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      Check out the latest reviews of University of Minnesota Press books.
    
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  <item rdf:about="http://www.upress.umn.edu/press/press-clips/mpr-in-minnesota-the-cabin-is-both-a-place-and-a-state-of-mind">
    <title>MPR: In Minnesota, 'the cabin' is both a place and a state of mind</title>
    <link>http://www.upress.umn.edu/press/press-clips/mpr-in-minnesota-the-cabin-is-both-a-place-and-a-state-of-mind</link>
    <description>Review of Sarah Stonich's VACATIONLAND on the Daily Circuit.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816687664.jpg/image_cover_medium" alt="Stonich_Vacationland cover" class="image-left" />Author Sarah Stonich has written  repeatedly about the cabin experience in northern Minnesota. Her latest  book, <a href="http://www.sarahstonich.com/author.html">"Vacationland,"</a> continues the tradition.</p>
<p>And with the weather putting a  damper on the cabin experience this year, reading about it may be as  close as many of us get.</p>
<p>"I don't think it's specifically a  Midwestern experience," Stonich said Monday on The Daily Circuit.  "There's a Vacationland everywhere you go. Here, we just happen to have  this cabin culture that's so engrained. It would be odd to meet a child,  when I was in grade school,  that did not have a family cabin. So you  didn't see your friends too much in the summer, that was for sure."</p>
<p><a class="external-link" href="http://minnesota.publicradio.org/display/web/2013/06/10/daily-circuit-vacationland"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T16:37:00Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/hubble-space-telescope-images">
    <title>Hubble Space Telescope Images</title>
    <link>http://www.upress.umn.edu/press/press-clips/hubble-space-telescope-images</link>
    <description>Review of Elizabeth Kessler's PICTURING THE COSMOS at the Sun News Network.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816679577.jpg/image_cover_medium" alt="kessler_picturing" class="image-left" />In the nineteenth century, poetry and science were “kindred thrones”  which possess the “power to lift the mind above the stir of earth and  win it from low-thoughted care,” in the words of William Hamilton spoken  during a lecture at Trinity College, Dublin in 1832. Poetry can  certainly be considered art, but by the late 19<sup>th</sup> century art  and science had gone their separate ways. Science adopted the language  of mathematics, not art, to explain living things and the universe  itself.</p>
<p>Since then few books have tried to bridge the divide. The most  successful recent exception is The Age of Insight by Nobel laureate Eric  Kandel at Columbia University. In that 2012 book, he looks back to  Vienna in 1900 and how the leaders in science, medicine and art began a  revolution of how we think about the human mind.</p>
<p>In her 2012 book, <i>Picturing the Cosmos</i>, Elizabeth Kessler of  Stanford University tries to apply artistic interpretations to the  images “generated” by the Hubble Space Telescope. I use the word  generated loosely, as the images that have captured the public  imagination are actually carefully crafted by the Hubble Heritage  Project. They reveal not what the human eye would see if it could  capture enough light through a telescope to actually look at a distant  nebula or galaxy, but what the expert photo manipulators find is most  aesthetically pleasing.</p>
<p><a class="external-link" href="http://sunnewspost.com/entertainment/books/item/266-hubble-space-telescope-images"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T16:34:38Z</dc:date>
    <dc:type>Press Clip</dc:type>
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  <item rdf:about="http://www.upress.umn.edu/press/press-clips/rhubarb-to-the-rescue">
    <title>Rhubarb to the Rescue</title>
    <link>http://www.upress.umn.edu/press/press-clips/rhubarb-to-the-rescue</link>
    <description>Fresh &amp; Local podcast interviews Beth Dooley, author of MINNESOTA'S BOUNTY</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816673155.jpg/image_cover_medium" alt="Dooley_Minnesotas cover" class="image-left" />A late spring has made the spring harvest late, so we’re taking a second  look at rhubarb with Beth Dooley, author of Minnesota’s Bounty: The  Farmers Market Cookbook.</p>
