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Editorial Information

 

Donald Crafton and Susan Ohmer, University of Notre Dame / Editors
Liza Palmer / Managing Editor
Caitlin McGrath / Book Reviews Editor
Jen Bircher, University of North Carolina Wilmington / Film and DVD Reviews Editor
Courtney Smotherman / Editorial Assistant


Editorial Board:
Snowden Becker, University of California, Los Angeles / Center for Home Movies
Matthew Bernstein, Emory University
Giorgio Bertellini, University of Michigan
William Boddy, Baruch College, City University of New York
Ed Carter, Academy Film Archive
Paolo Cherchi Usai, George Eastman House
Grover Crisp, Sony Pictures
Ellen Cunningham-Kruppa, University of Texas at Austin
Nico de Klerk, Ludwig Boltzmann Institut für Geschichte und Gesellschaft
Luciana Duranti, University of British Columbia
Karen Gracy, Kent State University
Haden Guest, Harvard University
Tom Gunning, University of Chicago
Michele Hilmes, University of Wisconsin-Madison
Jan-Christopher Horak, University of California, Los Angeles
Priya Jaikumar, University of Southern California
Martin Koerber, Deutsche Kinemathek
Andrea Leigh, Library of Congress
James Lindner, Media Matters LLC
Scott MacQueen, UCLA Film and Television Archive
Mike Mashon, Library of Congress
Annette Melville, National Film Preservation Foundation
Anne Morra, The Museum of Modern Art
Charles Musser, Yale University
Margaret Parsons, National Gallery of Art
David Pierce, Media History Digital Library
Rick Prelinger, Internet Archive
David Robinson, Giornate del Cinema Muto
Ralph Sargent, Film Technology
Eric Schaefer, Emerson College
Shelley Stamp, University of California, Santa Cruz
Jacqueline Stewart, University of Chicago
Sarah Street, University of Bristol
Dan Streible, New York University
Vanessa Toulmin, University of Sheffield/National Fairground Archive
Gregory Waller, Indiana University
Haidee Wasson, Concordia University
Pamela Wintle, Smithsonian Institution
Patricia Zimmermann, Ithaca College


Submission Guidelines
AMIA will accept for submission to The Moving Imageany article concerned with moving image archives in the widest sense. The Journal will address issues involving all moving image materials, including historic and contemporary film, television, and video, new and emerging digital technologies, as well as paper and three-dimensional collections documenting the history of moving image media. 

Content includes:
  • Traditional scholarly papers and historical essays, addressing aspects of the moving image archives field or highlighting specific collections.
  • In-depth examinations of specific preservation and restoration projects
  • Detailed profiles of moving image collections or archives
  • Interviews with leading figures in the moving image archives community
  • Behind the scenes looks at the techniques used to preserve and restore our moving image heritage
  • Theoretical and visionary articles on the future of the field
  • Technical and practical articles on research and development in the field
  • Reviews of books and films directly related to the archival field.

The Moving Image also has unique relevance for scholars who rely upon archives, both physical and electronic, for their scholarship and teaching. It is a forum for those concerned with such diverse topics as the ethics of restoration, the study of home movies and other nontheatrical forms, intellectual property restrictions affecting preservation and access to archival moving images, genre definitions, and film/videography of under-represented visual cultures. We welcome submissions on these and other film and media history topics, especially those that that illuminate the value of archives or that utilize underappreciated archival sources.

Inquiries and submissions should be directed electronically to co-editors, Donald Crafton and Susan Ohmer.  movingimage@nd.edu

Review copies of DVDs or books should be sent to the AMIA Office at 1313 North Vine Street, Los Angeles, CA 90028.