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Taboo Subjects
Race, Sex, and Psychoanalysis
Gwen Bergner
$20.00 Paper
ISBN: 0-8166-4068-8
ISBN-13: 978-0-8166-4068-3$60.00 Cloth
ISBN: 0-8166-4067-X
ISBN-13: 978-0-8166-4067-6
Interrogates the intersection of gender and racial subjectivity in American culture.
In American literature, a traumatic scene of racial and sexual awakening—frequently involving photographs, mirrors, or acts of witnessing—often precipitates a character’s “discovery” of racial identity. Similarly, in the annals of psychoanalysis, notions of self and sexual identity often arise from visual trauma such as the mirror stage and primal scene. Noting this parallel between specular births of racial and sexual subjectivity, Gwen Bergner uses a comparative analysis of psychoanalytic theory and American literature to develop a theory of racialization—the process through which individuals assume an identity as black or white.
Examining the primal scenes of double consciousness in works by Frederick Douglass, William Faulkner, and Toni Morrison, among others, alongside the formative visual traumas of psychoanalytic theory of Lacan and Freud, Taboo Subjects reveals how literature disrupts psychoanalysis’s conventional models of race and gender identification, forcing a reconfiguration of many foundational psychoanalytic texts. And from psychoanalysis Bergner derives a critical vocabulary for theorizing racialization as it intersects with sex and gender, for both black and white Americans.
"An important contribution to the ongoing conversation about the intersection of race, gender, and psychoanalysis. It exposes the Freudian primal scene as a male fantasy of female castration that supports the illusion of male power. In addition, it extends the scope of psychoanalysis to race by showing how a 'castrating' gaze produces both a feminized and a racialized subject." —Modern Fiction Studies
"Taboo Subjects is certainly a provocative book." —Psychoanalysis, Culture & Society
Gwen Bergner is associate professor of English at West Virginia University.
240 pages | 5 7⁄8 x 9 | 2005