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  <item rdf:about="http://www.upress.umn.edu/press/press-clips/star-tribune-review-of-biography-of-thomas-sadler-roberts-father-of-minnesota-ornithology">
    <title>Star Tribune review of biography of Thomas Sadler Roberts, father of Minnesota ornithology</title>
    <link>http://www.upress.umn.edu/press/press-clips/star-tribune-review-of-biography-of-thomas-sadler-roberts-father-of-minnesota-ornithology</link>
    <description>Birds, first, last and always</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816675647.jpg/image_cover_medium" alt="Leaf_Love cover" class="image-left" />Thomas Sadler Roberts, gone now for nearly 70 years,  left a legacy of appreciation for our state’s natural history and bird  life.</p>
<p> </p>
<p>If you’ve enjoyed the University of Minnesota’s Bell  Museum of Natural History, you can thank Roberts as the driving force  behind its creation. He was an early conservationist and has been called  the father of Minnesota ornithology, not too grand a claim when you  consider his landmark work, “The Birds of Minnesota,” first published in  1932.</p>
<p> </p>
<p>Roberts was a medical doctor in the late 1800s and early 1900s who treated <a href="http://www.startribune.com/topics/places/minneapolis.html">Minneapolis</a>’  elite, but birds were always his first love. His happiest moments were  spent out in the field, observing and collecting birds (this was in the  era when ornithology was practiced with a shotgun). However, too often  he felt the pull of his medical practice and family obligations,  university commitments and especially the founding of what we now  affectionately call “The Bell.” (Roberts’ wealthy friends and patients  funded many of its popular displays.)</p>
<p> </p>
<p>In biographer Sue Leaf’s capable hands, we are drawn into Roberts’ long and worthy life, beginning with his family’s arrival in <a href="http://www.startribune.com/topics/places/st-paul.html">St. Paul</a> in 1867. As a boy he was free to explore this edge-of-the-prairie  region and its wildlife, and Leaf, herself a bird watcher, paints a  vivid picture of what the area was like a century ago.</p>
<p> </p>
<p>The nature journals he kept from age 16, full of  detailed documentation, formed the basis for his important two-volume  book. And the Bell Museum is part of his legacy, with its vibrant  dioramas and displays depicting our state’s natural heritage.</p>
<p> </p>
<p>Anyone with an interest in birds, Minnesota’s natural  history and learning about the life of a singular doctor, author,  curator, educator, conservationist and bird enthusiast will find this  book a rare treat.</p>
<p> </p>
<p><a class="external-link" href="http://www.startribune.com/lifestyle/homegarden/206457071.html"><b>Read the article at StarTribune.com.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-14T19:40:00Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/will-the-real-great-gatsby-please-stand-up">
    <title>Will the Real Great Gatsby Please Stand Up?</title>
    <link>http://www.upress.umn.edu/press/press-clips/will-the-real-great-gatsby-please-stand-up</link>
    <description>Smithsonian Magazine gets input from Scott Donaldson, author of FOOL FOR LOVE.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816678204.jpg/image_cover_medium" alt="donaldson_fool cover" class="image-left" />Years after he wrote <i>The Great Gatsby</i>, in the back leaf of  another book, F. Scott Fitzgerald scribbled a list of his most famous  novel’s nine chapters. Next to each one, he wrote down his sources.  There were the old-money, polo-playing Rumsies and Hitchcocks and the  impressive parties thrown by movie director Allan Dwan and by Herbert  Bayard Swope, the editor of the <i>New York World</i>. There were his  own memories, of the ash heaps, of days spent in New York City, and, in  particular, of one wedding—the wedding of Ginevra King, his first love.  Out of the whole book, he marked only three chapters as “an invention,”  “inv,” or “all an invention.”</p>
<p>Fitzgerald did not mean for <i>The Great Gatsby</i> to draw heavily from his own life. His first book, <i>This Side of Paradise</i>, had lifted from his days as a Princeton student,<i> </i>and his second, <i>The</i> <i>Beautiful and the Damned, </i>from his relationship with his wife, Zelda. As he was beginning to start work on the novel that would become <i>The Great Gatsby</i>,  Fitzgerald had written to his editor, Max Perkins, complaining that, at  27, he had dumped more of his personal experiences into his fiction  than anyone else he knew of. This next novel, his new novel, would be  different. “In my new novel I'm thrown directly on purely creative  work,“ he wrote, “not trashy imaginings as in my stories but the  sustained imagination of a sincere and yet radiant world.”</p>
