The Moving Image

Issue 2 - Volume 11 Contents Purchase This Issue

: Editors’ Foreword; Dealing with Domestic Films: Methodological Strategies and Pitfalls in Studies of Home Movies from the Predigital Era; “Have You Heard It Yet?” Advertising the First American Sound Films in Sweden; A Testimonial Dinner for Joseph I. Breen; Reconstructing Thanhouser: The Twenty-Five Year Journey of a Citizen Archivist; Object Lessons: An Introduction to an Interview with Jan Švankmajer That Turned into an Essay by Jan Švankmajer; Cabinets of Wonders: On Creating and Collecting; From Grain to Pixel: The Archival Life of Film in Transition, by Giovanna Fossati, Amsterdam University Press, 2009; Universal Women: Filmmaking and Institutional Change in Early Hollywood by Mark Garrett, Cooper, University of Illinois Press, 2010; Miss Mend. DVD distributed by Flicker Alley, 2009; The Italian Straw Hat. DVD distributed by Flicker Alley, 2010; Chaplin at Keystone Restored. DVD distributed by Flicker Alley, 2010; Under Full Sail: Silent Cinema on the High Seas. DVD distributed by Flicker Alley, 2009; La Roue. DVD distributed by Flicker Alley, 2008; Taxonomy in Action: International Association of Sound and Audiovisual Archives / Association of Moving Image Archivists Annual Conference. November 2–6, 2010, Philadelphia, Pennsylvania; Reimagining the Archive: Remapping and Remixing Traditional Models in the Digital Era, November 12–14, 2010, University of California, Los Angeles; The Ascension of the Amateur: Saving Private Reels: Presentation, Appropriation and Re-contextualization of the Amateur Moving Image. September 17–19, 2010, Cork, Ireland; The Center for Home Movies 2010 Digitization and Access Summit. September 22–24, 2010, Culpeper, Virginia
FEATURES: Surplus Material: Archives, History, and Innovation in Czechoslovak Army Films
FORUM: Swedish Inventor Sven Berglund’s Little-Known Achievements in the Development of Motion Picture Optical Sound Recording
REVIEWS: Academic Films for the Classroom: A History by Geoff Alexander, McFarland, 2010

Issue 1 - Volume 11 Contents Purchase This Issue

Features: Negotiating the Archives: The Natalie Kalmus Papers and the “Branding” of Technicolor in Britain and the United States
: Going to the Movies in Paris, Around 1933: Film Culture, National Cinema, and Historical Method; Useful Cinema, Film Genres, and Screen Networks: The Story of Canadian Films Limited (1919-1920); Genesis of a Profession: Origins of the Film and Television Archives Advisory Committees; Surveying AMIA’s First Twenty Years; We Are the World: AMIA Comes of Age and Discovers International Relations; Antipodean Reflections on AMIA; How the AMIA Scholarships and Fellowships Program Helped Pave the Way for a New Generation of Moving Image Archivists; AMIA’s Local Television Project; A View from the Booth: Archival Screening Night; I Am an Amateur Moving Image Archivist; On the Role of AMIA in Reshaping the Field of the Moving Image; Films that Work: Industrial Film and the Productivity of Media Edited by Vinzenz Hediger and Patrick Vonderau; Kumar Talkies (1998); the Exiles (1961); Make Way for Tomorrow (1937); Columbia Pictures Film Noir Classics I; Columbia Pictures Film Noir Classics II; Columbia Classics Bad Girls of Film Noir Volume 1; Columbia Classics Bad Girls of Film Noir Volume 2; “Rescued and Regained”: Il Cinema Ritrovato 2010
Forum: Present at the Creation: A Memoir
Reviews: The Passion of Montgomery Clift by Amy Lawrence
Conferences & Festivals: Seventh Orphan Film Symposium