<p><a class="external-link" href="http://www.mplsfarmersmarket.com/FreshNews/fresh-local-podcast-rhubarb-wonder/"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T16:39:12Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/mprs-appetites-beth-dooley-on-stars-of-the-spring-harvest">
    <title>MPR's Appetites: Beth Dooley on stars of the spring harvest</title>
    <link>http://www.upress.umn.edu/press/press-clips/mprs-appetites-beth-dooley-on-stars-of-the-spring-harvest</link>
    <description>Dooley is author of MINNESOTA'S BOUNTY</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816673155.jpg/image_cover_medium" alt="Dooley_Minnesotas cover" class="image-left" />ST. PAUL, Minn.</span> — 																																				It's been a slow start to the  growing season, but now we're in the swing of things at farmers markets  around the region.</p>
<p>Beth Dooley, author of "Minnesota's  Bounty: The Farmers' Market Cookbook" discusses what's growing with Tom  Crann of MPR News' All Things Considered.</p>
<p><b>CRANN: You've brought two of the stars of the spring harvest. First asparagus. </b></p>
<p><b>DOOLEY:</b> Yes,  Asparagus are related to ferns and if you plan to plant a few, don't  harvest them all. The unharvested asparagus branch out and become  feathery green. I bought asparagus ferns to decorate my first apartment.</p>
<p>Asparagus are perennials and require  lots of patience to grow. It takes at least two years to establish a  bed.</p>
<p><a class="external-link" href="http://minnesota.publicradio.org/display/web/2013/06/05/appetites/beth-dooley-farmers-markets"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T15:23:57Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/brewing-history-in-the-land-of-amber-waters">
    <title>Brewing history in the Land of Amber Waters</title>
    <link>http://www.upress.umn.edu/press/press-clips/brewing-history-in-the-land-of-amber-waters</link>
    <description>Business @ the U of M interviews author Doug Hoverson</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816652730.big.gif/image_cover_medium" alt="Hoverson_Land cover" class="image-left" />Why were the earliest commercial beers brewed in Minnesota lagers instead of ales?</p>
<p>Doug Hoverson, who wrote the book on beer in Minnesota (literally),  could answer that question and many more, ideally over a pint at a  neighborhood brewpub. A Minnesota native and history teacher, Hoverson  developed an early appreciation for local beer, back when local meant  the Schmidt that his dad drank instead of the Molson Export (from Canada<i>)</i> that his uncle brought home for Christmas.</p>
<p><a class="external-link" href="http://businessumn.com/2013/06/05/brewing-history-in-the-land-of-amber-waters/"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T16:32:29Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/montreal-review-of-books-criminal-neglect">
    <title>Montreal Review of Books: Criminal Neglect</title>
    <link>http://www.upress.umn.edu/press/press-clips/montreal-review-of-books-criminal-neglect</link>
    <description>Discovering the reissue of Frank Packard's THE WIRE DEVILS.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816684564.jpg/image_cover_medium" alt="packard_wire cover" class="image-left" />The only Frank L. Packard book I’ve ever found at a Montreal bookstore was in the “FREE” box at Cheap Thrills.</p>
<p>I couldn’t believe my luck.</p>
<p>You don’t hear Packard’s name in Montreal these days, but a century ago  he was the city’s bestselling novelist. His fame was such that British  publisher Hodder &amp; Stoughton took to substituting the usual author  credit with slogans like “It’s hard to beat PACKARD”.</p>
<p>It’s thought that Packard sold well over four million books in his  lifetime, which began in 1877 in Montreal and ended sixty-five years  later. Commercially, his greatest creation was Jimmie Dale, a masked  millionaire crime fighter known to the public as “The Gray Seal.” The  Green Hornet, The Shadow, and The Batman followed in Jimmie’s wake.</p>
<p>The reissue of Packard’s 1918 novel <i>The Wire Devils</i> focuses  on “The Hawk,” an altogether different sort of masked man. On the  surface, he is in every way a gentleman thief. The well-groomed Hawk  rides the rails like a hobo, but it’s only so that he can commit crimes  of a very clever nature. His lawless rivals, the Wire Devils of the  title, derive their name from a mysterious ability to tap into a  railroad’s telegraph, which in turn allows them to communicate with one  another by code. The Hawk listens, then swoops in to steal targeted  money and items before the gang has a chance to arrive.</p>