<p>But as he wrote, he ended up drawing on the rowdy elegance of the  Roaring Twenties milieu in which he lived to create that radiant world.</p>
<p>"He's borrowing from various kinds of sources to get his story  across,“ says Scott Donaldson, the author of the Fitzgerald biography <i>Fool for Love</i>. "But he's really writing about himself in the book. And that's why it's so intimate and why it still resonates, I think."</p>
<div style="text-align: left; "><br /><a class="external-link" href="http://www.smithsonianmag.com/arts-culture/Will-the-Real-Great-Gatsby-Please-Stand-Up-206425151.html"><b>Read the full article.</b></a><a href="http://ec.tynt.com/b/rw?id=cd5NqsI_0r3Qffab7jrHtB&u=SmithsonianMag" target="_blank"></a></div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-08T18:21:10Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/alondra-nelson-on-npr-fbi-most-wanted-terrorists-list-who-is-assata-shakur">
    <title>Alondra Nelson on NPR | FBI Most Wanted Terrorists List: Who Is Assata Shakur?</title>
    <link>http://www.upress.umn.edu/press/press-clips/alondra-nelson-on-npr-fbi-most-wanted-terrorists-list-who-is-assata-shakur</link>
    <description>The author of BODY AND SOUL discusses the former Black Panther Party member on NPR.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816676484_big.gif/image_cover_medium" alt="Nelson_Body cover" class="image-left" />The FBI recently made Joanne Chesimard the first woman on its list of  most wanted terrorists.  But the crimes she was convicted of happened 40  years ago.  Host Michel Martin talks with sociology professor Alondra  Nelson of Columbia University about Chesimard, aka, Assata Shakur, and  why she's on the same list as Taliban and Hezbollah leaders.</p>
<p><a class="external-link" href="http://www.npr.org/2013/05/07/181914429/fbi-most-wanted-terrorists-list-who-is-assata-shakur"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:30:00Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/boston-globe-selling-creativity-to-america2019s-kids">
    <title>Boston Globe: Selling creativity to America’s kids</title>
    <link>http://www.upress.umn.edu/press/press-clips/boston-globe-selling-creativity-to-america2019s-kids</link>
    <description>Why did we become obsessed with fostering childhood play? Look to the Cold War, says Amy Ogata, author of Designing the Creative Child.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span class="span" id="U612375145072EeE"><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816679614.jpg/image_cover_medium" alt="ogata_designing cover" class="image-left" />When we think</span> of the childhoods of baby boomers, we think about mass culture: a Hula  Hoop and Davy Crockett cap on every porch; Lincoln Logs in the toybox;  televisions tuned to the same entertainments.</p>
<p>What’s harder to remember is that people worried about all this  conformity while it was happening. Popular books like David Riesman’s  “The Lonely Crowd” and movies like “Rebel Without a Cause” spoke to the  anxiety of Americans who wondered how individuals could distinguish  themselves and live fulfilling lives amidst the masses.</p>
<p>Out of that anxiety emerged a new preoccupation for middle-class  parents, and one very much still with us today: fostering childhood  creativity. In a new book “Designing the Creative Child: Playthings and  Places in Midcentury America,” Amy Ogata, associate professor of  architectural and design history at Bard Graduate Center, argues that  American worries about conformity—as well as the nation’s Cold War  rivalry with the totalitarian Soviet Union—persuaded parents that their  children’s creative impulses could, and should, be encouraged.</p>
<p><a class="external-link" href="http://www.bostonglobe.com/ideas/2013/05/04/selling-creativity-america-kids/zaqBJrK7BDZLhpPnNJPF0M/story.html"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:22:07Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/sarah-stonich-on-vacationland-sense-of-place-getting-book-reviews-and-more">
    <title>Sarah Stonich on Vacationland, sense of place, getting book reviews, and more</title>
    <link>http://www.upress.umn.edu/press/press-clips/sarah-stonich-on-vacationland-sense-of-place-getting-book-reviews-and-more</link>