Issue 2 - Volume 10 Contents Purchase This Issue

Editors’ Foreword: Editors’ Foreword
Features: Football’s Wine Cellar: The NFL Films Archive
: Al Brick: The Forgotten Newsreel Man at Pearl Harbor; “It Is Entertainment, and It Will Sell Bonds!”: 16mm Film and the World War II Bond Campaign; “Go Away Back to Berwick and Die!”: The Blackhill Campaign, the Coal Industry, and the British New Wave; Representation and Ethics in Moving Image Archives; The Search for Karl Brown; Mining the Home Movie: Excavations in Histories and Memories edited by Karen L. Ishizuka and Patricia R. Zimmermann; Screens: Viewing Media and Installation Art by Kate Mondloch; Douglas Fairbanks: A Modern Muskateer Flicker Alley, 2008; The Lost and Found RKO Collection Turner Classic Movies Vault Collection, 2008; The National Parks: America’s Best Idea Public Broadcasting Service Video, 2009; Charles Gagnon: 4 Films Spectral Media, 2009; Living Room Cinema: Films from Home Movie Day, Volume 1 Center for Home Movies, 2007; Celeccion Mosaico Criollo: Primera antologia del cine mudo Argentino (First Agentine Silent Film Anthology) Museo del Cine-Pablo Ducros Hicken, 2009; No Guts, No Glory: The Medical Film Symposium January 20-23, 2010, Philadelphia
Forum: Interview with Thomas G. Smith, Educational Filmmaker
Reviews: Hidden Talent: The Emergence of Hollywood Agents by Tom Kemper

Issue 1 - Volume 10 Contents Purchase This Issue

Editor’s Foreword: Editor’s Foreword
Features: Jackrabbit Genius: Melton Barker, Itinerant Films, and Creating Locality
: The Places You’ll Know: From Self-Recognition to Place Recognition in the Local Film; Cuckoo in the Nest: Edwardian Itinerant Exhibition Practices and the Transition to Cinema in the United Kingdom from 1901 to 1906; Collecting Georgia’s Hometown Movies: Acquisition, Ownership, Preservation, and Access; “Wasn’t That a Funny Thing That We Did?” Oral Histories of Itinerant Filmmaking; The Itinerant Films of Arthur J. Higgins; Itinerant Filmmaking in Knoxville in the 1920s: A Story Told through Unseen Movies; The Huntingdon’s Hero Story; Inherent Vice: Bootleg Histories of Videotape and Copyright by Lucas Hilderbrand; Archival Storytelling: A Filmmaker’s Guide to Finding, using, and Licensing Third-Party Visuals and Music by Sheila Curran Bernard and Kenn Rabin; My Grandmother (Chemi bebia) (1929) directed by Kote Mikaberidze; The Joy of Sex Education; Storm under the Sun (Hongri fengbao) directed by Xiaolian Peng and S. Louisa Wei; Northeast Historic Film: “The Whole World is Watching!”
Forum: Meeting the Movie Queen: An Itinerant Film Anchored in Place
Reviews: Cupboards of Curiosity: Women, Recollection, and Film History by Amelie Hastie
Appendix: Itinerant Filmography, North America

Issue 2 - Volume 9 Contents Purchase This Issue

Guest Editor’s Introduction: Guest Editor’s Introduction
Features: The Gray Zone: A Restorationist’s Travel Guide
: Midsummer Dream, Midwinter Nightmare Max Reinhardt and Shakespeare vs. the Warner Bros.; Copyright, Preservation and Archives: An Interview with Eric Schwartz; ‘Europe ain’t gonna see this scene!’: Working with Variant Versions in Photoplay Productions’ restoration of The Cat and the Canary; Stereoscopic Cinema and the Origins of 3-D Film: 1838-1952 by Ray Zone The University Press of Kentucky, 2007; Canyon Cinema: The Life and Times of an Independent Film Distributor by Scott MacDonald University of California Press, 2008; Inventing Film Studies edited by Lee Grieveson and Haidee Wasson Duke University Press, 2008 Eric Hoyt Toby Dammit Directed by Federico Fellini Produced by Les Films Marceau/Cocinor, 1968; Treasures from American Film Archives IV: Avant-Garde Film, 1947-1986 Produced by The National Film Preservation Foundation. Distributed by Image Entertainment, 2009; Péter Forgács at the National Gallery of Art, Washington D.C. “Film, Memory, and Amnesia” Lecture & Screening of Miss Universe 1929 December 7, 2008
Forum: Points of Origin: Discovering Ourselves Through Access
Reviews: Fight Pictures by Dan Streible University of California Press, 2008

