The Journal of the Association of Moving Image Archivists
Jan-Christopher Horak, Editor
Sally-Anne Hubbard, Associate Editor
Dan Streible, Film Reviews
Alison Trope, Book Reviews
The Moving Image is an exciting new journal that deals with crucial issues surrounding the preservation and restoration of film, television, video, and digital moving images. The journal offers detailed profiles of moving image collections, behind-the-scenes looks at the techniques used to preserve and restore moving images, and theoretical and visionary articles on the future of the field. It is a forum for those concerned with such diverse topics as the ethics of restoration, the validation of "home movies,” genre definitions for scholars and archivists, film/videography of underrepresented visual cultures, and the role of archivists in establishing the perceived canon of great films.
The Moving Image is published twice a year in spring and fall.
Jan-Christopher Horak is the founding vice president of AMIA. He is curator of the Hollywood Entertainment Museum and teaches at UCLA.
Editorial board: Mark Betz, King’s College, London; Grover Crisp, Sony Pictures Entertainment; Oksana Dykyj, Concordia University; Maureen Furniss, Savannah College of Art and Design; John Galt, Panavision; Karen Ishizuka, Japanese American National Museum; Bruce Jenkins, Harvard Film Archive; Laura Marks, Carleton University; David Pierce, British Film Institute; Eric Schaefer, Emerson College; Brian Taves, Library of Congress; Alison Trope, University of Southern California; Martha Yee, UCLA Film & Television Archives; and Patricia Zimmermann, Ithaca College.
Subscription rates
One year (two issues)
Individuals: $30.00
Libraries: $75.00
Outside USA add $5.00 for each year’s subscription.
Back issues:
Individuals: $22.50 (plus $4.50 shipping)
Libraries: $56.25 (plus $4.50 shipping)
All AMIA members receive The Moving Image.
For more information contact:
Association of Moving Image Archivists
Email: amia@amianet.org
Or visit the web site at www.amianet.org.