Beautiful Fighting Girl

2011
Author:

Saitō Tamaki
Translated by J. Keith Vincent and Dawn Lawson
Introduction by J. Keith Vincent
Hiroki Azuma

From Nausicaä to Sailor Moon, understanding girl heroines of manga and anime within otaku culture

From Sailor Moon to Nausicaä of the Valley of the Wind, the worlds of Japanese anime and manga teem with prepubescent girls toting deadly weapons. Saitō Tamaki offers a sophisticated and convincing interpretation of this alluring and capable figure. For Saitō, the beautiful fighting girl is a complex sexual fantasy that paradoxically lends reality to the fictional spaces she inhabits.

A foundational book illuminating the phenomenon of cool Japan, Beautiful Fighting Girl explains the global desire for images of little girls that kick ass. Saitō’s uncomfortably deep understanding of the particulars of this Japanese phenomenon allows us to finally begin to answer questions about the far-reaching implications of the now nearly universal fetish, of our atomizing technologies of interactivity, and of our obsessions with new media. Its place in contemporary letters is nearly unparalleled and I wouldn’t be surprised if this book gives that once a decade jostle leading to the n-th wave of feminism or a complete reconfiguration of our understanding of male desire.

Jonathan E. Abel, Pennsylvania State University

From Cutie Honey and Sailor Moon to Nausicaä of the Valley of the Wind, the worlds of Japanese anime and manga teem with prepubescent girls toting deadly weapons. Sometimes overtly sexual, always intensely cute, the beautiful fighting girl has been both hailed as a feminist icon and condemned as a symptom of the objectification of young women in Japanese society.

In Beautiful Fighting Girl, Saitō Tamaki offers a far more sophisticated and convincing interpretation of this alluring and capable figure. For Saitō, the beautiful fighting girl is a complex sexual fantasy that paradoxically lends reality to the fictional spaces she inhabits. As an object of desire for male otaku (obsessive fans of anime and manga), she saturates these worlds with meaning even as her fictional status demands her ceaseless proliferation and reproduction. Rejecting simplistic moralizing, Saitō understands the otaku’s ability to eroticize and even fall in love with the beautiful fighting girl not as a sign of immaturity or maladaptation but as a result of a heightened sensitivity to the multiple layers of mediation and fictional context that constitute life in our hypermediated world—a logical outcome of the media they consume.

Featuring extensive interviews with Japanese and American otaku, a comprehensive genealogy of the beautiful fighting girl, and an analysis of the American outsider artist Henry Darger, whose baroque imagination Saitō sees as an important antecedent of otaku culture, Beautiful Fighting Girl was hugely influential when first published in Japan, and it remains a key text in the study of manga, anime, and otaku culture. Now available in English for the first time, this book will spark new debates about the role played by desire in the production and consumption of popular culture.

Saitō Tamaki is director of medical service at Sofukai Sasaki Hospital in Funabashi, Japan. A practicing psychiatrist in the Lacanian tradition, he is the author of numerous books in Japanese on adolescence and popular culture.

J. Keith Vincent is assistant professor of Japanese and comparative literature at Boston University.

Dawn Lawson is New York University’s East Asian studies librarian.

Hiroki Azuma is a leading cultural critic in Japan.

A foundational book illuminating the phenomenon of cool Japan, Beautiful Fighting Girl explains the global desire for images of little girls that kick ass. Saitō’s uncomfortably deep understanding of the particulars of this Japanese phenomenon allows us to finally begin to answer questions about the far-reaching implications of the now nearly universal fetish, of our atomizing technologies of interactivity, and of our obsessions with new media. Its place in contemporary letters is nearly unparalleled and I wouldn’t be surprised if this book gives that once a decade jostle leading to the n-th wave of feminism or a complete reconfiguration of our understanding of male desire.

Jonathan E. Abel, Pennsylvania State University

Tamaki’s ideas are fascinating, and the points he makes on sexuality prove there’s so much more to that realm than even a liberal view would lead you to believe.

Colorado Springs Independent

A Note on the Translation
Translator’s Introduction J. Keith Vincent
Beautiful Fighting Girl
Preface
1. The Psychopathology of Otaku
2. Letter from an Otaku
3. Beautiful Fighting Girls outside Japan
4. The Strange Kingdom of Henry Darger
5. A Genealogy of the Beautiful Fighting Girl
6. The Emergence of the Phallic Girls
Afterword to the First Edition (2000)
Afterword to the Paperback Edition (2006)
Commentary: The Elder Sister of Otaku: Japan’s Database Animals (2006)
Hiroki Azuma
Notes
Index