<p><a class="external-link" href="http://mtlreviewofbooks.ca/reviews/the-wire-devils/"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T15:21:50Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/dorion-sagan-on-what-now">
    <title>Dorion Sagan on What Now</title>
    <link>http://www.upress.umn.edu/press/press-clips/dorion-sagan-on-what-now</link>
    <description>The COSMIC APPRENTICE author discusses his new book and our global crisis</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><a class="external-link" href="http://pantedmonkey.org/dorion-sagan/"><b><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816681358.jpg/image_cover_medium" alt="Sagan_Cosmic cover" class="image-left" />Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T16:42:44Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/are-you-sleeping-too-much">
    <title>Are you sleeping too much?</title>
    <link>http://www.upress.umn.edu/press/press-clips/are-you-sleeping-too-much</link>
    <description>Matthew Wolf-Meyer (THE SLUMBERING MASSES) appears on CBC's The Current.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816674749.jpg/image_cover_medium" alt="Wolf-Meyer_slumbering cover" class="image-left" />Do you have trouble sleeping? Everyone has a sleepless night from time  to time, but for sufferers of chronic insomnia, bedtime can turn into a  nightmare. But what if you didn't need so much sleep? Research is  looking into ways to make sleep more effective <span>--</span><span> so that you can spend more time awake.</span></p>
<p>The Current's Anna Maria Tremonti interviewed the authors of two new books about sleep. Matthew Wolf-Meyer, the author of <i>The Slumbering Masses: Sleep, Medicine, and Modern American Life</i>, is not convinced that less can be more when it comes to sleep. He  cites the obvious negative effects that come from not getting enough  sleep, but he also approaches the question from a more philosophical  angle. "The other side of the question is <i>why</i> we would want  less sleep," said Wolf-Meyer. "If we're accepting less sleep so we can  do more work, that might not be a great trade-off. But, if we're working  towards less sleep because we want more time with our families or more  recreational time, then that might be something that's actually worth  pursuing."</p>
<p><a class="external-link" href="http://www.cbc.ca/books/2013/06/are-you-sleeping-too-much.html"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T15:17:21Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/salon-why-are-we-here-evolution2019s-dirty-secrets">
    <title>Salon: Why are we here? Evolution’s dirty secrets </title>
    <link>http://www.upress.umn.edu/press/press-clips/salon-why-are-we-here-evolution2019s-dirty-secrets</link>
    <description>Excerpt from Dorion Sagan's COSMIC APPRENTICE</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816681358.jpg/image_cover_medium" alt="Sagan_Cosmic cover" class="image-left" />Why are we here? Might this all just be a big fluke? Even if  evolution is, as Arthur Koestler said, like an “epic recited by a  stutterer,” what is the plot? It seemed like God had a good idea, but  then he got sidetracked. Where is he going with this thing?</p>
<p>I  believe the writer Kurt Vonnegut touched on the heart of this question.  Before a full house of mostly women at Smith College, he first drew a  chart that graphed stories. On the X axis he drew time, on the Y  happiness. By making a line, he showed, he could map any human story.  Goldilocks and the Three Bears started off with a jump when she found  the house in the woods, it moved higher like a stock as she saw the  table place set for her, then higher again as she found her warm bed,  before plummeting when the bears came home. The Garden of Eden started  off very high, plummeted down, and then flatlined. Vonnegut used a big  sheet of paper to mock scientific reductionism and social science in  particular. Most stories weren’t so clear-cut or geometric; they were  more squiggly.</p>
<p>Then he told about his own days. They often  started, he said, despite protests from his wife, who thought he could  use his time more wisely, in taking a leisurely walk to the post office  to mail a single letter. At the post office he bought a single stamp  from the pretty teller. They smiled and he slid her the envelope.  Nothing would ever happen, he admitted. But still, that was not his  point.</p>
