Tell Me Your Names and I Will Testify

Essays

2020
Author:

Carolyn Holbrook

MINNESOTA BOOK AWARD WINNER

interview: CAROLYN HOLBROOK WITH SHERRIE FERNANDEZ-WILLIAMS

BOOK DISCUSSION GUIDE

The compassionate and redemptive story of a prominent Black woman in the Twin Cities literary community

Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher, Carolyn Holbrook has heeded the call to tell the story of her life. In a memoir woven of moments of reckoning, she summons stories born of silence, stories held inside, untold stories stifled by pain or prejudice or ignorance.

"Carolyn Holbrook’s remarkable book testifies to the power of the arts to heal her own life traumas, both historical and more recent. We see and hear her learn to speak up, and to claim space, in a world designed to keep silent or remove people like her."—Resmaa Menakem, author of My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies

Carolyn Holbrook’s life is peopled with ghosts—of the girl she was, the selves she shed and those who have caught up to her, the wounded and kind and malevolent spirits she’s encountered, and also the beloved souls she’s lost and those she never knew who beg to have their stories told. “Now don’t you go stirring things up,” one ghostly aunt counsels. Another smiles encouragingly: “Don’t hold back, child. Someone out there needs to hear what you have to say.”

Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Holbrook has heeded the call to tell the story of her life, and to find among its chapters—the horrific and the holy, the wild and the charmed—the lessons and necessary truths of those who have come before. In a memoir woven of moments of reckoning, she summons stories born of silence, stories held inside, untold stories stifled by pain or prejudice or ignorance. A child’s trauma recalls her own. An abusive marriage returns to haunt her family. She builds a career while raising five children as a single mother; she struggles with depression and grapples with crises immediate and historical, all while countenancing the subtle racism lurking under “Minnesota nice.”

Here Holbrook poignantly traces the path from her troubled childhood to her leadership positions in the Twin Cities literary community, showing how creative writing can be a powerful tool for challenging racism and the healing ways of the storyteller’s art.

Carolyn Holbrook leads More Than a Single Story, a series of panel discussions and community conversations for people of color and indigenous writers and arts activists. She is author of Ordinary People, Extraordinary Journeys and Earth Angels, and coauthor with Arleta Little of Minnesota civil rights icon Dr. Josie R. Johnson’s memoir, Hope In the Struggle (Minnesota, 2019). Her personal essays have been published in A Good Time for the Truth: Race in Minnesota and Blues Vision: African American Writing from Minnesota. She is recipient of the Hamline University Exemplary Teacher Award, the Minnesota Book Awards Kay Sexton Award, a Metropolitan Regional Arts Council Next Step grant, a Minnesota State Arts Board Cultural Community Partnership grant, a Minnesota State Arts Board Artist Initiative grant, and was an AARP/Pollen Midwest 50 over 50 honoree. She teaches at Hamline University and in community venues. She is the mother of five, grandmother of eight, and great-grandmother of one.

Carolyn Holbrook’s remarkable book testifies to the power of the arts to heal her own life traumas, both historical and more recent. We see and hear her learn to speak up, and to claim space, in a world designed to keep silent or remove people like her.

Resmaa Menakem, author of My Grandmother’s Hands: Racialized Trauma and the Pathway to Mending Our Hearts and Bodies*

Carolyn Holbrook is steadfast in her work to break free of constrictions that harm one’s spirit, knowing them to be racially, economically, and culturally imposed. Honest and perceptive stories of her experiences illuminate how her basic acts to create, over and over again, make for a life whose purpose and meaning resonate with her readers.

Cindy Gehrig, retired president, Jerome Foundation

Carolyn Holbrook's evocative essays show how experience shapes—across generations and within a single lifespan—both writing and the writer. There are important stories here, stories of single parenting, stories of struggle and connection, stories of colorism and of age. There are stories of Black south Minneapolis and the land where Prince emerged, stories of generations that hurt and heal together, and stories of how stories are shaped by all of these things. This is a book about writing, and it is a book about a writer's life that is chaptered by its connection to other lives. Read it.

Susan Raffo, writer, cultural worker, and community organizer

Tell Me Your Names and I Will Testify is a powerful portrait of a life fueled by hope and faith in art and the artfulness of self, others, and community. Carolyn Holbrook’s social observations and personal remembrances cut across lines of race, class, and generational divides, deep into the heart of who we all are to one another at our most fundamental level of creative being. You will shiver, laugh, cry, cheer, stomp, want to sing, and, perhaps most indelibly of all, by the grace of this bold book and its author’s beautiful invocation, you too will feel inspired and empowered to write what lives deepest within you back into its vibrant fullness.

Ed Bok Lee, author of Mitochondrial Night*

Carolyn Holbrook’s stories are a necessary telling of the history of our city and the roots of its literary community, creating new entrances where there previously were the usual monsters of exclusion and marginalization. These stories blend sincere accounts of her own personal survival, clutching tightly to family and history at every blow, with the contributions of all of these experiences to make a single fascinating lifetime. She teaches us how art and the human survive what was meant to suppress them and that our greatest creations as artists may be found in the ways we care for each other. I am astounded by her generosity of spirit in this book and in her work with those of us fortunate enough to cross her path.

Zeke Caligiuri, author of This Is Where I Am

The organization of the essays is also quite brilliant. It feels like a conversation—albeit one with the most eloquent person I’ve ever talked to.

The Bookish Feminist

This ultimately uplifting collection is candid, vibrant and powerful.

Ms. Magazine

The memoir of Twin Cities writer Carolyn Holbrook is one of fortitude and resilience. . . . During a time when this country seems to be in the midst of a historic reckoning, Holbrook’s story should be read as more than a memoir. She sets out to personalize and underscore the resilience that goes into surviving and thriving without resources.

Star Tribune

Carolyn Holbrook has accomplished wonderful and amazing things—not the least of which is raising five children on her own and earning a doctorate. She encountered obstacles, prejudice, and sexism, and overcame them all, and her story is empowering, uplifting, and inspiring.

Tomorrow Is Another Day

Contents

Prologue: Liza

1. My Roots

2. Coming Clean

3. Tania’s Birthday

4. The “Award”

5. Finally Independent

6. Reflections on Teaching

7. Expectations and Assumptions

8. How Long Does it Take?

9. I Want to Know My Name

10. The Bank Robbery

11. Neighborhood Watch

12. My Daughter, Myself

13. Sex and the Single Grandma

14. Say What?

15. Earth Angels

16. Stones and Sticks

Acknowledgments

Publication History