A Love of UIQ

A Love of UIQ

Félix Guattari

Translated by Graeme Thomson and Silvia Maglioni

An exciting attempt by one of France’s best-known thinkers wherein he explores his thought through cinematic narrative

220 Pages, 5 x 8 in

  • Paperback
  • 9781937561956
  • Published: March 15, 2016
  • Series: Univocal
BUY
  • eBook
  • 9781937561741
  • Published: April 1, 2016
  • Series: Univocal
BUY

Details

A Love of UIQ

Series: Univocal

Félix Guattari

Translated by Graeme Thomson and Silvia Maglioni

ISBN: 9781937561956

Publication date: March 15th, 2016

220 Pages

8 x 5

"His work has much to offer to today’s discussions of posthumanism and the field of technology studies in general."—Science Fiction Studies


Throughout a large part of the 1980s, Félix Guattari, known for his collaborations with Gilles Deleuze and his experimental and groundbreaking practices in psychotherapy, decides to shift his experimental work into a different medium of artistic and creative thought practice: the world of science fiction. Part self-analysis, part cinematic expression of his theoretical work, Guattari’s screenplay merges his theoretical concepts with his passion for comic books, free radio movements, and film. So begins Guattari’s journey to write a screenplay wherein a group of squatters makes contact with a superior intelligence coming from the infinitely small Universe of the Infra-quark (UIQ). Guattari worked feverishly on his film, attempting to secure a budget, traveling to Hollywood, and enlisting the help of American screenwriter Robert Kramer. But the film would never see the light of day. Through the important archival work of artists, Silvia Maglioni and Graeme Thomson, Guattari’s script is now published here, for the first time in English.


Félix Guattari (1930–1992) was a French psychoanalyst, activist-intellectual, and philosopher known widely for his collaborations with Gilles Deleuze and Antonio Negri.

Silvia Maglioni and Graeme Thomson are co-founders of "Terminal Beach," a cross-media arts platform investigating new configurations of image, sound, text, and spectatorship.