biro 2009 Spring
- Finding the cyborg in early twentieth-century German art
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Celia Alvarez Muñoz Roberto Tejada 2009 Fall
- Considers the work of this provocative and pioneering Chicana multimedia artist
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Art and the End of Apartheid John Peffer 2009 Spring
- The first book to fully explore cosmopolitan modern art by black South Africans under apartheid
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Yolanda López 2009 Fall
- The first book-length exploration of the prominent Mexican American visual artist’s career
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Seeing Witness Visuality and the Ethics of Testimony Jane Blocker 2009 Spring
- Unearthing the meaning of witnessing in contemporary art and politics
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National Camera Photography and Mexico’s Image Environment Roberto Tejada 2009 Spring
- Challenges conventional habits of discussing image, identity, and photography
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The Disciplinary Frame Photographic Truths and the Capture of Meaning John Tagg 2008 Fall
- How do photographs gain their meaning and power?