Issue 1 - Volume 9 Contents Purchase This Issue

Editor’s Introduction: The State of Orphan Films: Editor’s Introduction: The State of Orphan Films
Features: Are All (Analog) Films "Orphans"? A Pre-digital Appraisal
: The Bureaucratic Activist: Federal Filmmakers and Social Change in the U.S. Department of Agriculture's Tick Eradication Campaign; Garras de oro (The Dawn of Justice—Alborada de justicia): The Intriguing Orphan of Colombian Silent Films; Extended Family Films: Home Movies in the State-Sponsored Archive; Carl Marzani & Union Films: Making Left-wing Documentaries during the Cold War, 1946-1953; Nothing Could be Finer? George Stoney's Tar Heel Family and the Tar Heel State on Film; Experiments in Propaganda: Reintroducing James Blue's Colombia Trilogy; Carl Sanders and Albert Maysles: Georgia Politics Meets Direct Cinema, 1969-1970; Old-Time Religion: Christian Experimentalism and Preaching to the "Unchurched"; Between Sign-Off Films and Test Patterns: Insight at UCLA; Tributes to Bill O'Farrell; Body Shots: Early Cinema's Incarnations by Jonathan Auerbach University of California Press, 2007; Harnessing the Technicolor Rainbow: Color Design in the 1930s by Scott Higgins University of Texas Press, 2007; Valentino: Rediscovering an Icon of Silent Film DVD distributed by Flicker Alley, 2007; The Harold Lloyd Comedy Collection DVD distributed by New Line Home Entertainment, 2005; Discovering Cinema: Learning to Talk & Movies Dream in Color (2003-2004) DVD distributed by Flicker Alley, 2007; Projections of Desire. Saturn. The Erotic Beginnings of Austrian Cinematography (Projektionen der Sehnsucht: Saturn. Die erotischen Anfange der oesterreichischen Kinematografie) VHS distributed by Filmarchiv Austria, 1999
Forum: The Army, Newsreel, and The Army Film
Reviews: How the West Was Sung by Kathryn Kalinak University of California Press, 2007

Issue 2 - Volume 8 Contents Purchase This Issue

Editor’s Foreword: Editor’s Foreword
Features: Digital Decay
: Theorizing Amateur Cinema: Limitations and Possibilities; Unraveling the Madison News Reel: An Unlikely Convergence of Collage, Industrial, and Local Film; Digital Asset Symposium, Museum of Modern Art, New York City, April 25, 2008; EAI Online Resource Guide for Exhibiting, Collecting & Preserving Media Art Electronic Arts Intermix and Independent Media Arts Preservation, Inc., 2006; Phantom (1922) Directed by F.W. Murnau Flicker Alley, 2006; Don’t Change Your Husband with The Golden Chance and Why Change Your Wife? with Miss Lulu Bett Directed by Cecil B. DeMille Image Entertainment, 2005; The Virgin Spring Directed by Ingmar Bergman The Criterion Collection, 2006; Treasures III: Social Issues in American Film, 1900–1934 Image Entertainment, 2007
Forum: Joint Technical Symposium 2007: Audiovisual Heritage and the Digital Universe, University of Toronto, June 28–30, 2007
Reviews: Scenes of Instruction: The Beginnings of the U.S. Study of Film by Dana Polan University of California Press, 2007

