Highway 61 Revisited
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Highway 61 Revisited

Bob Dylan’s Road from Minnesota to the World

Colleen J. Sheehy and Thomas Swiss, editors

Table of Contents

PRESS:
Dylan Daily blogpost
MinnPost review
Minnesota Public Radio interview
Shepherd Express review

Watch editor Thomas Swiss speaking about Bob Dylan and Highway 61 Revisited.

Highway 61 Revisited


$22.95 paper
ISBN: 978-0-8166-6100-8

$69.00 cloth
ISBN: 978-0-8166-6099-5


 

New essays consider Dylan’s latest work, his Minnesota roots, and his global reach

The young man from Hibbing released Highway 61 Revisited in 1965, and the rest, as they say, is history. Or is it? From his roots in Hibbing, to his rise as a cultural icon in New York, to his prominence on the worldwide stage, Colleen J. Sheehy and Thomas Swiss bring together the most eminent Dylan scholars at work today—as well as people from such far-reaching fields as labor history, African American studies, and Japanese studies—to assess Dylan’s career, influences, and his global impact on music and culture.

The Dylan effect has extended far beyond the United States in recent decades, and the essays here analyze his contribution to the people and cultures of the United Kingdom, Italy, and Japan. With a special focus on his Minnesota roots, including Greil Marcus’s spectacular tour of Dylan’s hometown, authors also take into account his most recent work and Martin Scorsese’s documentary No Direction Home.

The first cultural and historical geography of his dramatic rise, storied career, and unmatched iconic status, Highway 61 Revisited maps the terrain of Bob Dylan’s music in the world.

“This new collection of scholarly articles on Bob Dylan proves that there are new angles from which to approach his life, his artistic evolution, and his unmatched influence on music and culture. Dylan is inarguably one of the most dissected and discussed artists, musical or otherwise, of the last half-century, and these 20 distinctive, thoughtful, and erudite essays by, e.g., Greil Marcus and international academics from a variety of disciplines such as linguistics, music theory, and African American studies are all welcome additions.” —Library Journal

“The significance of Dylan’s work to people of all backgrounds and interests is reflected clearly in the rich tapestry these authors and their essays represent. Take the time to read, reflect, and savor the depth of writing collected here. It surely will stand for many years as one of the most thoughtful additions to any person’s Dylan collection.” —Talkin’ Blues

“An uncommonly intelligent collection of 20 essays about Bob Dylan’s origins and influence. This book asks new questions and, most significantly, amply illustrates that Dylan scholarship can be lively without being trivial and serious without being pedantic.” —The Best American Poetry

“It surely will stand for many years as one of the most thoughtful additions to any person’s Dylan collection.” —Hibbing Daily Tribune

“A mind-altering gift. . . . Enlightening.” —Minneapolis St. Paul Magazine

Contributors: John Barner, U of Georgia; Daphne Brooks, Princeton U; Court Carney, Stephen F. Austin State U; Alessandro Carrera, U of Houston; Michael Cherlin, U of Minnesota; Marilyn J. Chiat; Susan Clayton; Mick Cochrane, Canisius College; Thomas Crow, New York U; Kevin J. H. Dettmar, Pomona College; Sumanth Gopinath, U of Minnesota; Charles Hughes; C. P. Lee, U of Salford, Manchester, England; Alex Lubet, U of Minnesota; Greil Marcus, U of California, Berkeley; Aldon Lynn Nielsen, Pennsylvania State U; Roberto Polito, The New School; Robert Reginio, Frostburg State U; Heather Stur, U of Southern Mississippi; Mikiko Tachi, Chiba U, Japan; Gayle Wald, George Washington U; Anne Waldman, Naropa U; David Yaffe, Syracuse U.

Colleen J. Sheehy is director of education at the Weisman Art Museum. Her books include Cabinet of Curiosities: Mark Dion and the University as Installation (Minnesota, 2006).

Thomas Swiss is professor of culture and teaching at the University of Minnesota. His books include Key Terms in Popular Music and Culture and New Media Poetics.

312 pages | 23 b&w photos | 7 x 10 | 2009

 

TABLE OF CONTENTS

Introduction
Colleen J. Sheehy, John Barner, and Thomas Swiss

Part I. Highway 61, from North to South
1. Hibbing High School and “the Mystery of Democracy”
Greil Marcus

2. Jewish Homes on the Range, 1890–1960
Marilyn J. Chiat

3. Not from Nowhere: Identity and Aspiration in Bob Dylan’s Hometown
Susan Clayton

4. “A Lamp Is Burning in All Our Dark”: Bob Dylan and Johnny Cash
Court Carney

5. Allowed to Be Free: Bob Dylan and the Civil Rights Movement
Charles Hughes

Part II. Planet Waves
6. Lives of Allegory: Bob Dylan and Andy Warhol
Thomas Crow

 7. Like the Night: Reception and Reaction Dylan UK 1966
C. P. Lee

8. Oh, the Streets of Rome: Dylan in Italy
Alessandro Carrera

9. Bob Dylan’s Reception in Japan in the 1960s and 1970s
Mikiko Tachi

10. Borderless Troubadour: Bob Dylan’s Influence on International Protest during the Cold War
Heather Stur

Part III. The Ancients, Whom All Moderns Prize
11. Bob Dylan’s Lives of the Poets: Theme Time Radio Hour as Buried Autobiography
Mick Cochrane

12. Bob Dylan’s Memory Palace
Robert Polito

13. Among Schoolchildren: Dylan’s Forty Years in the Classroom
Kevin J. H. Dettmar

Part IV. In a Voice without Restraint
14. Women Do Dylan: The Aesthetics and Politics of Dylan Covers
Daphne Brooks and Gayle Wald

15. Crow Jane Approximately: Bob Dylan’s Black Masque
Aldon Lynn Nielsen

16. Not Dark Yet: How Bob Dylan Got His Groove Back
David Yaffe

17. “Nettie Moore”: Minstrelsy and the Cultural Economy of Race in Bob Dylan’s Late Albums
Robert Reginio

18. “Somewhere down in the United States”: The Art of Bob Dylan’s Ventriloquism
Michael Cherlin and Sumanth Gopinath

19. Dylan/Disabled: Tolling for the Deaf and Blind
Alex Lubet

20. Bob Dylan and the Beats: Magpie Poetics, an Investigation and Memoir
Anne Waldman

Acknowledgments
Contributors
Index

 
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