<p>What was it?</p>
<p> </p>
<p><a class="external-link" href="http://www.salon.com/2013/06/02/why_are_we_here_evolutions_dirty_secrets/"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T15:13:56Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/beyond-the-body-arthur-krokers-body-drift">
    <title>Beyond the Body: Arthur Kroker's Body Drift</title>
    <link>http://www.upress.umn.edu/press/press-clips/beyond-the-body-arthur-krokers-body-drift</link>
    <description>Discussion on Roy Christopher's blog.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816679164.jpg/image_cover_medium" alt="Kroker_Body cover" class="image-left" />Once declaring that an individual is a “montage of loosely assembled  parts,” and furthermore that when “you are on the phone or on the air  you have no body” (p. xxix), <a href="http://roychristopher.com/marshall-mcluhan-you-know-nothing-of-my-work-douglas-coupland" title="Distant Early Warning: Coupland on McLuhan">Marshall McLuhan</a> (1962) dismembered the body. Our media might be extensions of  ourselves, but they’re also prosthetics, amputating parts as they extend  them, turning us into cyborgs. If we are and always have been cyborgs  (Clark, 2003), then where does the body end and the media begin?</p>
<p>Judith Butler (1990) reassembles the body as “culturally  intelligible” (p. 167). That is, as one that is recognized by the  members of its society, what Sandy Stone (2001) calls the “legible body”  (p. 195). On the phone, on the air, or online, you are “read” as a  member. Stone also postulates the “illegible body” that exists  “quantumlike in multiple states” (p. 196): “Their social system includes  other people, quasi people or delegated agencies that represent  specific individuals, and quasi agents that represent ‘intelligent’  machines, clusters of people, or both” (p. 196). Bringing Bulter, <a href="http://roychristopher.com/n-katherine-hayles-material-girl" title="N. Katherine Hayles interview, 2003">N. Katherine Hayles</a>, and Donna Haraway together, Arthur Kroker’s <a href="http://www.powells.com/biblio/9780816679164?&PID=1288" target="_blank" title="Buy This Book from Powell's"><i>Body Drift: Butler, Hayles, Haraway</i></a> (University  of Minnesota Press, 2012) tackles these theorists and their theories in  turn. His “body drift” is not just the fragmentation of the body into  different codes and constructs, as Stone does (e.g., gendered,  sexualized, augmented, virtual, etc.), but also the fact that concerns  about the body haven’t been marginalized by technological evolution as  largely predicted. Just as telecommuting de-emphasizes place (i.e., we  can work from anywhere) as it reemphasizes it (i.e., where we are  matters more), not having a body or having a technologically mediated  one now matters in a different way. Under the themes of contingency,  complexity, and hybridity, Kroker provides an introduction to and  synthesis of the thought of three major feminist critics and what it  means for the body to drift.</p>
<p><a class="external-link" href="http://roychristopher.com/rosi-braidotti-the-posthuman"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:28:57Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/scott-donaldson-talks-gatsby-on-abc-radio">
    <title>Scott Donaldson talks Gatsby on ABC Radio</title>
    <link>http://www.upress.umn.edu/press/press-clips/scott-donaldson-talks-gatsby-on-abc-radio</link>
    <description>Donaldson is author of Fool for Love: F. Scott Fitzgerald.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816678204.jpg/image_cover_medium" alt="donaldson_fool cover" class="image-left" />Baz Luhrmann’s upcoming screen adaptation of F. Scott Fitzgerald’s <i>The Great Gatsby </i>suggests  this story is as much a tale for our own times as it was for readers  who first encountered the book in 1925. Fitzgerald packed a surprising  amount into his short novel, capturing the ugly excesses of the rich,  female oppression, and moral decay in 1920s America. A timeless parable  of the American Dream and its often devastating consequences? Narrated  by Nick Carraway, the novel takes us into the lives of the extravagantly  wealthy Long Island couple Daisy and Tom, and that of Jay Gatsby,  enigmatic host of legendary parties and Daisy’s former flame.</p>
