Featured catalogs collection for Books Division page
- New weekly series: Case studies from the Media Archaeology Lab
- The Media Archaeology Lab, hosted at the University of Colorado at Boulder and founded by Lori Emerson, is a space for cross-disciplinary experimental ...
- For military families, the battle for inner peace during deployment is hard-fought.
- Lisa Leitz was one of approximately 300 members of Military Families Speak Out in attendance at a September 24, 2005, protest in Washington, D.C., org ...
- Black sexuality, the glass closet, and how the "down low" can never be one specific thing.
- Since the early 2000s, the phenomenon of the "down low"—black men who have sex with men as well as women and do not identify as gay, queer, or bisex ...
- The definition of academic freedom, for many, does not accommodate dissent.
- BY STEVEN SALAITA Associate professor of English at Virginia Tech Academic freedom is often a diversion from the free practices of acade ...
- The BDS movement and the front lines of the war on academic freedom.
- BY SUNAINA MAIRA Professor of Asian American studies at the University of California, Davis In December 2013, the American Studies Association ann ...
- As it turns out, you can go home again.
- Writer Michael Fedo, whose essays and stories have been deeply inspired by his roots, grew up in this Duluth home. BY MICHAEL FEDO Minnesota wr ...
- On the challenge of co-existence.
- Paul Carter writes about his book Meeting Place, in which waiting, meeting, non-meeting, and communication have possibilities in unexpected manifesta ...
- Who cares if you look? Participatory art and the act of interpretation. (Part III of III)
- Portrait of Tristan Tzara, 1927. Participatory aesthetics loom large in Tzara's infamous "Dada Poem" from the "1918 Manifesto." Part I Part ...
- Who cares if you look? On the artist and the spectator. (Part II of III)
- The Bride Stripped Bare by Her Bachelors, Even, Marcel Duchamp. Duchamp famously declared that the artist decided what was art, not the public. ...
- Who cares if you look? On internal and external relationships with art. (Part I of III)
- Each being equal and consistent with the intent of the artist the decision as to condition rests with the receiver upon the occasion of receivership. ...