Kierkegaard
Construction of the Aesthetic
1989
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Theodor W. Adorno
Robert Hullot-Kentor, editor
Translated by Robert Hullot-Kentor
Foreword by Robert Hullot-Kentor
Adorno’s first major published work, which points the way to all of his subsequent writings.
Theodor Adorno’s first major published work appeared in German bookshops in February 1933. Kierkegaard challenges not only the founder but also the whole tradition of existentialism, and played an important role in the formation of the Frankfurt School’s Critical Theory.
. . . of importance to scholars of existentialism, intellectual history, and Adorno.
Francisca Goldsmith, Library Journal
Theodor Adorno’s first major published work appeared in German bookshops in February 1933. Kierkegaard challenges not only the founder but also the whole tradition of existentialism, and played an important role in the formation of the Frankfurt School’s Critical Theory.
$22.50 paper ISBN 978-0-8166-1187-4
200 pages, 6 x 9, 1989
Theodor W. Adorno (1903-1969) authored more than twenty volumes, including Aesthetic Theory (published by the University of Minnesota Press), Negative Dialectics, Philosophy of Modern Music, and (with Max Horkheimer) Dailectic of Enlightenment.
Robert Hullot-Kentor is associate professor of humanities at Southhampton College. He has written widely on Adorno and has translated various of his works, including Aesthetic Theory.
. . . of importance to scholars of existentialism, intellectual history, and Adorno.
Francisca Goldsmith, Library Journal
This brief book, perhaps the most accessible of Adorno’s works available in English. Contains the kernel of almost all the themes he developed in later writings.
Academic Library Book Review
A significant contribution to the distinguished series in which it appears.
Journal of Aesthetics and Art Criticism
Philosophy of New Music
A publishing event—a revealing new translation of Theodor Adorno's manifesto of musical radicalism
Kierkegaard and the Ends of Language
A timely and original intervention in our understanding of this major philosopher through the lens of his influence on others
Exotic Parodies
Subjectivity in Adorno, Said, and Spivak
This groundbreaking text begins with the premise that postmodernism, poststructuralism, postcolonialism, and Marxism continue to present certain problems with the self/other distinction. It goes on to offer the first extended critique of the work of Gayatri Spivak; challenge the critical reception of Adorno in the American academy; examine Said's connection to Adorno; and make the first in-depth use of Adorno's Negative Dialectics in the context of postcolonial theory.
The Frankfurt School in Exile
Persuasive and pioneering research on the influence of German intellectuals on postwar American thought
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