Issue 1 - Volume 8 Contents Purchase This Issue

Editor’s Foreword: Editor’s Foreword
Guest Editor’s Foreword: Guest Editor’s Foreword
Features: “Born Digital”—Raised an Orphan? Acquiring Digital Media through an Analog Paradigm
: Bio-Fiction Classification Theory: Remix Methodologies and the Archivist; When Governments Make Mistakes: Advocacy and the Long-distance Archivist; Electric Edwardians: The Story of the Mitchell & Kenyon Collection by Vanessa Toulmin British Film Institute, 2006; Reconstructing American Historical Cinema by J. E. Smyth University Press of Kentucky, 2006; Popeye the Sailor, Volume One: 1933–1938 Warner Home Video, 2007
Forum: How to Preserve Your Films Forever
Reviews: Film Preservation: Competing Definitions of Value, Use, and Practice by Karen F. Gracy Society of American Archivists, 2007

Issue 2 - Volume 7 Contents Purchase This Issue

Editor’s Foreword: Editor’s Foreword
Features: Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images
: A History of the Newsreel in Canada: A Struggle For Screen Time; Commercial Video Collections: A Preservation Survey of the Avery Fisher Center Collection at NYU; The First Lady of Hollywood: A Biography of Louella Parsons by Samantha Barbas University of California Press, 2005; Encyclopedia of Early Cinema Edited by Richard Abel Routledge, 2005; Peach Girl (Taohua qi xue ji) (1931) Directed by Bu Wancang DVD from San Francisco Silent Film Festival and The Goddess (Shennü) (1934) Directed by Wu Yonggang DVD and book, Ruan Ling-Yu: The Goddess of Shanghai by Richard J. Meyer University of Hong Kong Press, [year]; The Journal of Short Film Volume 1, Fall 2005; Coming Out Under Fire Directed by Arthur Dong DVD from DeepFocus Productions, 2003
Forum: The Missing Link: Content Indexing, User-Created Metadata, and Improving Scholarly Access to Moving Image Archives
Reviews: Moving Image Technology from Zoetrope to Digital by Leo Enticknap Wallflower Press, 2005

Issue 1 - Volume 7 Contents Purchase This Issue

Features: Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images
: A History of the Newsreel in Canada: A Struggle For Screen Time; Commercial Video Collections: A Preservation Survey of the Avery Fisher Center Collection at NYU; The First Lady of Hollywood: A Biography of Louella Parsons by Samantha Barbas University of California Press, 2005; Encyclopedia of Early Cinema Edited by Richard Abel Routledge, 2005; Peach Girl (Taohua qi xue ji) (1931) Directed by Bu Wancang DVD from San Francisco Silent Film Festival and The Goddess (Shennü) (1934) Directed by Wu Yonggang DVD and book, Ruan Ling-Yu: The Goddess of Shanghai by Richard J. Meyer University of Hong Kong Press, [year]; The Journal of Short Film Volume 1, Fall 2005; Coming Out Under Fire Directed by Arthur Dong DVD from DeepFocus Productions, 2003
Forum: The Missing Link: Content Indexing, User-Created Metadata, and Improving Scholarly Access to Moving Image Archives
Reviews: Moving Image Technology from Zoetrope to Digital by Leo Enticknap Wallflower Press, 2005

Issue 2 - Volume 6 Contents Purchase This Issue

FEATURES: Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration
: The Library of Congress Film Project: Film Collecting and a United State(s) of Mind; Mitchell and Kenyon, Archival Contingency, and the Cultural Production of Historical License; Mobile Home Movies: Travel and le Politique des Amateurs; Silent Film Exhibition and Performative Historiography: The Within Our Gates Project; The Birth of a Black Cinema: Race, Reception, and Oscar Micheaux’s Within Our Gates; Revisiting and Remixing Black Cinema; Media Antecedents to Within Our Gates: Weaving Disparate Threads; The Spoken Word in Within Our Gates: Revisited and Remixed; Interview with Fe Nunn; Hollywood and the Culture Elite: How the Movies Became American Peter Decherney Columbia University Press, 2005; A Line of Sight: American Avant-Garde Film since 1965 Paul Arthur University of Minnesota Press, 2005 The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles David E. James University of Minnesota Press, 2005; American Cinema’s Transitional Era: Audiences, Institutions, Practices Edited by Charlie Keil and Shelly Stamp University of California Press, 2004; Walden (1969) Filmed and edited by Jonas Mekas VHS from Re:Voir Video Editions; Why We Fight Directed by Eugene Jarecki Sony Pictures Classics, 2005; Notre Musique (2004) Written and directed by Jean-Luc Godard Produced by Avventura Films In the Realms of the Unreal (2004) Directed by Jessica Yu Produced by Diorama Films DVDs from Wellspring Media
FORUM: My Saga of the Newly Discovered Estate of Erich von Stroheim
REVIEWS: Museum Movies: The Museum of Modern Art and the Birth of Art Cinema Haidee Wasson University of California Press, 2005

