Syncope: a fainting, a musical disruption, an elision. The Marquise of O's baby, conceived in a swoon, is born of such a lapse. The tango, with a dip, suspends a woman in time. Poetry skips a beat and compresses the world.
Blending the lyricism of écriture feminine, the rigor of philosophical discourse, and the clarity of journalism, this book takes us whirling through the timelessness of syncope, the stop-time of music, literature, psychoanalysis, and philosophy.
By disclosing moments of "syncopation" in the discourses of Plato, Descartes, Pascal, Hegel, and Kierkegaard, Catherine Clément critiques a certain operation of classical Western logocentric philosophy that always tries to master any fissure of uncertainty. She plays with the paradigm of syncope as it appears in medicine, grammar, music, and poetry. As she uncovers syncopation in Indian philosophies, Clément develops an anthropological account of ravishment in India and at the same time tackles global problems of power through various concepts of the subject. A study of absence among those who traffic in time, her book offers a thrilling look into the lapses where rapture awaits us.