<p><a class="external-link" href="http://www.abc.net.au/radionational/programs/booksandartsdaily/american-classic3a--the-great-gatsby/4677000"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:24:31Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/minnpost-chronicling-the-life-of-thomas-sadler-roberts">
    <title>MinnPost: Chronicling the life of Thomas Sadler Roberts</title>
    <link>http://www.upress.umn.edu/press/press-clips/minnpost-chronicling-the-life-of-thomas-sadler-roberts</link>
    <description>An interview with Sue Leaf about her new book.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816675647.jpg/image_cover_medium" alt="Leaf_Love cover" class="image-left" />A visit to the local natural-history museum used to be a rite of passage  for elementary-school students. (Holden Caulfield sought his lost  childhood there in “Catcher in the Rye,” remember?) But rocks,  taxidermy, and subdued lighting don't fire up generations raised on  technology, and in recent decades, a lot of those field trips have been  redirected to big, flashy science museums.</p>
<p>And that’s a shame. <a href="http://www.bellmuseum.umn.edu/" target="_blank">The Bell Museum of Natural History</a> is  a not-quite-forgotten treasure that the luckier school kids still  visit. Established in 1872, the Bell’s amazing scientific collections  (and yes, hip modern exhibits) document Minnesota’s lost wild places and  beings. Thomas Sadler Roberts, an influential Minneapolis physician and  naturalist, helped launch the Bell, and his research, collections and  intentions helped preserve the memory of Minnesota landscapes dating  back to the early years of settlement, when conservation was barely a  thought. Today, the man himself has nearly been forgotten.</p>
<p><a class="external-link" href="http://www.minnpost.com/books/2013/05/love-affair-birds-chronicles-life-thomas-sadler-roberts"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:38:03Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/the-humans-are-dead-dominic-pettman-interview-on-nbn">
    <title>"The humans are dead": Dominic Pettman interview on NBn</title>
    <link>http://www.upress.umn.edu/press/press-clips/the-humans-are-dead-dominic-pettman-interview-on-nbn</link>
    <description>The author of HUMAN ERROR talks with Carla Nappi on New Books in Science, Technology, and Society.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816672998.big.gif/image_cover_medium" alt="Pettman_Human cover" class="image-left" />“The humans are dead.”</p>
<p>Whether or not you recognize the epigram from <i>Flight of the Conchords</i> (and if not, there are worse ways to spend a few minutes than by <a href="http://www.youtube.com/watch?v=B1BdQcJ2ZYY">looking here</a>, and I recommend sticking around for the “binary solo”), <a href="http://www.newschool.edu/lang/faculty.aspx?id=1664" target="_blank">Dominic Pettman</a>’s <a href="http://www.amazon.com/dp/0816672997/?tag=newbooinhis-20" target="_blank"><i>Human Error: Species-Being and Media Machines </i></a>(University  of Minnesota Press, 2011) will likely change the way you think about  humanity, animals, machines, and the relationships among them. Pettman  uses a series of fascinating case studies, from television programs to  films to Sufi fables to pop songs, to explore the notion of Agamben’s  “anthropological machines” and the human being as a “technospecies  without qualities” in a modern mediascape that includes Thomas Edison’s  film <i>Electrocuting an Elephant, </i>Werner Herzog’s <i>Grizzly Man</i>,  and the interplanetary soundscape created by NASA (among many, many  others). We recently gathered over Skype to talk about some of the major  thematic and argumentative threads snaking through this book and  Pettman’s recent exploration of totems in <a href="http://www.amazon.com/dp/1780991398/?tag=newbooinhis-20"><i>Look at the Bunny: Totem, Taboo, Technology </i></a>(Zero  Books, 2013). Both books take on the varied ways that love, technology,  identity (both human and not), and economies have been transformed in a  world that includes pacifist Orcs, voices without bodies, ecologies  without nature, reptile-doctors, and pixelated lovers. Enjoy!</p>
<p><a class="external-link" href="http://newbooksinscitechsoc.com/2013/05/31/dominic-pettman-human-error-uminnesota-2011look-at-the-bunny-zero-books-2013/"><b>Listen here.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:35:08Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/the-esoteric-harmony-between-religion-and-science">
    <title>The Esoteric Harmony between Religion and Science</title>
