George Cukor
A Double Life
Patrick McGilligan
One of the highest-paid studio contract directors of his time and dubbed the “women’s director”, George Cukor was five times nominated for an Academy Award as Best Director; and he was a homosexual—a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers.
That rarity of rarities among Hollywood biographies: a full-bodied study of a man and his metier, equally insightful about the life and the art.
Andrew Sarris, New York Times
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One of the highest-paid studio contract directors of his time, George Cukor was nominated five times for an Academy Award as Best Director. In publicity and mystique he was dubbed the “women’s director” for guiding the most sensitive leading ladies to immortal performances, including Greta Garbo, Ingrid Bergman, Judy Garland, and—in ten films, among them The Philadelphia Story and Adam’s Rib—his lifelong friend and collaborator Katharine Hepburn. But behind the “women’s director” label lurked the open secret that set Cukor apart from a generally macho fraternity of directors: he was a homosexual, a rarity among the top echelon. Patrick McGilligan’s biography reveals how Cukor persevered within a system fraught with bigotry while becoming one of Hollywood’s consummate filmmakers.
$24.95 paper ISBN 978-0-8166-8038-2
$24.95 ISBN 978-0-8166-8487-8
416 pages, 5 1/2 x 8 1/2, February 2013
Patrick McGilligan’s biographies include the Edgar-nominated Alfred Hitchcock: A Life in Darkness and Light and Fritz Lang: The Nature of the Beast, a New York Times Notable Book. He coauthored (with Paul Buhle) the classic oral history Tender Comrades: A Backstory of the Hollywood Blacklist (Minnesota, 2012).
That rarity of rarities among Hollywood biographies: a full-bodied study of a man and his metier, equally insightful about the life and the art.
Andrew Sarris, New York Times
Full of information about every aspect of Cukor’s career and refreshingly candid about his sexuality, McGilligan’s book throws some much-needed light on Gay Hollywood in the heyday of the studios.
The Advocate
This funny and surprising book, with its vigorous portrait of Hollywood’s most glamorous age, is an exemplary critical biography and an important film book. It propels Patrick McGilligan into the front ranks of film biographers.
The Washington Post Book World
McGilligan’s biography is the defense that Cukor could never bring himself to write. Much more than just a posthumous ‘outing,’ it gives Cukor his full due as a director of both style and wit, whose long career is all the more impressive given the double life he was forced to live.
Los Angeles Times Book Review
Meticulously researched, A Double Life spends equal time investigating what went into the making of his films as it also tries to go behind the facade of Cukor’s Hollywood Homosexual life.
Seattle Post-Intelligencer
UMP blog - Integrity, survival, excellence: On the double life of George Cukor
Cukor and his circle didn't really use those modern words 'homosexual' or 'gay.' Katharine Hepburn read an early draft of my book and urged me to take those words out as much as possible. She was right. But Cukor's sexual orientation informed his intelligence and humanism, and it becomes the subtext of many of his films, especially those with Hepburn.
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George Cukor: Essential reading on queer cinema and Hollywood history
George Cukor: Essential reading on queer cinema and Hollywood history
PopMatters reviews the book by Patrick McGilligan.