Issue 1 - Volume 6 Contents Purchase This Issue

FEATURES: The Fitness of the Film Lab: A Reportfrom a Week at Haghefilm
: Context! Context! Context! Describing Moving Images at the Collection Level; Amateur Video Must Not Be Overlooked; Storytelling and Archival Material in The Trouble with Merle; The Use of Digital Restoration within European Film Archives: A Case Study; Coming Attractions: Reading American Movie Trailers Lisa Kernan University of Texas Press, 2004; Shepperton Babylon: The Lost Worlds of British Cinema Matthew Sweet Faber and Faber, 2005; A Culture of Light: Cinema and Technology in 1920s Germany Francis Guerin University of Minnesota Press, 2005; Soft Cinema: Navigating the Database Lev Manovich and Andreas Kratky MIT Press, 2005; Hindel Wakes (1927) Directed by Maurice Elvey DVD from Milestone Film and Video, 2005; And Starring Pancho Villa as Himself Directed by Bruce Beresford DVD from Warner Home Video, 2003; Los Rollos perdidos de Pancho Villa / The Lost Reels of Poncho Villa Gregorio Rocha SubCine (www.subcine.com), 2003; Mary Pickford Films on DVD Heart O' the Hills (1919), M'liss (1918), Suds (1920), Through the Back Door (1922), and Cinderella (1914); The Blot (1921) Directed by Lois Weber; restoration by Photoplay Productions, with a new score by Jim Parker; The Collected Shorts of Jan Svankmajer Produced by Kimstim Films DVD from Kino International, 2005; The Olive Thomas Collection (2005): The Flapper (1920), Directed by Alan Croslan, and Olive Thomas: Everybody's Sweetheart (2004), Directed by Andi Hicks DVD from Milestone Film and Video through Image Entertainment, 2005; The Forgotten Films of Roscoe "Fatty" Arbuckle DVD from Laughsmith Entertainment and Mackinac Media, 2005; Filmmuseum Biennale Nederlands Filmmuseum, Amsterdam, April 5 - 10, 2005
FORUM: Audiovisual Archiving and the World of Tomorrow: Explorations into Accreditation and Certification
REVIEWS: Managing Archival and Manuscript Repositories Michael J. Kurtz Society of American Activists, 2004

Issue 2 - Volume 5 Contents Purchase This Issue

FEATURES: Charlie Silveus Makes a Quotidian Spectacle: An Exhibitor-Filmmaker and His Local View
: The Strange Case of The Fall of Jerusalem: Orphans and Film Identification; Popular Ethnography and Public Consumption: Sites of Contestation in Museum-Sponsored Expeditionary Film; Dirty Little Secrets: Scholars, Archivists, and Dirty Movies; "White Slavery" Versus the Ethnography of "Sexworkers": Women in Stag Films at the Kinsey Archive; Restoring The Big Parade; A Note on "Cinema's Founding Myth"; More Treasures from American Fim Archives, 1894-1931 Produced by the National Film Preservation Foundation Distributed by Image Entertainment, 2004; The Music from More Treasures from American Fim Archives, 1894-1931 Produced by the National Film Preservation Foundation Distributed by Image Entertainment, 2004; Legong, Dance of the Virgins Milestone Film and Video, 2004; The Film Preservation Guide: The Basics for Archives, Libraries and Museums National Film Preservation Foundation, 2004 IPI Media Storage Quick Reference Peter Z. Adelstein Image Permanence Institute, 2004; Hollywood Outsiders: The Adaptation of the Film Industry, 1913-1934 Anne Morey University of Minnesota Press, 2003; Policing Cinema: Movies and Censorship in Early-Twentieth-Century America Lee Grieveson University of California Press, 2004; Reframing British Cinema, 1918-1928: Between Restraint and Passion Christine Gledhill British Film Institute, 2003 Michele L. Torre; Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity Lawrence Lessig Penguin, 2004
FORUM: Home Viewing: Pornography and Amateur Film Collections, A Case Study
REVIEWS: Cinefest Hamburg, November 13-21, 2004

