Callous Objects
Designs against the Homeless
Callous Objects unearths cases in which cities push homeless people out of public spaces through a combination of policy and strategic design. Robert Rosenberger brings together ideas from the philosophy of technology, social theory, and feminist epistemology to spotlight the widespread anti-homeless ideology built into our communities and enacted in law.
"This short, vivid and novel book serves as a timely reminder that our public spaces are not experienced equally."
—LSE Review of Books
Callous Objects unearths cases in which cities push homeless people out of public spaces through a combination of policy and strategic design. Robert Rosenberger examines such commonplace devices as garbage cans, fences, signage, and benches—all of which reveal political agendas beneath the surface. Such objects have evolved, through a confluence of design and law, to be open to some uses and closed to others, but always capable of participating in collective ends on a large scale. Rosenberger brings together ideas from the philosophy of technology, social theory, and feminist epistemology to spotlight the widespread anti-homeless ideology built into our communities and enacted in law.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Callous Objects provides an incredibly clear and concise introduction to the key ideas in Science and Technology Studies that animate much of the current literature on homelessness and the built form. It is an essential reading for academics, both undergraduate and advanced scholars, and practitioners of policy, planning, and law.
Contemporary Political Theory
This short, vivid and novel book serves as a timely reminder that our public spaces are not experienced equally.
LSE Review of Books
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