Contingent Figure

A masterful synthesis of literary readings and poetic reflections, making profound contributions to our understanding of chronic pain

At the intersection of queer theory and disability studies, acclaimed theorist Michael D. Snediker locates something unexpected: chronic pain. Starting from this paradigm-shifting insight, Snediker elaborates a bracing examination of the phenomenological peculiarity of disability, articulating a complex idiom of figuration as the lived substance of pain’s quotidian. This lexicon helps us differently inhabit both the theoretical and phenomenal dimensions of chronic pain and suffering by illuminating where these modes are least distinguishable. 

Suffused with fastidious close readings, and girded by a remarkably complex understanding of phenomenal experience, Contingent Figure resides in the overlap between literary theory and lyric experiment. Snediker grounds his exploration of disability and chronic pain in dazzling close readings of Herman Melville, Emily Dickinson, Henry James, and many others. Its juxtaposition of these readings with candid autobiographical accounts makes Contingent Figure an exemplary instance of literary theory as a practice of lyric attention.

Thoroughly rigorous and anything but predictable, this stirring inquiry leaves the reader with a rich critical vocabulary indebted to the likes of Maurice Blanchot, Gilles Deleuze, D. O. Winnicott, and Eve Kosofsky Sedgwick. A master class in close reading’s inseparability from the urgency of lived experience, this book is essential for students and scholars of disability studies, queer theory, formalism, aesthetics, and the radical challenge of Emersonian poetics across the long American nineteenth century.

Michael D. Snediker is associate professor of English at the University of Houston. He is author of Queer Optimism: Lyric Personhood and Other Felicitous Persuasions (Minnesota, 2008), a finalist for the MLA First Book Prize and Phi Beta Kappa Christian Gauss Prize. He has written two books of poems, The New York Editions and The Apartment of Tragic Appliances. 

Contents

Preface: Crasher

Introduction: “So Much for My Figurative Self”; or, Aesthetic Duress (Plein-Air, in Parts)

1. Melville’s Iron Crown of Lombardy: Phenomenology beyond the Phantom Limb

2. Queer Philology and Chronic Pain 

3. “The Vision – pondered long”: Chronic Pain and the Materiality of Figuration 

4. Inveterate Pagoda: Late James, Ongoingness, and the Figure of Hurt 

5. Is the Rectangle a Grave? Floating Attention, Betweenness in Relief

6. Weaver’s Handshake: The Aesthetics of Chronic Objects 

Acknowledgments

Notes

Index