Issue 1 - Volume 5 Contents Purchase This Issue

FEATURES: Persistence of Vision: Public Library 16mm Film Collections in America
: Using Shooting Scripts for Indexing Moving Images; The Dawn of Tape: Transmission Device as Preservation Medium; Amateurism and Experiment: The British Film Institute's Experimental Film Fund (1952 - 1966); Imaging/Imagining Air Force Identity: "Hap" Arnold, Warner Bros., and the Formation of the USAAF First Motion Picture Unit; Mughal-e-Azam: Restoration-cum-Colorization for 35mm Release; Bright Leaves Ross McElwee; Decasia: The State Of Decay Directed, produced and edited by Bill Morrison Plexifilm DVD release, 2002; Masterworks of African Cinema Kino International DVD Series, 2003; Winsor McCay: The Master Edition Cinémathèque Québécoise and Milestone Film and Video, 2004; Black, White, and in Color: Television and Black Civil Rights Sasha Torres Princeton University Press, 2003; Preserve Then Show Edited by Dan Nissen, Lisbeth Richter Larson, Thomas C. Christensen, and Jesper Stub Johnsen Danish Film Institute, 2002; Jean Desmet and the Early Dutch Film Trade Ivo Blom Amsterdam University Press, 2003; Anita Loos Rediscovered: Film Treatments and Fiction by Anita Loos Edited and annotated by Cari Beauchamp and Mary Anita Loos University of California Press; Ethics and the Archival Profession: Introduction and Case Studies Karen Benedict The Society of American Archivists, 2003; Orphans 04: On Location: Place and Region in Forgotten Films University of South Carolina, March 2-27, 2004; Moving Images and Biography, Conference at Northeast Historic Film Bucksport, Maine, July 30 - 31, 2004
FORUM: Archival Misadventures at UCLA: The Early Years
REVIEWS: In the Mirror of Maya Deren Directed by Martina Kudlácek Zeitgeist Films, 2002

Issue 2 - Volume 4 Contents Purchase This Issue

FEATURES: Confronting the Past in the Archival Film and the Contemporary Documentary
: News That Moves: Accessioning Video for Newspaper Archives; Preservation of Electronic Media in Libraries, Museums, and Archives; Louise Lovely, Bluebird Photoplays, and the Star System; Moving History: Promoting Moving Image Archive Collections in an Emerging Digital Age; Dogtown and Z-Boys, directed by Stacy Peralta Sony Pictures Classics, 2001; The Phantom of the Opera Milestone Film & Video/Image Entertainment, 2003; Hollywood Quarterly: Film Culture in Postwar America, 1945-1957, edited by Eric Smoodin and Ann Martin University of California Press, 2002; Ciné-Ethnography, Jean Rouch, edited and translated by Steven Feld University of Minnesota Press, 2003; River of Shadows: Eadweard Muybridge and the Technological Wild West, Rebecca Solnit Viking, 2003; Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records, Sam Kula Scarecrow Press, 2003; Computers, Visualization, and History: How New Technology Will Transform Our Understanding of the Past, David J. Staley M. E. Sharpe, 2003; Symposium: Tenth Anniversary Celebration of the Restoration Department at the Fachhochschule für Technik und Wirtschaft Berlin, November 22, 2003; Rewind/Fast Forward Festival Miami, June 2003; Le Giornate del Cinema Muto 2003 Sacile, October 11-18, 2003
FORUM: A Critical View of Some Major Libraries: The Perspective of an Early Cinema Historian
REVIEWS: Raymundo, written and directed by Ernesto Ardito and Virna Molina (2002)

