Film/Television/Media Studies

Acham Revolution Televised

Acland Residual Media

Anderson Making Easy Listening

Armstrong Reticulations

Arthur A Line of Sight

Aufderheide The Daily Planet

Augé Casablanca

Awkward Burying Don Imus

Azuma Otaku

Bernardi Classic Hollywood, Classic Whiteness

Bernstein Walter Wanger, Hollywood Independent

Berry Electronic Elsewheres

Berry Screen Style

Betz Beyond the Subtitle

Bloom French Colonial Documentary

Bloom With Other Eyes

Braddock Directed by Alan Smithee

Brooks Lulu in Hollywood

Buñuel My Last Sigh

Burgoyne Film Nation

Campbell Wireless Writing in the Age of Marconi

Card Seductive Cinema

Carson Multiple Voices in Feminist Film Criticism

Cartwright Screening the Body

Chanan Cuban Cinema

Chang Deconstructing Communication

Cherniavsky Incorporations

Chris Watching Wildlife

Citron Home Movies and Other Necessary Fictions

Clark Negotiating Hollywood

Clough Autoaffection

Cohen Hitchcock's Cryptonymies, Volume I

Cohen Hitchcock's Cryptonymies, Volume II

Conley Cartographic Cinema

Conley Film Hieroglyphs

Cooper Love Rules

Cowie Representing the Woman

Curry Too Much of a Good Thing

Curtis James Whale

Dale Comedy Is a Man in Trouble

Dardis Buster Keaton

Davidson Deterritorializing the New German Cinema

Decker Made in America

Deger Shimmering Screens

Delson Dudley Murphy, Hollywood Wild Card

Desser Hollwood Goes Shopping

Deuber-Mankowsky Lara Croft

Donald Imagining the Modern City

Douglas Listening In

Ellis Derek Jarman’s Angelic Conversations

Epps All about Almodóvar

Ewen Channels of Desire

Fenster Conspiracy Theories

Fiske Media Matters

Flaxman The Brain Is the Screen

Fox The Fence and the River

Fregoso The Bronze Screen

Friedman Morality USA

Gaines Collecting Visible Evidence

Galloway The Exploit

Gamboa Urban Exile

Gilfillan Pieces of Sound

Goodwin Dancing in the Distraction Factory

Gopal Global Bollywood

Gray Watching Race

Gross Image Ethics in the Digital Age

Guerin A Culture of Light

Guins Edited Clean Version

Gwenllian-Jones Cult Television

Haenni The Immigrant Scene

Hamamoto Monitored Peril

Hankin The Girls in the Back Room

Hardt Newsworkers

Harold OurSpace

Hauser Inside the Ropes with Jesse Ventura

Hawk Small Tech

Hawkins Cutting Edge

Hénaff Public Space and Democracy

Hershfield The Invention of Dolores del Rio

Herzog Dreams of Difference, Songs of the Same

Hilmes Radio Voices

Hillis Digital Sensations

Himpele Circuits of Culture

Hjort Small Nation, Global Cinema

Hollinger In the Company of Women

Holmlund Between the Sheets, In the Streets

Jacobson What Have They Built You to Do?

Jarman Modern Nature

Jones Body Art/Performing the Subject

Juhasz F Is for Phony

Juhasz Women of Vision

Kackman Citizen Spy

Keller Andy Kaufman

Kellner Emile de Antonio

Kintz Media, Culture, and the Religious Right

Kipnis Ecstasy Unlimited

Kouvaros Where Does It Happen?

Krapp Déjà Vu

Lamarre The Anime Machine

Land Active Radio

Lebow First Person Jewish

Lion Magnetic North

Lippit Atomic Light (Shadow Optics)

Lippit Electric Animal

Liss Trespassing through Shadows

Loviglio Radio's Intimate Public

Lyon Electronic Eye

Macek Urban Nightmares

Mann Hollywood Independents

Manning Ephemeral Territories

Marciniak Alienhood

Marez Drug Wars

Mattelart Invention of Communication

Mattelart Mapping World Communication

Mattelart Networking the World, 1794-2000

Mayne Framed

Mazumdar Bombay Cinema

Meehan Sex and Money

Michaels Bad Aboriginal Art

Miller Something Completely Different

Miller Technologies of Truth

Mimura Ghostlife of Third Cinema

Moran There's No Place Like Home Video

Morin The Cinema, or The Imaginary Man

Morin The Stars

Mortimer Terror and Joy

Mowitt Re-takes

Munson James Carey

Murray Digital Baroque

Noriega Chicanos and Film

Noriega The Ethnic Eye

Noreiga Shot in America

Noriega Visible Nations

Nornes Cinema Babel

Nornes Forest of Pressure

Nornes Japanese Documentary Film

Nygren Time Frames

O'Dell Contract With the Skin

Oliver Noir Anxiety

Paris Garbo

Paris Louise Brooks

Patton Cinematic Identity

Penley Male Trouble

Penley Technoculture

Pinkus Bodily Regimes

Poster What's the Matter with the Internet?

Radner Swinging Single

Raley Tactical Media

Rapping Movie of the Week

Reed The Art of Protest

Renov Resolutions

Renov The Subject of Documentary

Rhodes Stupendous, Miserable City

Rickels Acting Out in Groups

Rickels Ulrike Ottinger

Rickels The Vampire Lectures

Rodowick Afterimages of Gilles Deleuze’s Film Philosophy

Rosen Change Mummified

Rouch Ciné-Ethnography

Ruoff An American Family

Russell Narrative Mortality

Rutsky High Techne

Ryan Avatars of Story

Sadoff Victorian Vogue

Schleier Skyscraper Cinema

Self Robert Altman's Subliminal Reality

Shaviro Connected, or What It Means to Live in the Network Society

Shevory Notorious H.I.V.

Singer Wiping the War Paint off the Len

Skoller Shadows, Specters, Shards

Sobchack Meta-Morphing

Spigel Private Screenings

Sreberny-Mohammadi Small Media, Big Revolution

Staiger Bad Women

Steimatsky Italian Locations

Sutton Photography, Cinema, Memory

Talens The Branded Eye

Talens Modes of Representation in Spanish Cinema

Thomsen Fassbinder

Ukadike Questioning African Cinema

Ulmer Electronic Monuments

Wahlberg Documentary Time

Waldman Feminism and Documentary

Walker Couching Resistance

Watney Policing Desire

Woodbury Stopping the Presses

Wilinsky Sure Seaters

Yau At Full Speed

Young The Cinema Dreams Its Rivals

Zimmermann States of Emergency

Zurbrugg Art, Performance, Media

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