Penumbra
The Premier Stage for African American Drama
Macelle Mahala
Penumbra Theatre Company was founded in 1976 by Lou Bellamy as a venue for African American voices within the Twin Cities theatre scene and has stood at the intersection of art, culture, politics, and local community engagement ever since. Based on interviews with actors, directors, playwrights, and critics, this book offers a multifaceted view of the theatre and its evolution.
Macelle Mahala’s Penumbra deconstructs the knee-jerk assumption that African American theaters are limited rather than positively significant. The book’s rich weave places Penumbra Theatre Company at the center of a story that connects to core aspects of this country’s culture and the diverse range of mores, triumphs, and contradictions with which black people live and make theater. Analytically grounded, the book presents a wide scope of views on black theater. It’s an engrossing read.
Robbie McCauley, Emerson College
Penumbra Theatre Company was founded in 1976 by Lou Bellamy as a venue for African American voices within the Twin Cities theatre scene and has stood for more than thirty-five years at the intersection of art, culture, politics, and local community engagement. It has helped launch the careers of many internationally respected theatre artists and has been repeatedly recognized for its artistic excellence as the nation’s foremost African American theatre.
Penumbra is the first-ever history of this barrier-breaking institution. Based on extensive interviews with actors, directors, playwrights, producers, funders, and critics, Macelle Mahala’s book offers a multifaceted view of the theatre and its evolution. Penumbra follows the company’s emergence from the influential Black Arts and settlement house movements; the pivotal role Penumbra played in the development of August Wilson’s career and, in turn, how Wilson became an avid supporter and advocate throughout his life; the annual production of Black Nativity as a community-building performance; and the difficult economics of African American theatre production and how Penumbra has faced these challenges for nearly four decades.
Penumbra is a testament to how a theatre can respond to and thrive within changing political and cultural realities while contributing on a national scale to the African American presence on the American stage. It is a celebration of theatre as a means of social and cultural involvement—both local and national—and ultimately, of Penumbra’s continuing legacy of theatre that is vibrant, diverse, and vital.
$19.95 paper ISBN 978-0-8166-8378-9
$60.00 cloth ISBN 978-0-8166-8374-1
216 pages, 8 b&w plates, 6 color plates, 5 1/2 x 8 1/2, October 2013
Macelle Mahala is assistant professor of theatre arts at the University of the Pacific. Her fellowships include the August Wilson Fellowship in Dramaturgy and Literary Criticism at Penumbra Theatre Company and two Many Voices fellowships from the Playwrights’ Center in Minneapolis. She has worked with the Illusion Theater, Marin Theatre Company, New World Theater, Pillsbury House Theatre, San Francisco Mime Troupe, The Soap Factory, and Works/Plays.
Lou Bellamy is founder and artistic director of Penumbra Theatre Company. He received an Obie Award in 2007.
Macelle Mahala’s Penumbra deconstructs the knee-jerk assumption that African American theaters are limited rather than positively significant. The book’s rich weave places Penumbra Theatre Company at the center of a story that connects to core aspects of this country’s culture and the diverse range of mores, triumphs, and contradictions with which black people live and make theater. Analytically grounded, the book presents a wide scope of views on black theater. It’s an engrossing read.
Robbie McCauley, Emerson College
Students, scholars, and practitioners who are interested in institutional or organizational history, acting theory and practice, or African Americna theatre and performance studies will appreciate Mahala’s comprehensive book.
Modern Drama
Contents
Foreword Lou Bellamy
Introduction
1. Beginnings
2. Building a Repertoire and an Ensemble
3. Black Nativity
4. Mutual Reciprocity: August Wilson and Penumbra
5. Black Feminist Performance
6. Intercultural Collaborations
7. Maintaining a Legacy
Production History of the Penumbra Theatre Company
Acknowledgments
Notes
About This Book
Related Publications
Related News & Events
MPR: New book details Penumbra Theatre’s legacy
Star Tribune: Penumbra by the book
The Minnesota Daily Book Club: Penumbra
MPR: New book details Penumbra Theatre’s legacy
“There are plenty of books out there about black theater in general, or about particular artists, but not about black theaters. And there are so many wonderful black theater companies out there.”
Star Tribune: Penumbra by the book
A Minnesota native, theater historian Macelle Mahala, has written the first history of Penumbra Theatre.
The Minnesota Daily Book Club: Penumbra
Penumbra “provided a much-needed cultural alternative to the kinds of plays … offered by the predominantly white theater institutions of the Twin Cities,” writes author Macelle Mahala.