    <link>http://www.upress.umn.edu/press/press-clips/the-esoteric-harmony-between-religion-and-science</link>
    <description>Review of Paul Eli Ivey's book RADIANCE FROM HALCYON</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816680511.jpg/image_cover_medium" alt="Ivey_Radiance cover" class="image-left" />One of the general areas of interest I have is the intersection of  religion and science. It is one of the reasons I have focused so much on  the American religious traditions emerging in the mid-nineteenth  century and leading in the early twentieth. During this time period, the  boundaries were porous and claims fantastic. This is also one of the  reasons why I study Theosophy, because from its beginning it has had an  ambiguous relationship with both religion and science. Frequently  members of the society would suggest that particular scientific  discoveries would prove this or that esoteric claim made by members.  Yet, should science not support their claims, they are quick to dismiss  science as limited in its scope or abilities. For instance, in reading  about Theosophical ideas about the human body, one author was quick to  invoke scientific discoveries to validate part of his claims, but when  science did not validate the other part, he is quick to add, “Nor does  it much more concern us that the Scientists deny the existence of such  an arrangement, because their instruments are inadequate to make their  senses perceive it. We will simply reply—‘get better instruments and  keener senses, and eventually you will.’”</p>
<p><a class="external-link" href="http://usreligion.blogspot.com/2013_05_01_archive.html"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:43:43Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>


  <item rdf:about="http://www.upress.umn.edu/press/press-clips/huffington-post-whats-in-a-sex">
    <title>Huffington Post: What's in a Sex?</title>
    <link>http://www.upress.umn.edu/press/press-clips/huffington-post-whats-in-a-sex</link>
    <description>Understanding the Sexual in Early Modern England | A look at SEX BEFORE SEX, edited by James Bromley and Will Stockton</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="http://www.upress.umn.edu/book-division/images-1/book-covers/9780816680771.jpg/image_cover_medium" alt="Bromley_sex cover" class="image-left" />Every probing into the past is illuminating to the present. Applying  our intuitions to understand past practices is rewarding but exploring  history to make better sense of our present concerns is even more  fulfilling. History is not merely a vacuum, a reality in its own shell, a  lived away period - it is more a piece of the jigsaw of human life, an  essential abstract of the human continuum. The perspective of historical  knowledge is always illuminating, virtually in any dimension, including  ... sex.</p>
<p>With all the exposure that the Internet provides, "sex" is as mundane  a word today as "bread" and "water". Mind, I say *word*. It is  remarkably absent from the language until the very sunrise of the 20th  Century. These days, with all this freedom of speech, we use the word  "sex" as freely as ever. But how did people refer to sex before the word  "sex" developed the default meaning (as different from <i>gender</i>) that we know today? How did they talk about sex before "sex"?</p>
<p>Highly qualified academics have recently joined to produce an engaging book called <a href="http://www.amazon.co.uk/Sex-Before-Figuring-Modern-England/dp/0816680779/ref=tmm_pap_title_0?ie=UTF8&qid=1369945488&sr=8-1" target="_hplink">Sex before Sex: Figuring the Act in Early Modern England</a>.  The academic profile of the book should not put off the general reader.  It is a fascinating collection of insightful essays on sex, sexuality  and what counted as sex in Early Modern England. The authors show how a  retrospect into the Early Modern period is not an end in itself, a sheer  academic pleasure - but is ultimately bound to shed light upon our  modern perceptions and understanding of ourselves and our universe.</p>
<p><a class="external-link" href="http://www.huffingtonpost.co.uk/annie-martirosyan/whats-in-a-sex-_b_3361774.html"><b>Read the full article.</b></a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Maggie Sattler</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Press clip</dc:subject>
    
    <dc:date>2013-06-14T14:40:12Z</dc:date>
    <dc:type>Press Clip</dc:type>
  </item>





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