    <description>How you can resist a novel with a name like Vacationland? (Says the owner of the blog Carolineleavitville...) I couldn't and I found this book irresistible.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div><b><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816687664.jpg/image_cover_medium" alt="Stonich_Vacationland cover" class="image-left" />I'm always interested in how books sparked. What gave you the idea for Vacationland. Great title, by the way.<br /> </b></div>
<div>I really like the title too,  and in fact it sort of inspired the tone  of the book, in that most of us have been someplace that considers  itself  ‘vacationland’ in some sense, whether it’s a resort or ski  chalet, theme park, or summer camp. Also, I liked the idea that  Vacationland could be anywhere at all, which is where fiction best takes  place.</div>
<div><b>I loved the way you linked the stories. How was this different than  writing your previous novels? What made you decide to structure the book  this way?<br /> </b></div>
<div>I had a few stories written, and was inspired by the thought of a guest  register at a resort - what stories might have played out in the various  cabins these guests are checked into? How one might flip pages back in  time and even forward, when some of the names would pop up over and over  and others only once.</div>
<div><a class="external-link" href="http://carolineleavittville.blogspot.com/2013/05/sara-stonich-talks-about-vacationland.html?showComment=1367719192236"><b>Read the full interview at CarolineLeavittville's blog.</b></a></div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-14T19:40:16Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/wired-why-we-often-view-digital-culture-through-insect-metaphors">
    <title>Wired: Why we often view digital culture through insect metaphors</title>
    <link>http://www.upress.umn.edu/press/press-clips/wired-why-we-often-view-digital-culture-through-insect-metaphors</link>
    <description>Review of Jussi Parikka's INSECT MEDIA.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><i><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816667406.big.gif/image_cover_medium" alt="Parikka_Insect cover" class="image-left" />Humanity has often looked to the insect world for its technological metaphors, and now for digital inspiration</i></p>
<p>Swarms. Hive minds. The web*.</p>
<p>It can be hard to avoid talking about our digital culture without using insect metaphors.</p>
<p>Yet for new media theorist <a href="http://en.wikipedia.org/wiki/Jussi_Parikka">Jussi Parikka</a>, it may be more than just a metaphor. Parikka is reader in Media and Design at Winchester School of Art and author of the Anne Friedberg Award-winning <i>Insect Media</i>.</p>
<p>"For me <i>Insect Media</i> started from a realisation and a question: why do we constantly talk about digital culture and networks through insect metaphors?" says Parikka. "Is it just a metaphoric relation? If yes, why do we make sense of high technological culture through references to these small brained, rather 'dumb' animals? Or is there even more to this?</p>
<p><a class="external-link" href="http://www.wired.co.uk/news/archive/2013-05/3/insect-technology"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:15:34Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/becoming-analogical-simondons-two-lessons-on-animal-and-man">
    <title>Becoming Analogical: Simondon's Two Lessons on Animal and Man.</title>
    <link>http://www.upress.umn.edu/press/press-clips/becoming-analogical-simondons-two-lessons-on-animal-and-man</link>
    <description>Review in Cultural Theory.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="dropcap"><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9781937561017.jpg/image_cover_medium" alt="Simondon_two cover" class="image-left" />In 2009, <i>Parrhesia: A Journal of Critical Philosophy</i>,  published a special issue dedicated to “the occasion of the forthcoming  publication of the English translation of Gilbert Simondon’s <i>L’individuation psychique et collective</i>”  (De Boever et al. 2). In the years since, anticipation of this and  other translations of Simondon’s work has continued to grow, yet none of  his primary texts have been published in their complete form in English  (although translations of several excerpts circulate on the Internet).  The English translations of Muriel Combes’ wonderful <i>Gilbert Simondon and the Philosophy of the Transindividual</i> (2013) and of the second two volumes of Bernard Stiegler’s <i>Technics and Time</i> (2009 and 2010), as well as the publication of <i>Simondon: Being and Technology</i> (2012), a collection assembled by the <i>Parrhesia</i> team, have no doubt greatly contributed to this anticipation. Yet there  are also several “macro-academic” trends helping to prepare for a  (re)discovery of Simondon which Brian Massumi describes in terms of a  general reconsideration of the constructivism that dominated academic  discourse in the 1990s:</p>
