Hybrid Cultures

Hybrid Cultures

Strategies for Entering and Leaving Modernity

Nestor Garcia Canclini

Foreword by Renato Rosaldo

Translated by Christopher L. Chiappari and Silvia L. Lopez

Examines the threats to Latin American cultural identity in a global marketplace—now with a new introduction!

344 Pages, 6 x 9 in

  • Paperback
  • 9780816646685
  • Published: December 15, 2005
BUY
  • eBook
  • 9781452907536
  • Published: December 15, 2005
BUY

Details

Hybrid Cultures

Strategies for Entering and Leaving Modernity

Nestor Garcia Canclini

Foreword by Renato Rosaldo

Translated by Christopher L. Chiappari and Silvia L. Lopez

ISBN: 9780816646685

Publication date: December 15th, 2005

344 Pages

9 x 5

When it was originally published, Hybrid Cultures was foundational to Latin American cultural studies. This now-classic work features a new introduction in which Nestor Garcia Canclini calls for a cultural politics to contain the damaging effects of globalization and responds to relevant theoretical developments over the past decade.Garcia Canclini questions whether Latin America can compete in a global marketplace without losing its cultural identity. He moves with ease from the ideas of Gramsci and Foucault to economic analysis, from appraisals of the exchanges between Octavio Paz and Jorge Luis Borges to Chicano film and grafitti. Hybrid Cultures at once clarifies the development of democratic institutions in Latin America and reveals that the most destructive ideological trends are still going strong.

Christopher L. Chiappari is assistant professor of anthropology at St. Olaf College. Silvia L. Lopez is assistant professor of Spanish at Carleton College.Renato Rosaldo is professor of social science and chair of the department of anthropology at Stanford University. He is the author of Ilongot Headhunting, 1883-1974: A Study in Society and History and Culture and Truth: The Remaking of Social Analysis.

Contents Introduction Foreword Renato Rosaldo Entrance From Utopias to the Market Latin American Contradictions: Modernism without Modernization? Artists, Middlemen, and the Public: To Innovate or to Democratize? The Future of the Past The Staging of the Popular The Popular and Popularity: From Political to Theatrical Representation Hybrid Cultures, Oblique Powers Exit Bibliography Index