Issue 1 - Volume 4 Contents Purchase This Issue

FEATURES: Showing Different Films Differently: Cinema as a Result of Cinematic Thinking
: Curating and Pedagogy in the Strange Time of Short Film and Video Exhibition; The Ethical Presenter, or How to Have Good Arguments over Dinner; Vision, Authority, Context: Cornerstones of Curation and Programming; A Curator's Conundrum: Programming "Black Film" in 1980s-1990s Britain; Film Festivals, Programming, and the Building of a National Cinema; Lumière's Arrival of the Train: Cinema's Founding Myth; Some Bald Assertion by an Ignorant and Badly Educated Frenchman: Technology, Film Criticism, and the "Restoration" of Vertigo (1996); Capturing the Friedmans HBO, Magnolia Pictures, 2003; Le Joueur d'Échecs/The Chess Player Directed by Raymond Bernard, 1927; This Film Is Dangerous: A Celebration of Nitrate Film, editor, Roger Smither; associate editor, Catherine A. Surowiec FIAF, 2002; North of Everything: English-Canadian Cinema since 1980, edited by William Beard and Jerry White University of Alberta Press, 2003; The New Media Book, edited by Dan Harries BFI Publishing, 2002; Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture, by Alison Griffiths Columbia University Press, 2002; Celluloid Goes Digital University of Trier, Germany, October 20-23, 2002; The Lives of Lola Montès: A Report from the Max Ophüls Beyond Borders Conference Williamsburg, Virginia, March 27-30, 2003
FORUM: Nitrate Machos vs. Nitrate Nellies: Buccaneer Days at the UCLA Film and Television Archive
REVIEWS: Cinemania Wellspring Media, 2002

Issue 2 - Volume 3 Contents Purchase This Issue

FEATURES: The Mitchell and Kenyon Collection: Rewriting Film History
: Sodom and Gomorrah: Notes on a Reconstruction or Less is More; Found Footage Film as Discursive Metahistory: Craig Baldwin’s Tribulation 99; Rethinking Rothafel: Roxy’s Forgotten Legacy; InterPARES: The Search for Authenticity in Electronic Records; The Emergence of Cinematic Time: Modernity, Contingency, the Archive, Mary Ann Doane. Harvard University Press, 2002; There’s No Place Like Home Video, James M. Moran, University of Minnesota Press, 2002.; Film Copyright in the European Union, Pascal Kamina, Cambridge University Press, 2002; Encoded Archival Description, Version 2002 Tag Library; Weltwunder der Kinematographie. Film History auf DVD, vol. 1, Polzer Media Group, Potsdam, 2002; The Pordenone Silent Film Festival CD-ROM, Le Giornate del Cinema Muto, 2002; Orphans of the Storm III: Listening to Orphan Films, University of South Carolina, 26-28 September 2002; Symposium: Close Readings: Seeing Amateur Films in Important Ways, Northeast Historic Film, 27-28 July 2002; Film Archives in the Digital Era: New Concepts and New Policies. Archimedia (the European training network for the promotion of cinema heritage) Seminar, Amsterdam, 16-18 January 2003
FORUM: Looking at Preservation from the Digital Library Perspective
REVIEWS: War Photographer (2001) Produced, directed and edited by Christian Frei. Producers: Christian Frei Filmproductions; Schweizer Fernsehen DRS; Suissimage. Distributor: First Run/Icarus Films, 96 minutes.

