The Colonial Harem
1986
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Malek Alloula
Translated by Myrna Godzich and Wlad Godzich
Introduction by Barbara Harlow
A collection of picture postcards of Algerian women exploited by the French, this “album” illustrates a powerful analysis of the distorting, denigrating effects of their presence on Algerian Society.
A collection of picture postcards of Algerian women exploited by the French, this “album” illustrates a powerful analysis of the distorting, denigrating effects of their presence on Algerian Society.
Imprisoned by the photographer’s eye, these women reclaim their historicity through the pages of this powerful book. The Colonial Harem deserves a central place in the growing literature of decolonization.
Village Voice
A collection of picture postcards of Algerian women exploited by the French, this “album” illustrates a powerful analysis of the distorting, denigrating effects of their presence on Algerian Society.
$27.50 paper ISBN 978-0-8166-1384-7
160 pages, 9 X 10.5, 1986
Malek Alloula, an Algerian writer now living in France, has published several volumes of poetry in French. Le harem colonial was first published in France in 1981.
Myrna Godzich is translator of two books forthcoming from Minnesota: Alan Touraine’s Return of the Actor and Predrag Matvejevitch’s The Poetics of the Event.
Wlad Godzich teaches comparative literature at the Universite de Montreal and at the University of Minnesota, where he is director of the Center for Humanistic Studies, and is co-editor, with Jochen Schulte-Sasse, of the series Theory and History of Literature.
Imprisoned by the photographer’s eye, these women reclaim their historicity through the pages of this powerful book. The Colonial Harem deserves a central place in the growing literature of decolonization.
Village Voice
Alloula gathers up the impedimenta of empire in the form of (mainly) lewd French postcards of Algerian women which circulated between 1900 and 1930. By displaying and dissecting colonial pornography as an insider he brings into stark relief the violation of the patriarchal gaze at its harshest.
Women’s Review of Books
A shocking photographic excursion into the European fascination with the harem.
Whole Earth Review
French Colonial Documentary
Mythologies of Humanitarianism
Examines cinematic colonial stereotyping as the basis for humanitarian action
Decolonization and the Decolonized
The long-awaited reevaluation of colonialism’s legacy—from the author of The Colonizer and the Colonized
Transfigurations of the Maghreb
Feminism, Decolonization, and Literatures
Through readings of some of the best-known texts in Algerian literature in French, Woodhull both challenges the separation between French and Francophone literatures and cultures in the academy and explores the ways in which “femininity” has been represented in the texts of North African and French writers since the mid-1950s.
Afterimage of Empire
Photography in Nineteenth-Century India
How the colonial photograph revolutionized the very nature of perception
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