<blockquote>
<p>[Constructivism’s] posture is that things can’t be taken as givens,  rather they come to be….What was considered to come into being was less  things than new social or cultural takes on them. What is constructed  are fundamentally perspectives or paradigms, and the corresponding  subject positions. Within the 1990s constructivist model these were  understood in terms of signifying structures or coding, typically  applying models derived from linguistics and rhetoric. (21)</p>
<p><a class="external-link" href="http://www.reviewsinculture.com/?r=110"><b>Read the full article.</b></a></p>
</blockquote>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:26:47Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/io9-dorion-sagan-demands-that-we-make-science-an-adventure-again">
    <title>io9: Dorion Sagan Demands That We Make Science an Adventure Again</title>
    <link>http://www.upress.umn.edu/press/press-clips/io9-dorion-sagan-demands-that-we-make-science-an-adventure-again</link>
    <description>Excerpt of COSMIC APPRENTICE.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816681358.jpg/image_cover_medium" alt="Sagan_Cosmic cover" class="image-left" />In a terrific new book out today, <a href="http://www.amazon.com/Cosmic-Apprentice-Dispatches-Edges-Science/dp/081668135X?tag=io9amzn-20&ascsubtag=[type%7Clink[postId%7C486700534" target="_blank"><i>Cosmic Apprentice</i></a>, Dorion Sagan argues that it's time we reboot the scientific enterprise — by using philosophy. Sagan is the son of famed scientists Carl Sagan and Lynn Margulis, so he  grew up surrounded by speculative ideas about both cosmology and  biology — later, he also collaborated on a few books with Margulis. He  pays homage to his famous parents here, including memories of his  childhood alongside serious scientific and philosophical speculation.  It's incredible, and we've got the whole first chapter for you to read.</p>
<p><a class="external-link" href="http://io9.com/dorion-sagan-demands-that-we-make-science-an-adventure-486700534"><b>Read the excerpt here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:19:41Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/mpr-news-appetites-twin-cities-home-to-numerous-vibrant-farmers-markets">
    <title>MPR News Appetites: Twin Cities home to numerous vibrant farmers markets</title>
    <link>http://www.upress.umn.edu/press/press-clips/mpr-news-appetites-twin-cities-home-to-numerous-vibrant-farmers-markets</link>
    <description>MPR talks farmers markets with Beth Dooley, author of MINNESOTA'S BOUNTY.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><b><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816673155.jpg/image_cover_medium" alt="Dooley_Minnesotas cover" class="image-left" />Tom Crann:</b> I was actually surprised to learn that we have the oldest farmers market, retail market, in continuous operation <a href="http://www.stpaulfarmersmarket.com/" target="_blank">right here in St. Paul.</a></p>
<p><b>Beth Dooley:</b> That's  exactly right, and I was astounded when I found out how visionary the  founders of St. Paul really were because they wrote a market into the  founding documents for the city.  They recognized the importance of a  farmers market to a community.</p>
<p><b>Tom Crann:</b> In St. Paul, it goes back to 1852.  <a href="http://www.mplsfarmersmarket.com/FreshNews/" target="_blank">Minneapolis</a> is not far behind, is it?</p>
<p><b>Beth Dooley:</b> They're not far behind, but theirs was a wholesale market, not open to  retail customers.  That's why we see such a difference between the two  markets.</p>
<p><a class="external-link" href="http://minnesota.publicradio.org/display/web/2013/05/01/appetites/beth-dooley-farmers-market"><b>Catch the full interview.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T20:01:38Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/kevin-barrett-on-cosmic-apprentice">
    <title>Kevin Barrett on Cosmic Apprentice</title>
    <link>http://www.upress.umn.edu/press/press-clips/kevin-barrett-on-cosmic-apprentice</link>
