Let Me Take You Down

"Cott's approach is an interesting one, starting from the position that the songs are two sides of the same coin. He structures his book in a similar fashion which carries the analogy further."—Martin’s View

"Those who want their minds expanded about two of the Beatles’ best-known tracks will find something here. "—Houston Press

"For Beatles fans who can’t read enough about their favorite band — even though they’ve heard some of the stories before — Let Me Take You Down: Penny Lane and Strawberry Fields Forever will add another glimpse of how other fans view the group."—No Depression

"A must-read for Beatles fans."—Beyond Chron

"Cott explores the many resonances of ["Penny Lane" and Strawberry Fields"], lyrical and musical, with the people he interviewed for Let Me Take You Down. With a remarkable ability to quote poets and philosophers in the course of his discussions, Cott goes deep and ranges widely in those discussions."—Shepherd Express

"[Let Me Take You Down: Penny Lane and Strawberry Fields Forever] brings Cott’s referenced insights and his skillful interviewing together, creating a knowledgeable, and playful history, biography and interpretation of what was one of the most unique and innovative singles released not only by the Beatles but in the 1960s."—CounterPunch

"Let Me Take You Down’s most signal virtue is the way it might remind you of your own deep conversations with friends about music (Beatles or not), digging deeply into shared passions and volleying insights and theories back and forth."—Dusted

The conception, creation, recording, and significance of the Beatles’ “Penny Lane” and “Strawberry Fields Forever”

John Lennon wrote “Strawberry Fields Forever” in Almería, Spain, in fall 1966, and in November, in response to that song, Paul McCartney wrote “Penny Lane” at his home in London. A culmination of what was one of the most life-altering and chaotic years in the Beatles’ career, these two songs composed the 1967 double A-side 45 rpm record that has often been called the greatest single in the history of popular music and was, according to Beatles producer George Martin, “the best record we ever made.”

In Let Me Take You Down: Penny Lane and Strawberry Fields Forever, Jonathan Cott recounts the conception and creation of these songs; describes the tumultuous events and experiences that led the Beatles to call it quits as a touring band and redefine themselves solely as recording artists; and details the complex, seventy-hour recording process that produced seven minutes of indelible music. In writing about these songs, he also focuses on them as inspired artistic expressions of two unique ways of experiencing and being in the world, as Lennon takes us down to Strawberry Fields and McCartney takes us back to Penny Lane.

In order to gain new vistas and multiple perspectives on these multifaceted songs, Cott also engages in conversation with five remarkable people: media artist Laurie Anderson; guitarist Bill Frisell; actor Richard Gere; Jungian analyst Margaret Klenck; and urban planner, writer, and musician Jonathan F. P. Rose. The result is a wide-ranging, illuminating exploration of the musical, literary, psychological, cultural, and spiritual aspects of two of the most acclaimed songs in rock and roll history.

Jonathan Cott is author and editor of more than forty books and has written for Rolling Stone, The New York Times, The New Yorker, and the Washington Post, among other publications. He is author of Days That I’ll Remember: Spending Time with John Lennon and Yoko Ono and coauthor of the text for The Beatles Get Back book that was included in the original box set version of the Let It Be album. Cott interviewed Paul McCartney for Rolling Stone on the occasion of the fiftieth anniversary of Buddy Holly’s death, and he conducted a nine-hour interview with John Lennon three days before he died, which was originally published in Rolling Stone and later in the book Listening: Interviews, 1970–1989 (Minnesota, 2020).

Contents

Introduction

A Hard Day’s Nights: June–December 1966

All the People That Come and Go: Five Conversations

Bill Frisell

Jonathan F. P. Rose

Margaret Klenck

Richard Gere

Laurie Anderson

Acknowledgments