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Private Screenings
Television and the Female Consumer
Lynn Spigel and Denise Mann, editors
$25.00 paper
ISBN: 0-8166-2053-9
ISBN-13: 978-0-8166-2053-1
Analyzes how television delivers definitions of "femininity" to its female audiences. Includes a source guide for television shows from 1946-1970.
"'This book contains competent studies that will probably be of most interest to students of media, communications and images in popular culture. Non-specialist fans of the shows discussed will also have great fun seconding or contesting the authors' conclusions." —Women's Review
"This collection represents the cutting edge of feminist cultural criticism today—a heady mixture of substantive historical studies, innovative reception analyses, and sophisticated textual work. This wide-ranging approach brings a richness and texture to the topics being analyzed and effectively demonstrates the (by now axiomatic) principle of cultural studies as a multilayered project." —Contemporary Sociology
Contributors: Julie D'Acci, Sarah Berry, Aniko Bodroghkozy, Robert H. Deming, Dan Einstein, Sandy Flitterman-Lewis, Mary Beth Haralovich, Lynne Joyrich, William Lafferty, Nina Liebman, George Lipsitz, Denise Mann, Lynn Spigel, Jillian Steinberger and Randall Vogt.
Denise Mann is associate professor of film, TV, and digital media at UCLA. She is the author of Hollywood Independents: The Postwar Talent Takeover.
294 pages | 1992
TABLE OF CONTENTS
Introduction
Lynn Spigel and Denise MannInstalling the Television Set: Popular Discourses on Television and Domestic Space, 1948-1955
Lynn SpigelThe Spectacularization of Everyday Life: Recycling Hollywood Stars and Fans in Early Television Variety Shows
Denise MannThe Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs
George LipsitzSit-coms and Suburbs: Positioning the 1950s Homemaker
Mary Beth Haralovich“Is This What You Mean by Color TV?”: Race, Gender, and Contested Meanings in NBC’s Julia
Aniko BodroghkozyDefining Women: The Case of Cagney and Lacey
Julie D’AcciKate and Allie: “New Women” and the Audience’s Television Archives
Robert H. DemingAll’s Well That Doesn’t End—Soap Opera and the Marriage Motif
Sandy Flitterman-LewisAll that Television Allows: TV Melodrama, Postmodernism, and Consumer Culture
Lynne JoyrichSource Guide to TV Family Comedy, Drama, and Serial Drama, 1946-1970
Dan Einstein, Nina Leibman, Randall Vogt, Sarah Berry, Jillian Steinberger, and William LaffertyContributors
Index