    <description>Review of Dorion Sagan's book plus a link to his radio spot on American Freedom Radio.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816681358.jpg/image_cover_medium" alt="Sagan_Cosmic cover" class="image-left" />In his terrific new book <a href="http://www.upress.umn.edu/book-division/books/cosmic-apprentice">Cosmic Apprentice: Dispatches from the Edges of Science</a> (University of Minnesota Press) <a href="http://dorionsagan.wordpress.com/biography/">Dorion Sagan</a> quotes David Bohm: "Science is the search for truth whether we like it  or not." In other words, scientists are truthers. Unfortunately, few of  them are as courageous - or as interesting - as Dorion, who mines the  rich gradient separating scientific truth from human meaning better than  anyone. It seems that Dorion has inherited his father Carl Sagan's  talent for popularizing scientific ideas, and his mother Lynn Margulis's  genius for re-thinking the science of life.</p>
<p><a class="external-link" href="http://truthjihadradio.blogspot.com/2013/05/dorion-sagan-discusses-his-new-book.html"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T19:59:21Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/antennae-on-tom-tylers-ciferae">
    <title>Antennae on Tom Tyler's Ciferae</title>
    <link>http://www.upress.umn.edu/press/press-clips/antennae-on-tom-tylers-ciferae</link>
    <description>"An important addition to the literature on human knowledge and epistemology."</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816665440.jpg/image_cover_medium" alt="tyler_ciferae" class="image-left" />Tom Tyler’s trenchant study of anthropocentric and philosophical discourse, part of Cary Wolfe’s impressive “Posthumanities” series, is an important addition to the literature on human knowledge and epistemology, approached here through philosophy’s unsteady preoccupation with non-human animals. The book itself is something of a marvel—modeled on the medieval bestiary, it comes complete with ornamental capitals, eclectic marginal glosses, and around the border of the pages an illustrated menagerie of animal “indices”—many drawn from these earlier bestiaries. There are in fact 101 of these accompanying figures, each part of a running paratextual commentary on the myriad animals cited throughout the text, so that the book doubles as a kind of illuminated encyclopedia.</p>
<p><a class="external-link" href="http://www.antennae.org.uk/Reviews/Ciferae%20Review.pdf"><b>Download a PDF of the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-05-07T19:51:29Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/brain-pickings-why-science-and-philosophy-need-each-other">
    <title>Brain Pickings: Why Science and Philosophy Need Each Other</title>
    <link>http://www.upress.umn.edu/press/press-clips/brain-pickings-why-science-and-philosophy-need-each-other</link>
    <description>Extended, illustrated excerpt of COSMIC APPRENTICE by Dorion Sagan, by Maria Popova.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816681358.jpg/image_cover_medium" alt="Sagan_Cosmic cover" class="image-left" />As if to define <a href="http://www.brainpickings.org/index.php/2012/04/06/what-is-science/">what science is</a> and <a href="http://www.brainpickings.org/index.php/2012/04/09/what-is-philosophy/">what philosophy is</a> weren’t hard enough, to delineate how the two fit together appears a formidable task, one that has spurred rather <a href="http://www.brainpickings.org/index.php/2012/10/30/mind-and-cosmos-thomas-nagel/">intense opinions</a>. But that’s precisely what <b>Dorion Sagan</b>, who has previously examined the <a href="http://www.brainpickings.org/index.php/2013/01/25/dorion-sagan-sex/">prehistoric history of sex</a>, braves in the introduction to <a href="http://www.amazon.com/Cosmic-Apprentice-Dispatches-Edges-Science/dp/081668135X/?tag=braipick-20" target="_blank"><b><i>Cosmic Apprentice: Dispatches from the Edges of Science</i></b></a> (<a href="http://www.worldcat.org/title/cosmic-apprentice-dispatches-from-the-edges-of-science/oclc/816563877&referer=brief_results" target="_blank"><i>public library</i></a>)  as he sets out to explore the intricate ways in which the two fields  hang “in a kind of odd balance, watching each other, holding hands.”</p>
<p><a class="external-link" href="http://www.brainpickings.org/index.php/2013/04/30/dorion-sagan-cosmic-apprentice/"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-04-30T22:06:36Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/access-minnesota-memoir-of-a-gravediggers-daughter">
    <title>Access Minnesota: Memoir of a gravedigger's daughter</title>
    <link>http://www.upress.umn.edu/press/press-clips/access-minnesota-memoir-of-a-gravediggers-daughter</link>
