Collecting Mexico
Museums, Monuments, and the Creation of National Identity
Shelley E. Garrigan
Collecting Mexico centers on the ways in which aesthetics and commercialism intersected in officially sanctioned public collections and displays in late nineteenth-century Mexico. Shelley E. Garrigan reconstructs the lineage of institutionally collected objects around which a modern Mexican identity was negotiated, demonstrating the ways in which displayed objects become linked with nationalistic meaning and why they exert such persuasive force.
Shelley E. Garrigan traces a sequence of arguments that rehearse ‘collecting culture’ in terms that have wide-ranging implications for understanding Mexico’s national selfhood and cultural identity-formation in the 19th century. Collecting Mexico is a compelling book on a fascinating topic.
Roberto Tejada, author of National Camera: Photography and Mexico’s Image Environment
Collecting Mexico centers on the ways in which aesthetics and commercialism intersected in officially sanctioned public collections and displays in late nineteenth-century Mexico. Shelley E. Garrigan approaches questions of origin, citizenry, membership, and difference by reconstructing the lineage of institutionally collected objects around which a modern Mexican identity was negotiated. In doing so, she arrives at a deeper understanding of the ways in which displayed objects become linked with nationalistic meaning and why they exert such persuasive force.
Spanning the Porfiriato period from 1867 to 1910, Collecting Mexico illuminates the creation and institutionalization of a Mexican cultural inheritance. Employing a wide range of examples—including the erection of public monuments, the culture of fine arts, and the representation of Mexico at the Paris World’s Fair of 1889—Garrigan pursues two strands of thought that weave together in surprising ways: national heritage as a transcendental value and patrimony as potential commercial interest.
Collecting Mexico shows that the patterns of institutional collecting reveal how Mexican public collections engendered social meaning. Using extensive archival materials, Garrigan’s close readings of the processes of collection building offer a new vantage point for viewing larger issues of identity, social position, and cultural/capital exchange.
$22.50 paper ISBN 978-0-8166-7093-2
$67.50 cloth ISBN 978-0-8166-7092-5
216 pages, 32 b&w photos, 5 1/2 x 8 1/2, April 2012
Shelley E. Garrigan is assistant professor of Spanish at North Carolina State University.
Shelley E. Garrigan traces a sequence of arguments that rehearse ‘collecting culture’ in terms that have wide-ranging implications for understanding Mexico’s national selfhood and cultural identity-formation in the 19th century. Collecting Mexico is a compelling book on a fascinating topic.
Roberto Tejada, author of National Camera: Photography and Mexico’s Image Environment
Shelley Garrigan’s Collecting Mexico is an important contribution to the study of official culture during the rule of Porfirio Díaz in Mexico, primarily because it casts new light on episodes, objects and events that historians of Mexico tend to think they know quite well. . . Her interdisciplinary focus examines unexpected and compelling intersections between these domains that more narrowly discipline-specific accounts of the same objects and events have missed in the past.
The Americas
An elegant tour of the reconstructing of Mexican identity from 1867 to 1891.
Choice
An innovative way in which to examine national representation within the Porfiriato period of México. The book engages the broader and expanding discipline of cultural studies to explain nationalism.
Nations and Nationalism
Contents
Introduction
1. Fine Art and Demand: Debating the Mexican National Canon (1876–1910)
2. Our Archaeology: Science, Citizenry, Patrimony, and the Museum
3. The Hidden Lives of Historical Monuments: Commerce, Fashion, and Memorial
4. Collections at the World’s Fair: Rereading Mexico in Paris, 1889
5. Collecting Numbers: Statistics and the Constructive Force of Deficiency
Conclusion
Acknowledgments
Notes
Bibliography
Index