Information Fantasies

Information Fantasies

Precarious Mediation in Postsocialist China

Xiao Liu

A groundbreaking, alternate history of information technology and information discourses

376 Pages, 6 x 9 in

  • Paperback
  • 9781517902742
  • Published: February 19, 2019
BUY
  • Hardcover
  • 9781517902735
  • Published: February 19, 2019
BUY
  • eBook
  • 9781452959498
  • Published: February 19, 2019
BUY

Details

Information Fantasies

Precarious Mediation in Postsocialist China

Xiao Liu

ISBN: 9781517902742

Publication date: February 19th, 2019

376 Pages

45

8 x 5

"Xiao Liu’s creative, erudite, and richly researched book entirely reconfigures our understanding of the media landscape in 1980s China. Her dense explorations of how new media emerged, coalesced, and interacted in this crucial period range over multiple formats—forgotten science fiction stories, neglected films, photographs, videotapes, computers, television and teletext, qigong, scientific journals, advertising, and cybernetic theories—to draw science and aesthetics into a charged and illuminating encounter. The result is unquestionably one of the most original works to appear in Chinese cultural studies since the millennium."—Margaret Hillenbrand, University of Oxford

"Liu solidly connects a very unique system with the IT perceptual revolution, essential for understanding the present futuristic scenario."—Neural

"Information Fantasies strives to maintain a balance between the liberatory excitement around digital media and the constant crises of postsocialist precariousness (p. 10) and will surely prove a fundamental resource for an audience of readers as interdisciplinary as this volume’s author."—Asiascape

"Information Fantasies shows that the close reading of signs, symptoms and systems need not be at odds with descriptions of materiality and technicity."—Critical Inquiry

"An ambitious academic dream turned into reality. The book shows the author’s diligence in research and skills in organizing extensive and dispersive materials with a clear focus. . . . A valuable work in the study of communication and humanity."—China Review International

"The site-specific and historically situated cases, along with brilliant interpretations, will interest researchers in media, literature, and modern China studies as well as historians of technology."—Technology and Culture 


Winner of the Science Fiction Research Association Book Award​

A groundbreaking, alternate history of information technology and information discourses

Although the scale of the information economy and the impact of digital media on social life in China today could pale that of any other country, the story of their emergence in the post-Mao sociopolitical environment remains untold. Information Fantasies offers a revisionist account of the emergence of the “information society,” arguing that it was not determined by the technology of digitization alone but developed out of a set of techno-cultural imaginations and practices that arrived alongside postsocialism.

Anticipating discussions on information surveillance, data collection, and precarious labor conditions today, Xiao Liu goes far beyond the current scholarship on internet and digital culture in China, questioning the limits of current new-media theory and history, while also salvaging postsocialism from the persistent Cold War structure of knowledge production.

Ranging over forgotten science fiction, unjustly neglected films, corporeal practices such as qigong, scientific journals, advertising, and cybernetic theories, Information Fantasies constructs an alternate genealogy of digital and information imaginaries—one that will change how we look at the development of the postsocialist world and the emergence of digital technologies.

Xiao Liu is assistant professor of East Asian studies at McGill University. 

Contents
Introduction: “Information Pot” and Postsocialist Politics of Mediation
1. Extrasensory Powers, Magic Waves, and Information Explosion: Imagining the Digital
2. The Curious Case of a Robot Doctor: Rethinking Labor, Expert Systems, and the Interface
3. The “Ultrastable System” and the New Cinema
4. Affective Form: Advertising, Information Aesthetics, and Experimental Writing in the Market Economy
5. Liminal Mediation and the Cinema Redefined
Epilogue: The Virtual Past(s) of the Future(s)
Acknowledgments
Notes
Index