    <description>Issues: What it’s like to grow up around cemeteries; Dealing with the death of a loved one; Is death more difficult to accept in modern culture?</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><b><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816683468.jpg/image_cover_medium" alt="Hanel_LastOnes cover" class="image-left" />Interview: </b>Minnesota author Rachael Hanel grew up in Waseca, Minnesota. But hers  was not a typical childhood; her father was the town’s only grave  digger. Her new book is titled “We’ll be the Last Ones to Let You Down,”  which was the motto of her dad’s business. This week on Access  Minnesota, Hanel shares her youthful experiences as an observer of death  and grief until the sudden passing of her father forces her and her  family to confront those issues head-on.</p>
<p><a class="external-link" href="http://www.accessminnesotaonline.com/2013/04/24/memoir-of-a-gravediggers-daughter/"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-04-30T20:12:25Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/the-chronicle-journal-finding-a-home-in-vacationland">
    <title>The Chronicle-Journal: Finding a home in Vacationland</title>
    <link>http://www.upress.umn.edu/press/press-clips/the-chronicle-journal-finding-a-home-in-vacationland</link>
    <description>Local love for Sarah Stonich's novel.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816687664.jpg/image_cover_medium" alt="Stonich_Vacationland cover" class="image-left" /><i>Vacationland</i>, by Minnesota author Sarah Stonich, is set so close to  Thunder Bay that it is tempting to call it a local book. Naledi Lodge,  the low-end resort at the centre of the book, is on the American side of  Stonich’s fictional Hatchet Lake, which straddles the Minnesota/Ontario  border. The Canadian shore can be seen from the dock out front, and the  late owner, Vaclav Machutova, kept the lodge radio “permanently tuned  to the CBC because he couldn’t abide American news broadcasts.”<br /> This book and its author seem so near, and yet so far! Unfortunately,  the border between here and the U.S. (a made-up, but very real line)  makes it challenging and complicated for the writers and readers of  Minnesota to interact with their counterparts in Northwestern Ontario.  Few Minnesota writers manage to get up here for readings, which is a  pity.</p>
<p><a class="external-link" href="http://www.chroniclejournal.com/content/news/local/2013/04/28/finding-home-vacationland"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-04-30T21:59:13Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/nyt-magazine-our-feel-good-war-on-breast-cancer">
    <title>NYT Magazine: Our Feel-Good War on Breast Cancer</title>
    <link>http://www.upress.umn.edu/press/press-clips/nyt-magazine-our-feel-good-war-on-breast-cancer</link>
    <description>New York Times Magazine article includes input from Samantha King, author of Pink Ribbons, Inc.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/9780816648986_sn3814.jpg/image_cover_medium" alt="King_pink cover" class="image-left" />[EXCERPT]</p>
<p>Before the pink ribbon, awareness as an end in itself was not the  default goal for health-related causes. Now you’d be hard-pressed to  find a major illness without a logo, a wearable ornament and a roster of  consumer-product tie-ins. Heart disease has its red dress, testicular  cancer its yellow bracelet. During “Movember” — a portmanteau of  “mustache” and “November” — men are urged to grow their facial hair to  “spark conversation and raise awareness” of prostate cancer (another  illness for which early detection has led to large-scale overtreatment)  and testicular cancer. “These campaigns all have a similar  superficiality in terms of the response they require from the public,”  said Samantha King, associate professor of kinesiology and health at  Queen’s University in Ontario and author of"Pink Ribbons, Inc.” “They’re  divorced from any critique of health care policy or the politics of  funding biomedical research. They reinforce a single-issue competitive  model of fund-raising. And they whitewash illness: we’re made ‘aware’ of  a disease yet totally removed from the challenging and often  devastating realities of its sufferers.”</p>
<p><a class="external-link" href="http://www.nytimes.com/2013/04/28/magazine/our-feel-good-war-on-breast-cancer.html?pagewanted=1&_r=0&hp"><b>Read the full article.</b></a></p>
<p><a class="external-link" href="http://www.nytimes.com/2013/04/28/magazine/our-feel-good-war-on-breast-cancer.html?pagewanted=7&_r=1&hp"><b>Excerpt from Page 7.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-04-30T20:28:52Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>





</rdf:RDF>
