Isherwood on Writing
 


Isherwood on Writing

Christopher Isherwood
Edited by James J. Berg
Foreword by Claude Summers

Table of Contents

Isherwood on Writing

$25.95 cloth/jacket
ISBN: 0-8166-4693-7
ISBN-13: 978-0-8166-4693-7

 

A publishing event—Isherwood’s lectures on writing and writers, available for the first time.

In the 1960s, Christopher Isherwood gave an unprecedented series of lectures at California universities on the theme “A Writer and His World.” During this time Isherwood, who would liberate the memoir and become the founding father of modern gay writing, spoke openly for the first time about his craft—on writing for film, theater, and novels—and on spirituality. Isherwood on Writing brings these public addresses together to reveal a distinctly—and surprisingly—American Isherwood.

Given at a critical time in Isherwood’s career, these lectures mark the era when he turned from fiction to memoir. In free-flowing, wide-ranging discussions, he reflects on such topics as why writers write, what makes a novel great, and what influenced his own work. Isherwood talks about his working relationship with W. H. Auden; his literary friendships with E. M. Forster, Virginia Woolf, Stephen Spender, Aldous Huxley, and Somerset Maugham; and his work in the film industry in London and Hollywood. He also explores uncharted territory in candid comments on his own work, something not contained in his diaries.

Isherwood on Writing uncovers an important and often-misunderstood time in Isherwood’s life in America. The lectures present, in James J. Berg’s words, “an example of a man, comfortable in his own sexuality and self, trying to talk about himself and his own life in a society that is not yet ready to hear the whole story.”

“The book presents an interesting dichotomy of a man comfortable in his gay skin and able to discuss it, while the populace he divulges it to don’t grasp his intent.” —Gay & Lesbian Times

“As a diarist, Isherwood was funny, wry, astute—alternately compassionate and warm and hot and agitated, but never less than entertaining. Filled with poignant humor, gentle kindness, and, above all, nurturing love.” —Choice

“These lectures from the ‘60s hold fresh insights into the author’s life.” —The Advocate

A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904–1986) is the author of Christopher and His Kind, The Condor and the Cows, Down There on a Visit, Kathleen and Christopher, Lions and Shadows, A Meeting by the River, The Memorial, My Guru and His Disciple, Prater Violet, A Single Man, and The World in the Evening. A selection of his finest writing is collected in Where Joy Resides.

James J. Berg is dean of social sciences and arts at College of the Desert, Palm Desert, California. He is editor, with Chris Freeman, of The Isherwood Century: Essays on the Life and Work of Christopher Isherwood (winner of the Lambda Award) and Conversations with Christopher Isherwood.

Claude Summers is professor emeritus of English at the University of Michigan, Dearborn and author of many works, including Gay Fictions: Wilde to Stonewall.

208 pages | 6 halftones | 5 1⁄2 x 8 1⁄2 | 2008

 

TABLE OF CONTENTS

Foreword, Claude J. Summers
Editor’s Acknowledgments
Introduction: The American Isherwood, James J. Berg

Part I.  A Writer and His World, 1960
Influences
Why Write at All?
What Is the Nerve of Interest in the Novel?
What Is the Nerve of Interest in the Novel? (continued)
A Writer and the Theater
A Writer and the Films
A Writer and Religion
A Last Lecture

Part II. The Autobiography of My Book, 1963–65
All the Conspirators, The Memorial
The Berlin Stories
The Dog Beneath the Skin, The Ascent of F6, On the Frontier
Prater Violet
The World in the Evening
Down There on a Visit

Part III. Lecture Notes
A Writer and His World
Writers of the Thirties
The Novel As Experience
A Personal Statement
Voices of Novelists and Dramatists: Modern
What Is a Novel?
The Novel and the Novelist

Editor’s Notes
Index