During the spiritual revival known as "Mother Ann’s Work" or the "Era of Manifestations" (1837-1850), Shakers throughout the eastern United States experienced instances of intense communion, believing they served as instruments for heavenly spirits. Moved by a dream state or ecstatic possession, these (mostly) women and girls perceived images, songs, and texts that were recorded in writing, drawing, or a combination of both. A flourishing of art in a culture that had previously condemned all forms of image making, the works were considered spiritual bequests, not individual creations, and became known as "gift drawings" and "gift songs." Thousands of gift songs were written down during this time, becoming an integral part of the culture of the Shaker community. Only two hundred rarely seen drawings remain in existence.

Published to accompany the most significant exhibition of Shaker gift drawings and songs, Heavenly Visions includes close to one hundred color lates-including two newly discovered pieces-providing a comprehensive overview to these stunning works. Characterized by complex, precise graphic quality and elegantly written words linked to delicate imagery, these now treasured folk-art pieces range in size from two-inch squares to sheets several feet long. Unified and powerful, the interplay of words and images combine to creates a fascinating and beautiful genre of art.

Illuminating the images, essays by France Morin, Mary Ann Haagen, John T. Kirk, Ann Kirschner, and Sally M. Promey examine this body of art from a variety of perspectives, considering women’s roles as spiritual mediums and the construction of gender within Shaker spirituality. This long-awaited volume serves to connect Shaker artistic and spiritual life and reveals their continuing relevance today.

$39.95 cloth/jacket ISBN 978-0-8166-4069-0
192 pages, 75 b&w photos, 90 color plates, 8 X 10.5, 2001