Issue 1 - Volume 3 Contents Purchase This Issue

FEATURES: Documenting the Process of Film Preservation
: Preserving African-American Cinema: The Case of The Emperor Jones (1933); Preserving Pickford: The Mary Pickford Collection and the Library of Congress; More than Morality: The Indian Cinematograph Committee Interviews (1927); Fragmentation and Segmentation in the Lumiére "Animated Views"; Developing Preservation Appraisal Criteria for a Public Broadcasting Station; Magical History Film and Video Bus Tour, Florida Moving Image Archive, January 2002; The Cedar Bar Alfred Leslie, 2002; Grin without a Cat Chris Marker, France, 1993; Pépé le Moko (1938) Janus Film/Rialto Pictures Release, 2002; Shackleton Films; Exhibition: The Film Reader, edited by Ina Rae Hark Routledge Press, 2002; Moviegoing in America, edited by Greg Waller Blackwell Press, 2002; Cinema 16: Documents toward a History of the Fillm Society, by Scott MacDonald Temple University Press, 2002; The Death of Cinema: History, Cultural Memory, and the Digital Dark Age, by Paolo Cherchi Usai British Film Insititute, 2001; Ken Burns's America, by Gary R. Edgerton Palgrave Press, 2001
FORUM: Film Archiving as a Profession: An Interview with Eileen Bowser
REVIEWS: Cinema², II Cinema Ritrovato: Bologna, Italy, July 2002

Issue 2 - Volume 2 Contents Purchase This Issue

FEATURES: Polavision Instant Movies: Edwin Land's Quest for a New Medium
: Identifying and Documenting the Small Gauge Image: Researching Rare Footage of a First Nations School in the Canadian West; An Academic Perspective: The Life and Films of John Barnes; Coming to Terms With New York City's Moving Picture Operators, 1906-1913; Edison in Quebec (1894-1913): Shedding a Foreign Light on the Origins of Cinema in Canada; The Edison Home Kinetoscope and its Films; Edison Home Kinetoscope (22mm): A List of Films and Sources; Restoring 22mm Edison Home Kinetoscope Films; The Fragile Emulsion; The Research Value of Amateur Films: Integrating the Use of Amateur and Found Footage into a Film Production Course; Toyo Miyatake: Infinite Shades of Gray (2001); Captured on Film: The True Story of Marion Davies and Without Lying Down: Frances Marion and the Power of Women in Hollywood; Bamboozled; Anne Everett: Returning the Gaze: A Geneology of Black Film Criticism, 1909-1949 Durham, N.C., Duke University Press, 2001; Tom Stempel: American Audiences on Movies and Moviegoing Lexington, University of Kentucky Press, 2001; Saverio Giovacchini Hollywood Modernism: Film and Politics in the Age of the New Deal Philadelphia, Temple University Press, 2001; David Morton: Off the Record: The Technology and Cuture of Sound Recording in America New Brunswick, N.J., Rutgers University Press, 1999
FORUM: The UCLA Film and Television Archive: A Retrospective Look
REVIEWS: Gao Rang

Issue 1 - Volume 2 Contents Purchase This Issue

FEATURES: A Film Archive for Canada
: Home Movies on Freud's Couch; Of Pits and Vaults: The Historiographic Value of Educational Collections in Great Britain; Notes on the Proliferation of Metropolis (1927); The Marian Anderson Lincoln Memorial Concert: An Event Re-creation; OAIS, METS, MPEG-21 and Archival Values; The Robert Youngston Compilations: Identification of Film Source; Response to T.A. Kinsey's article on Dreyer's Passion of Joan of Arc (Vol. 1., No. 1); Response to Tony Pipolo; Double Fold: Libraries and the Assault on Paper by Nicholas Baker Random House, 2001; Media Marathon: A Twentieth Century Memoir by Erik Barnouw Duke University Press, 1996 Media Lost and Found by Erik Barnouw Fordham University Press, 2001; Restoration of Motion Picture Film edited by Paul Read & Mark-Paul Meyer for the Gamma Group London: Butterworth & Heinmann, 2000; Sure Seaters: The Emergence of Art House Cinema by Barbara Wilinsky University of Minnesota Press, 2001; Orphans in the Storm II symposium University of South Carolina, March 2001
FORUM: You Only Live Once: On Being a Troublemaking Professional
REVIEWS: Masterpieces of Japanese Silent Cinema by Urban Connections, 2000

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