Reading Writing Interfaces
From the Digital to the Bookbound
Lori Emerson
In Reading Writing Interfaces, Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.
This is the first book to bridge the fields of media archaeology and literary studies, specifically poetry and poetics. It offers new readings-and sometimes a first reading-of important texts, it performs historical spadework that adds to the existing narratives of how the personal computer has evolved, and it contributes to current critical conversations by making the category of interface central to its explorations of textual materiality.
Matthew G. Kirschenbaum, author of Mechanisms: New Media and the Forensic Imagination
Lori Emerson examines how interfaces—from today’s multitouch devices to yesterday’s desktops, from typewriters to Emily Dickinson’s self-bound fascicle volumes—mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries.
Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature’s defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson’s self-printing projects as a challenge to the coherence of the book.
Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers—from Emily Dickinson to Jason Nelson and Judd Morrissey—work with and against media interfaces to undermine the assumed transparency of conventional literary practice.
$25.00 paper ISBN 978-0-8166-9126-5
$75.00 cloth ISBN 978-0-8166-9125-8
232 pages, 41 b&w photos, 5 1/2 x 8 1/2, June 2014
Lori Emerson is assistant professor of English, as well as the founder and director of the Media Archaeology Lab, at the University of Colorado at Boulder.
This is the first book to bridge the fields of media archaeology and literary studies, specifically poetry and poetics. It offers new readings-and sometimes a first reading-of important texts, it performs historical spadework that adds to the existing narratives of how the personal computer has evolved, and it contributes to current critical conversations by making the category of interface central to its explorations of textual materiality.
Matthew G. Kirschenbaum, author of Mechanisms: New Media and the Forensic Imagination
Emerson’s book is not only fascinating because of the richness of its close-readings or the thought-provoking frictions that it creates between historically, technologically, culturally, ideologically very diverse authors and practices. Its most appealing aspect is the political stance it takes towards its material.
Image (&) Narrative
Reading Writing Interfaces draws our attention back to the materiality of digital languages, reveals the underlying processes of writing, and makes visible the interfaces through which we read/write our world.
The Literary Platform
A useful contribution to the understanding of the digital.
CHOICE
With cogent analyses of both analogue and digital literature, Emerson renders legible the historical and contemporary instantiations of the interface that have been masked from the user by the sleek celebratory language of marketing.
Jacket2
This works succeeds in accomplishing the rare goal of being pioneering and engaging.
International Journal of Communication
Contents
Acknowledgments
Introduction: Opening Closings
1. Indistinguishable from Magic: Invisible Interfaces and Digital Literature as Demystifier
2. From the Philosophy of the Open to the Ideology of the User-Friendly
3. Typewriter Concrete Poetry as Activist Media Poetics
4. The Fascicle as Process and Product
Postscript: The Googlization of Literature
Notes
Index
About This Book
Related Publications
Related News & Events
Huffington Post on Reading Writing Interfaces
Lori Emerson on New Books in Technology
Great review of the "truly interdisciplinary" Reading Writing Interfaces in Image & Narrative
Huffington Post on Reading Writing Interfaces
Lori Emerson asks us to reconsider the inevitability and desirability of the "invisible" computer interface.
Lori Emerson on New Books in Technology
The author of READING WRITING INTERFACES talks about how technology affects the ways in which we read, write, and think.
Great review of the "truly interdisciplinary" Reading Writing Interfaces in Image & Narrative
Review of Lori Emerson's book.
Against the Frictionless Interface! An Interview with Lori Emerson
Furtherfield interviews the author of READING WRITING INTERFACES.